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Search Results for: Puerto Rico

Allyson Briggs ”La Rubia de La Salsa”

A little of her story

Allyson Briggs ”La Rubia de La Salsa” is a bandleader and singer who has earned a lot of recognition in recent years. Currently, this talented woman leads the Fleur Seule orchestra, whose main musical genres are salsa, jazz, swing and ballroom dancing.

Also known as ”The Glamorous Girl of Jazz” is able to sing in seven different languages and several of her covers have been written by artists such as Edith Piaf, Ella Fitzgerald, Louis Armstrong, Frank Sinatra, Marc Anthony, Héctor Lavoe, among others.

We feel very fortunate to have been able to interview Allyson, who has kindly agreed to tell us about her life and career so that readers of International Salsa Magazine can get to know her better.

Allyson Briggs ''La Rubia de La Salsa'' performing on stage
Allyson Briggs ”La Rubia de La Salsa” performing on stage

How she became interested in music

When we hit the subject of her childhood, Allyson told us that her parents always played classical music. ”We listened to a lot of the classics, big bands, swing, blues, rock and roll, jazz, opera, among other genres,” she said. That’s how her love for these styles began, but the case of Latin music was different.

Her taste for Latin music is because she is married to a Puerto Rican, so she feels her husband and her in-laws have influenced her to end up falling in love with salsa, Puerto Rican music and its culture in general.

This inclusion of Latin rhythms has made her Fleur Seule orchestra collect a lot of fans who simply want to dance to these genres and, some of them, remember their roots.

How she learned to sing in Spanish

Long before she learned Spanish, Allyson began to learn German, which she considers her second language. This interest came from the German roots in her family, whose past always seemed very interesting to her. The same happened with French, as the artist also has French ancestors.

In the case of Spanish, she had some kind of contact with the language at school, but its actual use began when she got married and had to communicate in that way at home. In addition to that, Allyson has a lot of friends in New York, who have helped her a lot to understand certain things about the language.

Allyson learned Spanish thanks to her Puerto Rican husband
Allyson learned Spanish thanks to her Puerto Rican husband

Hispanic artists she likes the most are Héctor Lavoe, Rubén Blades, Celia Cruz and Javier Solis. As for covers, she commented that she always tries very hard to understand what a composer wants to say with his lyrics in order to make the interpretation as faithful as possible.

Why is she called ”La Rubia de La Salsa”?

The name ”La Rubia de La Salsa” was not invented by Allyson herself, but by some concertgoers when she sang at La Marqueta, Spanish Harlem. The point is that no one could pronounce Fleur Seule, so they opted for something that everyone could pronounce with no problem.

Upon hearing it for the first time, she realized that this nickname captured her essence perfectly due to her physique, her costumes and the type of music she makes. For the same reason, she is still called by that name to this day.

Fleur Seule

Allyson revealed that she chose the name ”Fleur Seule” for her orchestra in honor of the French language. In addition to that, it sounds unique and elegant to anyone who hears it.

As for the beginning of her orchestra, she told that she met a guitarist with whom she started doing some musical projects. This same person provided her with certain recommendations in terms of singing and even language, which were taken into account until she was able to assemble a complete group.

She chose the name ''Fleur Seule'' for her orchestra because it sounds elegant and unique
She chose the name ”Fleur Seule” for her orchestra because it sounds elegant and unique

Activity during and after the pandemic

Allyson told us that the pandemic gave her the opportunity to meet multiple people through social networks due to online concerts she offered twice a week. When things began to return to normal, there were many fans who told her that they got to know her music through digital platforms like Instagram and Facebook.

At the moment, she has some performances planned in Puerto Rico and the state of Florida after the success he had the last time she went to those places. He also mentioned that she would like to go to Colombia and Japan, as both countries are big salsa fans.

Read also: Producer, film director and actor Jess Thomas

Khary Rios and Mayra Rivera from La Poderosa 360

La Poderosa 360

La Poderosa 360 is a radio and digital television station that is broadcast from Puerto Rico, specifically from the city of Arecibo, which is tuned in 24 hours a day through its official website. It offers Latin music, variety, preaching shows and much more.

In this edition, we were fortunate to interview its marketing director, Khary Ríos, and R&R Media Group’s president, Mayra Rivera, who were kind enough to tell us a little about the station, its function, its emergence, its programming, among other important aspects.

Official logo for La Poderosa 360
Official logo for La Poderosa 360

Beginnings

Once the introductions are completed, Khary Ríos went on to explain that La Poderosa 360 emerged amid the pandemic. Their objective was to open an FM station with local coverage, but then they decided to take advantage of their overseas businesses and advertising to launch the product in online format. Much to their surprise, it turned out to be very successful and popular among a vast audience.

Later, Mayra added that they had a wrestling company, but everything went down with the health emergency caused by COVID-19, so they had to find a way to reinvent themselves. That is when Khary had the idea to create something that could be enjoyed by the public from the comfort of the home. 

As for her work experience applied to the station, Rivera told us that she has a master’s degree in marketing, is a spokeswoman for a university and was the rector of an educational institution. All this made her get used to interviews and, now, she applies learning learning on her segment called ”Nosotras Sí Podemos”, which seeks to empower women and give them required tools to have a better quality of life.

For his part, Khary is currently finishing her studies in marketing and advertising, and he is also applying his knowledge to the company.

La Poderosa 360’s main mission and programming

When asked to talk about the main mission and programming, Ríos said he was very happy with the results obtained. In fact, they are already trying to conquer new markets such as fans of regional Mexican music and other genres in vogue.

They started the project by focusing on salsa, but they included reggaeton due to its great popularity in Puerto Rico. Of course, they care much that the lyrics do not contain bad words or those that are too offensive to certain audiences. Occasionally, they broadcast boleros, but the strength of La Poderosa 360 is tropical music, which will always have priority over other styles.

Khary Rios, marketing director of La Poderosa 360
Khary Rios, marketing director of La Poderosa 360

Sustainability

On the subject of sustainability, Khary Ríos told us that sponsors come on their own. ”At the beginning, it was complicated and we had to do a job of positioning the brand, but over time the sponsors have arrived, invested little by little and stayed indefinitely” said the marketing director.

Mayra added that, despite the change they made from the wrestling channel to the station, there were many loyal customers who continued to believe in them and maintain their support no matter what changes they had made. It was the investment of those customers and the one made by Khary and Mayra that got the project afloat.

They are very happy because many of the people who supported them understood the modifications. In fact, the host of one of the show ”Domingo de Alabanzas” comes from the wrestling scene and they are exploring the possibility of giving space to MMA (Mixed Martial Arts) in La Poderosa 360, which makes it clear that those involved have adapted to the situation as well as possible.

For the time being, they are very comfortable in this musical atmosphere and do not think they will change it in the future. This new formula has worked well for them.

Countries with the best ratings

According to the data they have collected, the best ratings are in Puerto Rico, Florida (USA), Colombia, Venezuela, Peru, Panama, Spain and Mexico. Colombia, Venezuela and Peru always ask for salsa, while Mexico asks for a lot of reggaeton. Puerto Rico is divided with salsa and reggaeton depending on the day.

In the state of Florida, you hear a lot of timba and Cuban music in general due to the large Cuban diaspora who lives there.

Brandy Lamboglia, host of ''Domingo de Alabanzas'' in La Poderosa 360
Brandy Lamboglia, host of ”Domingo de Alabanzas” in La Poderosa 360

The only requirement demanded by La Poderosa 360 to play a song is that it has a ”clean” version, since curses and vulgarity are not accepted in the programming. In that sense, Mayra pointed out that there are song submissions that had to be returned due to the excessive amount of bad words, but if it is a reasonable amount, Khary can work with that material to censor the few bad words that are present.

Collaborations with other broadcasters and platforms

Both Khary and Mayra emphasized that they had a hard time taking the station to where it is, so they are very careful when choosing with whom to collaborate, as there are many people doing programming that they determine is vulgar and they do not want to get mixed up in that type of content.

They have done collaborations with several networks and have knocked on many doors, but they point out that the professional relationship that continued to this day has been with Edwin ”El Calvito” Reyes, who believed in the project from the beginning. Khary describes him as a serious man and a gentleman in every sense of the word.

Read also: The beautiful story of dancer, actor and singer Pancho Martinez Pey

Alex Acuña

USA / Los Angeles / California

Alex Acuña and 3 times Grammy nominated artist

Alex Acuña in concert
Alex Acuña

Born in Pativilca, Peru, 100 miles north of Lima, Alex Acuña was born into a musical family that inspired him and helped shape him as a musician. His father and five brothers were all musicians. Alex taught himself how to play

the drums from the age of four. By the time Alex turned ten, he was already playing in local bands. As a teenager, he moved to Lima and became one of Peru’s most accomplished session drummers, performing on many recording projects for artists, as well as film and television productions.

In Lima, Alex also earned a glowing reputation for his live performances. So much so, that at the age of eighteen, Alex was chosen in 1964 by the great Cuban band leader, Perez Prado, to join his big band. It was with the Prado band that Alex first traveled to the United States.

In 1965, Alex moved to Puerto Rico to work as a studio musician and play locally. During this period, he also studied for three years at the Puerto Rico Conservatory of Music, playing as a classical percussionist with the Symphony Orchestra under the direction of the famed Spanish cellist master Pablo Casals.

Alex Acuña with the Congas
Alex Acuña with the Congas

Alex moved to Las Vegas in 1974, where he played with such greats as Elvis Presley Diana Ross, Paul Anka, Frank Sinatra, Olivia Newton John. Between 1975 and 1977, he made part of jazz history when he became both drummer and percussionist for one of the most innovative and pioneering jazz groups of our time, Weather Report.

He first performed as percussionist (October 1975 to April 1976), and later as drummer (April 1976 to October 1977). He recorded two albums with the group: “Black Market” (1976) and the highly successful “Heavy Weather” (1977), which included the famous tracks “Birdland” and “Havona.” “Heavy Weather” became the first jazz-fusion album to sell a million copies.

Alex next moved to Los Angeles, California, in 1978 where he quickly earned the position of a valued session drummer and percussionist for recordings, television and motion pictures.

His countless album credits include such diverse artist as U2, Paul McCartney, Blondy, Joni Mitchell, Jay Z, Ella Fitzgerald, Whitney Houston, Annie Lennox, Sergio Mendes, Yellow , Joe Cocker, Jennifer Nettles, Jackets, Chic Corea, Herbie Hancock, Paco de Lucia, Ron Carter, Gonzalo Rubalcaba, Julio Iglesias, Koinonia, Chris Botti, Chano Dominguez, Tom Jones, Seals, Juan Gabriel, Luis Miguel, Placido Domingo, Ron Kenoly, Sam Phillips, The Winnans, Phil Keagy, Lee Ritenour, Larry Carlton,Wayne Shorter, Joe Zawinul and also has performed with the London Symphony Orchestra, Metropole Orchestra, WDR big band.

Alex has also performed live with the likes of Al Jarreau, Bobby McFerrin Roberta Flack, Antonio Carlos Jobim, The Gipsy Kings, Paco de Lucia, Celia Cruz, Carlos Santana, Herbie Hancock, Christina Aguilera, James Taylor, Michael Mc Donald, Tito Puente, Roy Orbison, Bruce Springsteen, Eddie Palmieri, to name a few. Additionally, Alex has recorded film scores under the direction of Great Composers:

Gustavo Dudamel, Dave Grusin, Alan Silvestri, Michele Legrand, Bill Conti, Michele Colombier, Marvin Hamlish, Maurice Jarre, Mark Isham, Michael, Giacchino, John Dabney, John Powell, James Newton Howard, Hans Zimmer, Randy Newman, John Williams, Harry Gerson Williams, Lalo Schiffrin, Steve Jablonski, Christophe Becker and many others.  He became the recipient of many awards and honors including the Emeritus MVP award from NARAS

(National  Academy of Recording for the Arts and Sciences) and winner of the “Best Latin/Brazilian Percussionist” of Modern Drummer’s Readers Poll for fifteen consecutive years.

Alex’s South American and Caribbean roots and understanding of contemporary and classical music make him a complete and skilled master musician. In 2000, Alex Acuña y Su Acuarela De Tambores received a Grammy nomination for “Best Traditional Tropical Latin Album” for “Rhythms for a New Millennium”. This solo album included varying styles of Latin, South American and African percussion. The nomination confirmed Alex’s vast knowledge and expertise of percussion rhythms. Zan Stewart of the Los Angeles Times wrote, “Alex Acuña is the epitome of the world music percussionist, to whom no style is a stranger”.

Alex also received two Latin Grammy nominations in 2003. Los Hijos del Sol “To My Country”, which was released by his independent record label – NIDO Entertainment. The second Latin Grammy nomination came for Tolu’s

“Bongo de Van Gogh” released by Tonga Productions. In 2004, Alex released his follow up album by Alex Acuña and the Unknowns titled “No Accent”. New Cd called Barxeta by Losen records 2013. In addition, Alex has composed music for various artists and produced “Thinking of You” by Alex Acuña and the Unknowns, “Rumberos Poetry” by Tolú and “Aliyah” by Kay Silberling. This year will see the release of some new DVD projects for Drum Channel.

Alex is widely known as an educator, gifted teacher and clinician of drums and percussion. He has recorded four solo instructional videos and provides seminars at universities such as UC Los Angeles, Berklee School of Music in

Boston. USC  and other top international schools of music. HYPERLINK “http://www.DWDrums.com”

www.DWDrums.com;

HYPERLINK “http://www.sabian.com” www.sabian.com;

HYPERLINK “http://www.GonBopsPercussion.com”

www.GonBopsPercussion.com;

HYPERLINK “http://www.VicFirth.com” www.VicFirth.com;

HYPERLINK “http://www.Evans.com” www.Evans.com;

Alex Acuña with the music instruments
Alex Acuña with the music instruments

Zoom and Shure microphones all sponsor Alex. He is also credited with the design of Zildjian’s “Azuka” line of cymbals, signature Vic Firth sticks and the caddy stick bag, the Alex Acuña line of Signature percussion instruments with GonBops – 4 Special Edition Congas, 5 Cow Bells, Timbales, Bongos and his own Especial Edition Peruvian Cajon.

Innovation, energy and pure heart characterize Alex’s playing. It is easy to see why Alex Acuña is one of the most sought after musicians of our time. Alex recognizes his music as a gift from the Lord Jesus and gives all the glory to God!

HYPERLINK “http://www.myspace.com/acunahoffmathisen”http://www.myspace.com/acunahoffmathisen

HYPERLINK “http://www.youtube.com/watch?v=35KT2leNa30″http://www.youtube.com/watch?v=35KT2leNa30

HYPERLINK “http://www.facebook.com/event.php?eid=148441735197932″http://www.facebook.com/event.php?

eid=148441735197932

Alex Acuña
Alex Acuña

Famous Movies where Alex Acuña is playing since 2000

Drum Line

The Incredible

Hancock

Mr. and Mrs. Smith

Mission Impossible 3 & 4 Star Trek Into the Darkness Star Trek

Ratatouille

UP

Hop

Super 8

Italian Job

Beverly Hills Chihuahua Happy Feet

Transformers

Speed Racer

RED

The Kite Runner

X-Men Origin- Wolverine Burlesque

Entangled

Bourn Legacy

Bucket List

Toy Story 3

Cars 2

Monte Carlo

Happy Feet

Hansel & Gretel

Jupiter Ascending

Monsters University

John Carter

Cars

Smurf

Frozen

Tangle

Bourne Legacy

Monte Carlo

Down Of the Planets of the Apes Tomorrowland

Jupiter Ascending

Inside Out

Minions

Jurassic World

Sisters

The Big Short

Alvin and the Chipmunks: Road Chip Zootopia

Movies that Alex recorded and won the OSCARS 2016 – 2017

1 – la la land

2 – Moana

3 – Star wars – Rogue one

4 – Moana

5 – Zootopia

6 – Jungle Book.

Movies that Alex recorded during 2017

1 – COCO

2 – Star Wars – The Last JEDI

3 – Pitch Perfect – 3

4 – Despicable – 3

5 – Spider Man – Home Coming

6 – Birth Of A Nation

7 – Minions

8 – War For The Planets of The Apes

Ayumi Azucar Suzuki

Asia / Tokio / Japón

Ayumi Azúcar Suzuki, plays Latin percussion, Classic percussion, Marimba & Vibraphone.

Ayumi "Azúcar" Suzuki and her drums
Ayumi “Azúcar” Suzuki and her drums

Ayumi Azúcar Suzuki was born in Japan. She plays Latin percussion, Classic percussion, Marimba & Vibraphone.

Ayumi Suzuki
Ayumi Suzuki

She graduated from the Faculty of Percussion, Tokyo College of Music. At the college; she began to study percussion in earnest mainly with classic music and gained experience of ensemble in orchestras, brass bands, musicals, operas, etc.

At the same time, she started to organize concerts and participate as percussionist, keyboard percussionist or drummer.

Ayumi Suzuki
Ayumi Suzuki

She has been also teaching eurythmics at a nursery school.

In 2015, she started her own band, “Ayumania” that features mostly her original compositions and arrangements, where she fuses Japanese atmosphere into Latin rhythm.

Inviting both Japanese and foreign guests, she has been organizing live concerts in various places in Tokyo.

In July 2017, she released her first album “Oukagekka” in Japan. It has been promoted in overseas radio programs in Colombia, Puerto Rico and New York.

Ayumi Suzuki
Ayumi Suzuki

 

National Zalsa Day 2020

North America / Puerto Rico

In April 2000, the third Sunday of March was instituted as the National Zalsa Day under Law #100 of the Senate of Puerto Rico

National Zalsa Day 2020 - Edicion Platino
National Zalsa Day 2020 – Edicion Platino

History

The National Zalsa Day was created in 1984 by Pedro Arroyo, Z-93 Programming Director, who always had the desire to celebrate an event where the talent of popular salsa music, its composers and performers would be recognized, to present it to the great public that loves this tropical genre.

Since its first year, the great event has seized a public eager to enjoy this live music.
The support was total and it immediately positioned itself as the annual concert of the people of Puerto Rico and visitors from other countries.

Since its inception, the National Day of the Zalsa was dedicated to some figure of this genre, as a recognition of their talent and their roots in the public.

  • 1984 – Dedicated in life to the Sonero Mayor, Ismael Rivera
  • 1985 – Rafael Ithier of the Great Combo of Puerto Rico
  • 1986 – Tito Puente and Santitos Colón
  • 1987 – Hector Lavoe
  • 1988 – Andy Montañez and Gilberto Santa Rosa
  • 1989 – Celia Cruz and the Sonora Ponceña
  • 1990 – Willie Colón and Tite Curet Alonso
  • 1991 – Bobby Valentín, Oscar D’ León and the composer Gloria González.
  • 1992 – For the Best 5 Trumpets of Puerto Rico: Elías Lopés, Charlie Sepúlveda, Juancito Torres, Mario Ortiz and Luis “Perico” Ortiz
  • 1993 – Celebration of the Tenth Anniversary of the National Day of the Zalsa, dedicated to the Salsero People 1994 – Ray Barreto and Adalberto Santiago
  • 1995 – “Sunset Duels”
  • 1996 – Dedicated to reunions: Classic Ensemble, Tito Nieves, Luis “Perico” Ortiz and Rafael De Jesús, El Gran Combo; Andy Montañez and Roberto Rohena; Sonora Ponceña with Luigi Texidor and Yolanda Rivera.
  • 1997 – To the salsa town
  • 1998 – Jerry Masucci
  • 1999 – Cheo Feliciano
  • 2000 – Richie Ray and Bobby Cruz
  • 2001 – Eddie Palmieri
  • 2002 – Ruben Blades
  • 2003 – Johnny Pacheco and Roberto Rohena
  • 2004 – Quique Lucca, Papo Lucca and Willie Rosario
  • 2005 – Tommy Olivencia and Roberto Angleró
  • 2006 – Los Hermanos Lebrón and posthumous tribute to Charlie Palmieri, Tito Rodríguez and Ray Barretto
  • 2007 – Ismael Miranda, Ramón Rodríguez, Raphy Leavitt and Sammy Marrero
  • 2008 – Larry Harlow and Manny Oquendo
  • 2009 – Celebration of the release of Tite Curet Alonso’s work on Puerto Rican radio. Dedicated to Louis Garcia.
  • 2010 – Johnny Ortiz. Special recognition to Héctor Maisonave and Ángel Luis Córdova García “Paleco”.
  • 2011 – Elvin Torres from Costa Brava, Luisito Ayala from Puerto Rican Power, Paquito Guzmán, Tito Allen and Luigi Texidor
  • 2012 – Posthumous tribute to Frankie Ruiz. Dedicated to the Zodiac Orchestra and the Latin Corporation.
  • 2013 – Posthumous tribute to Pedro Arroyo, former director of Z-93. Special recognition to Edwin Morales from La Mulenze, Pedro Brul, Pedro Conga from Orquesta Internacional and Cano Estremera.
  • 2014 – El Gran Combo, Joe Rodríguez de La Terríca, Justo Betancourt and Meñique
  • 2015 – Gilberto Santa Rosa receives the first National Zalsa Day Star Award. Dedicated to Sammy “Rolo” González, Mickey Cora, Nacho Sanabria.
  • 2016 – Eddie Palmieri receives the second National Zalsa Day Star Award. Dedicated to Lalo Rodríguez and Tito Rojas.

National Zalsa Day 2020

On March 8, the 37th edition of the National Salsa Day will be held at the Hiram Bithorn Stadium, in San Juan, Puerto Rico.

National Zalsa Day 2020 outside
National Zalsa Day 2020 outside

We often hear that salsa in Puerto Rico is not having a good time or that the atmosphere is not what it used to be. However, each time before. However, every time National Salsa Day is announced, everything changes.

Those who live on the island rub their hands to wait for the big moment and those who arrive from abroad begin to check plane tickets and schedule a little vacation.

In 2020 it will not be the exception. The station Z93 announced a tremendous salsa billboard with Eddie Palmieri, Sonora Ponceña, Oscar D’ León, Ismael Miranda, Lalo Rodríguez and India.

In addition, Tony Vega, Ray de la Paz, Tito Rojas and NG2 have been confirmed as part of the great salsa party. This has caused fans on social networks to begin to express themselves with different opinions about the chosen artists.

Perhaps the balance tilts favorably towards the more classic salsa and not so much towards the proposals of the youngest (except NG2), but let’s see how this formula works for Zeta.

National Zalsa Day 2020 37 XXXVII
National Zalsa Day 2020 37 XXXVII

The Crazy Owl, a popular Puerto Rican radio host, announced that tickets can be purchased on the Ticket Center website (tcpr.com/). So you are already warned.

If you want to give yourself the pleasure of enjoying salsa on the Isla del Encanto itself, this may be your chance.

Flyer of National Zalsa Day 2020
Flyer of National Zalsa Day 2020
  • V.I.P platinum $225.00
  • Area / V.I.P
  • Open bar / open bar
  • Quick access / Fast Pass
  • Private bathrooms / private bathrooms
  • Official T-shirt / official t-shirt
  • V.I.P arena $75.00
  • Numbered seat / reserved seating
  • Quick access / fast pass
  • Private bathrooms / private bathrooms
  • General admission $15.00
  • Christmas offer only 1000 tickets

For more information:

  • https://zeta93.lamusica.com/
  • https://www.facebook.com/zeta93fm/?ref=page_internal

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.