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Search Results for: Salsa Fest

This is Roger Danilo Páiz Pérez from Danilo Y Su Orquesta Universal

Why is he called Danilo?

We will start a conversation with bandleader, percussionist, and singer Roger Danilo Páiz Pérez. Pleased to meet you, how are you doing?

I’m fine thanks, Karina. Sitting here and ready to be interviewed by your magazine. I have a lot of information about what has happened in my life being a musician here in the Bay Area since the 70’s.

Danilo on guitar at one of his frequent restaurant performances

You are Francisco Pancho Perez’s grandson. Did your grandfather serve as inspiration for the path you would take in music?

Definitely he did. I remember being about four or five years old when I used to hear my grandfather play with his big band, which was composed of 15 or 14 musicians. I always listened to them practicing in our house and started dancing, so my grandfather used to call me cha cha chá. It was a great inspiration for me.

He played music similar to American jazz, and that’s where the inspiration for the music I play today comes from. The salsa that I write is inspired precisely by that kind of jazz.

Where does the name Danilo come from? Also, why is your orchestra called Danilo Y Su Orquesta Universal?

I have to make it clear that Danilo is my middle name since I was born. This is not a nickname as many believe. Some people even think that I have changed my name, but I didn’t. Roger Danilo Páiz Perez has always been my name.

Everyone called me Roger Páiz in the past, that is to say, people called me by my first and last name. In fact, when I played with Rubén Blades in 1989, the album we recorded has me in the credits as Roger Páiz. But when I founded my own orchestra in the 1990s, I thought Danilo was better suited to Latin music, so I started using my middle name to call my orchestra Danilo Y Su Orquesta Universal.

The word universal comes from the fact that I am a Buddhist. I practice the religion of Nichiren Daishonin (monk in Buddhism from Japan in the 13th century and founder of the branch of Nichiren Buddhism) for more than 30 years. That word is widely used in the Buddhist scriptures, and I am very involved in that.

Roger Páiz getting ready to hit with Josh Jones’ band

Your country of origin is Nicaragua. Is Nicaraguan salsa similar to Californian salsa? Are they different? Do you combine them?

Since I was very young, I listened to a lot of Cuban orchestras. I remember my dad tuning in to Celia Cruz, La Sonora Matanzera, among others. From that experience, I picked up all those things since childhood.

Here in the United States, the style was much more modernized. However, I grew up listening to El Gran Combo de Puerto Rico and many other orchestras in the ‘60s and ‘70s. My biggest inspirations were Héctor Lavoe, Oscar De León, Rafael de Jesús, Cheo Feliciano and many others from those years. I paid a lot of attention to how they sang and the melodies that they used.

What Danilo has learned from his musical references

You have made contact with Latin music stars such as Ray Barretto, Rubén Blades, Benny Velarde Y Su Super Combo, Andy Narell, Ray Obiedo, Cheo Feliciano, Oscar De León and many others. What did you learn from all these musical references?

For example, I shared a gig with Cheo Feliciano in Puerto Rico while I was with Rubén at a concert. (Luis Enrique was actually at that concert as well.) Cheo taught me how to phrase with the clave, since this is a very important detail in singing Salsa.

In the case of Héctor Lavoe, I learned a lot from the melodic part. When he sang, the melody was very interesting and appealed to me a lot.

Another singer I liked a lot was Rafael de Jesús, because his style tended to sound like jazz. Sometimes he sang some lines that sounded very jazzy, but he never lost his style as a Salsa singer. That’s one of the main things I liked about him.

Another singer I liked a lot was Rafael de Jesús because his style tended to sound like jazz. Sometimes he sang some lines that sounded very jazzy, but he never lost his condition as a salsa singer. That’s one of the main things I liked about him.

Danilo y Su Orquesta Universal at the San Jose Jazz Summer Fest 2019

Did he receive academic training in music?

I took classes  in Oakland, California, learning music theory, piano, singing, and much more. These studies helped me a lot to better prepare myself musically speaking.

Studying music is important because it enhances the way you perform, sing, and play on stage. That’s when people can tell whether you are a musician who has studied and analyzed music. I’ve met musicians who learned everything by ear and they never progress to the next level.

Of course, there were also things I learned on the stage, in the studio and in rehearsals. I’ve unified all this knowledge to do my job to the best of my ability.

I saw that you have some dates to perform in the Bay Area and other places, can you tell us a little bit about that?

In 1995, I got the opportunity to take a group to Singapore (to be the house band at the Hyatt Regency Hotel). What I did was to find the best six musicians who could play the music I was asked to play. We rehearsed, traveled to Singapore, and stayed there about three months, all expenses paid. It was an amazing experience and I was honored to present my music in that country.

Danilo with Tito Puente, Jr.

What about your current performances?

We just played at La Peña here in Berkeley. It was really good, a lot of people showed up there and they recorded the whole show. Fans sent me some videos as well, so I have to start editing them.

We also played at The Ramp, El Rio, The Turf Club, Kimbara, among others. Coming up, we will be playing at the Cigar Bar.

Let’s talk about your latest album Perseverando.

I decided to call this album Perseverando because of my experience of overcoming the difficulties of maintaining a music career.

Turning to Buddhism, the word perseverando is very important, because life puts barriers in your way and you have to persevere to overcome them. It was common for record labels to say that they were saturated and couldn’t sign me, but I kept writing and recording original music despite the difficulties. The first album is called Vivencias and the second one is called Avanzando. They are titles that have had a lot to do with my life experiences.

I made a video for one of the songs on this álbum, Rumberos de la Bahia, which is on YouTube: https://youtu.be/z3E7K_5SLJo

What other projects do you have pending?

I’m thinking about putting out an album that will be a combination of songs that have not been released yet with some remixes of songs on my albums. Although a dream of mine is to be nominated for a Grammy, that is not why I créate music. Music is my life and my passion.

Cover of the album Perseverando

 

Home

Europe July – 2022

In Barrio Marianao in Havana, Cuba was born Armando Peraza was a Latin jazz percussionist

Peraza (May 30, 1924-April 14, 2014) was a Cuban Latin jazz percussionist.

Thanks to his collaborations with guitarist Carlos Santana, jazz pianist George Shearing and vibraphonist Cal Tjader between 1950 and 1990, he is internationally recognized as one of the most important figures in the field of Latin percussion.

Known primarily as a conguero and bongocero, Peraza is also a skilled dancer and composer. He has appeared on recordings by Pérez Prado, Machito, George Shearing, Charlie Parker, Tito Puente, Cal Tjader and Carlos Santana. Performances with Santana, Shearing and Tjader brought him international fame.

He was inducted into the Smithsonian Institute and had three “Armando Peraza Days” from the city of San Francisco.

One of the most important and respected figures in the world of percussion.

He is a legendary master on both congas and bongoes, whose unorthodox style and story are an inspiration to countless young musicians.

He began his artistic career in the early 1940s, played with singer Alberto Ruiz’s Kuvabana ensemble where he played the bongo and moved to San Francisco in 1949.

At the New York World’s Fair he played congas in an African pavilion with a Nigerian.

This African arrives and says to me: “Man, what part of Africa are you from? I told him, I am from Cuba. He said: “Don’t tell me” He later worked with the orchestras of Paulina Álvarez and Dámaso Pérez Prado, and the Bolero group.

In 1947 he moved to Mexico, where he joined with Mongo Santamaría the ensemble Clave de Oro, and in 1948 they both traveled to New York as percussionists accompanying the dance couple Pablito y Lilón.

At the end of that year, Peraza joined Slim Gaillard’s jazz combo with which he traveled throughout the United States. After arriving in New York in 1949, Armando became a sought-after musician, especially in the contemporary Bebop and Latin Jazz scenes.

Armando built a reputation for impressively fast and complex hand technique, experimental techniques and great talent for entertaining. He flourished in progressive atmospheres that combined jazz with Afro-Cuban styles and was at the center of a new expression called “Cubop”.

He has played on more than 100 albums and is the composer of more than 40 songs. Some of these works include collaborations with Mongo Santamaria, George Shearing, Cal Tjader and Carlos Santana.

Settled in San Francisco, California, in the early 1950s, Peraza began working with pianist George Shearing’s quintet, where he demonstrated his mastery as a player of the tumbadora and bongo; also in this period he recorded several albums of Cuban folk music with Mongo Santamaria.

In the 60’s he joined the quintet of vibraphonist Cal Tjader, with whom he remained for several years and with whom he popularized Chano Pozo’s Guachi guaro. In the 1970s, he joined Mongo Santamaría’s orchestra, with which he participated in the Montreaux Jazz Festival in Switzerland.

Later he worked with Carlos Santana’s rock band, in which he remained for 17 years, until his retirement from artistic life in the 90s.

He possessed a great capacity to obtain the most unusual sounds of the bongo and the tumbadora, and distinguished himself for his extraordinary solos on both instruments.

He died on April 14, 2014 in California, United States, as a result of pneumonia.

 

Fuente: https://kripkit.com/armando-peraza/

Cabaret Sauvage’s 25th Anniversary with Latin Essence

This atypical room located in the Parisian capital will offer Latin music for a month

Originally, Cabaret Sauvage was a Magic Mirror installed for only a few weeks in 1994.

A quarter of a century is the occasion for Cabaret Sauvage will celebrate its anniversary month with a Latin music festival. From July 1st to August 6th enjoy a colorful summer at Parc de la Villette – 59 boulevards Macdonald 75019 Paris, France.

This mythical place was created by Méziane Azaïche in December 1997. This first urban cultural park located in the heart of Parc de la Villette is surrounded by nature, has a terrace overlooking the Canal de l’Ourcq, has a circular dance floor, tables, benches, lights, and beveled mirrors. In the summer of 2019, they modernized this place with a new tent making it the first soundproof Magic Mirror in the world.

At Cabaret Sauvage you can eat, drink, dance, meet your neighbor from the next table, or even lounge on the terrace. Through its diversified program, you will be surprised by the quality of circus shows, dances, and night concerts with artists from all over the world.

During this anniversary month, Cabaret Sauvage https://www.cabaretsauvage.com/agenda welcomes attendees in a spirit of unity and acceptance with mixes of rhythmic genres for their knowledge and enjoyment, starting with Yuri Buenaventura on Saturday, July 9th. Doors open at 7:30 PM and the price is €35.

Yuri’s Salsa is marked by the lyricism of Europe and the drums of Africa. During his childhood, he listened to Gregorian chants, French songs, and classical music (melodies admired by his father) just as he enjoyed moving to the rhythm of percussion, marimba, and songs from the African continent that still sounds on the Buenaventura’s beaches (Colombia), his native island.

Máximo Francisco Repilado Muñoz “Compay Segundo” was the leader of the Compay Segundo y Sus Muchachos band.

The Latin music festival continues with Grupo Compay Segundo – Buena Vista Social Club on Friday, July 15th, and tickets are €25.99 (pre-sale price). Doors open from 8 PM on this day.

This group revives Cuban music before the revolution and expresses its distinguished stamp with a warm and unique sound.

This ecliptic music venue will bring Los Van Van in August, specifically on Friday, August 5th, and the doors open at 7:30 PM, and the ticket price is €35. On this occasion, César “Pupy” Pedroso will join this orchestra.

Los Van Van or better known by many in Latin America as “the Rolling Stones of Salsa” are a band created by Juan Formell in 1969 and has been a school for many current Salsa artists.

Cabaret Sauvage’s anniversary month ends with Chico Trujillo + Sidi Wacho on Saturday, August 6th. Doors open at 7:30 PM and the price of admission is €27.

Chico Trujillo began his musical career in Valparaíso (Colombia) in 1999. His project combines traditional Colombian Cumbia with Punk and has become today the standard-bearer of this new wave of traditional Colombian music accepted by many fans and exported for a long time to the European and American stages.

Likewise, the Sidi Wacho group is nomads born on the island of Valparaíso (Colombia), Roubaix (France), Lima (Peru), and Barbès (France). Their band is made up of two MCs (Rap vocalists), a trumpeter, an accordionist, and a percussionist who mix sounds and dialects accompanied by their war cry “La Lucha Sigue” (the fight continues) in an environment of Cumbia, Balkans, and Hip Hop.

Oscar D’ León Will Celebrate his 50th Anniversary In Europe

50th Anniversary Europa Tour 2022 will start on July 10th in Bulgaria

In 1997, the album Sonero del Mundo, in collaboration with Willy Chirino, was nominated for a Grammy.

Salsa legend Oscar D’ León “El Sonero del Mundo” will celebrate his half-century of a uninterrupted artistic career with a tour of six European countries, and tickets don’t exceed € 70, so hurry up because there are few left.

The 50th Anniversary Europe Tour 2022 will start on July 10th in Bulgaria (Latin Beach Boom Festival), and he will continue in Germany (Frankfurt – July 12th, Munich – July 13th, and Berlin – July 16th). After, he will visit the city of Milan in Italy on July 14th, then land in Spain for a concert in Barcelona on June 15th, Tenerife (June 23rd), and Madrid (June 27th – The last live of the tour). Oscar D’ León will continue his Tour through Paris (France) on July 17th and Amsterdam (Netherlands) on July 22nd at Kwaku Festival.

“Who will share this tour of Europe loaded with hits and #Saborrr?” The Sonero de la Salsa wrote on his Facebook page on June 7th.

The king of Salsa, Oscar D’ León http://oscardleon.net/ was born on July 11th, 1943. His youth grew up in the popular area of ​​western Caracas (Antímano). This singer and self-taught bassist, since his debut in Latin music, has become one of the most representative artists of the Afro-Caribbean genre. He has been praised for his participation in orchestras such as La Dimensión Latina and his work as a soloist.

His first jobs were as a driver of a school bus and a taxi during the day, along with his apprenticeship in the execution of the string instrument, double bass, and his numerous night performances in different clubs in the Venezuelan capital. His success came in 1972 with the orchestra La Dimensión Latina and since then, D’ León has remained at the top of popularity as one of the most respected and admired Salsa artists of his time, with more than four decades of experience in unsurpassed live performances and more than 50 albums of their own and collaborations.

Oscar D’ León sang “Mundo Perfecto”. Song in Spanish from the animated movie The Emperor’s New Groove (Disney – 2003)

He paved the way for musicians of his genre by being one of the pioneers to tour the Asian continent (Japan) and the first Latino to sign a record deal with the British Broadcasting Corporation in the United Kingdom.

Between the 1980s and 1990s, Oscar recorded the hit “Ariel” with the Billo’s Caracas Boys orchestra as a tribute to Billo Frometa and Benny Moré. He launched the version “Qué bueno baila usted” with the Venezuelan orchestra Los Blanco. He was a special and permanent guest at important Salsa and Latin Jazz festivals, in addition to sharing the stage and recordings with famous artists such as Celia Cruz, Eddie Palmieri, and Tito Puente. Starting in 1998, every March 15th is celebrated in New York City as “Oscar D’ León Day”, and for seven years (May 14th, 2015) it has been “Oscar D’ León Day” but this once in the California state (USA).

In 2013 he received the Award for Musical Excellence awarded by the Latin Recording Academy and two years later he dazzled with his presentation in Viña del Mar (Chile) taking the Gold and Silver Gaviotas (Seagulls).

This year the master Oscar D’ León celebrates 50 years of trajectory and will celebrate it with you in Europe. So don’t miss this opportunity to sing his greatest hits such as El Frutero (1976), Llorarás (1986), Detalles (1986), Mi bajo y yo (1990), Frenesí (2001), and La Mazucamba (2002).

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.