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Search Results for: Salsa Music

Puerto Rican bandleader and musician Diana Sosa talks about her many projects in Nashville, Tennessee

We had a wonderful and very nice conversation with Puerto Rican percussionist, timbalera, conga player, and cuatro player Diana Sosa, who kindly told us about all the projects she has in the pipeline. Her husband and bandmate, guitarist and vocalist Chuck Nelson, put us in touch with her so we could learn more about both the project they share and the one she has undertaken on her own.

Then these are the things the talented Puerto Rican shared with us on this warm Sunday before Easter.

Diana Sosa is playing
Diana Sosa is posing for the camera while playing the timbales

How Diana got into the world of music

Diana was born and raised in Puerto Rico, where she began to love music and play, but not professionally yet. She was just experimenting with some traditional instruments of her homeland, such as the Puerto Rican cuatro, which she even studied with a private teacher. 

At the age of 39, she moved to Nashville, Tennessee, where she finally got her first big opportunities in music, and the background she brought for years helped her a lot. It all started with a short rehearsal she was invited to, and from there, she has done nothing but prove what she is really made of. 

Of course, she keeps studying and preparing to improve every day. When she is not learning to play with fellow musicians like John Santos, she is taking online courses to solve any doubts she may have.

Diana’s first opportunity with The Bicho Brothers

The first serious group that gave Diana the opportunity to develop professionally—and with which she keeps to playing to this day is The Bicho Brothers, a classic rock band whose members really appreciated the contribution provided by Diana. For this reason, it is she who brings that Latin flavor, the product of her heritage and years of training in these genres.

Something that really attracted the audience was that she was the only woman in the group and, incidentally, she played the timbales, which was uncommon back then. In addition, she added atypical sounds to certain well-known songs, which was also remarkable.

Diana Sosa and the rest of the Bicho Brothers
The Bicho Brothers from left to right: Jeff Krinks (guitar and vocals), Ron Krasinski (drums), Diana Sosa (timbales, congas, percussion, and Puerto Rican cuatro), Chuck Nelson (guitar and vocals), and Kenny Zarider (keyboards and vocals)

Another important personality who encouraged her to follow this route was the great producer Bill Cuomo, who told her she was very good at playing but needed to improve her technique. Twenty years later, it can be said that she took him at his Word seeing all she has achieved since then. From that point on, there have been many other projects and opportunities that make her very happy and keep her fulfilled.

Soul Sacrifice

Soul Sacrifice is a Santana tribute band founded in 1969 that has won a high reputation in Nashville by becoming one of the best tributes to Santana to date. The mix of familiar melodies and infectious rhythms they play at every show transports audiences to the biggest classics of the legendary Latin rock group created by Carlos Santana.

The band also includes some of the same members of The Bicho Brothers, such as the cases of Diana and Chuck due to all the years they have spent playing together, but including Cuban musician John Santos. He plays a fundamental role in making people feel they are listening to the original Santana rather than an imitation, which is why both he and Diana are key to the band’s performance.

Diana Sosa with Diana's Mambo Maniacs
Diana Sosa playing with Diana’s Mambo Maniacs

Diana’s Mambo Maniacs

Diana also has her own project, which she decided to call Diana’s Mambo Manics. This Latin music group was founded in the early summer of 2025 as part of Hispanic Heritage Month. In that time of year, there are always many festivals dedicated to Hispanic and Latin music in the United States and around the world, so Diana and a group of musicians she had been in contact with for some time took the opportunity to play wherever they were able to make themselves known.

Among some of the musicians in the band we can mention John Santos as singer and timbalero, whose presence is essential at every show. The group also includes conga player Josvany Cordero, bassist Isoel Villareal, pianist Kenny Zarider, trumpeter Joe Mercado, and trombonist Huge Lindsay.

The main difference between this band, The Bicho Brothers and Soul Sacrifice is that it plays exclusively Latin music, but of the great artists in the 1950s and 1960s who performed at the Palladium Ballroom, the Copacabana, El Corso, Chez José & 3 and 1, among many others. Diana feels that, to a certain extent, she pays tribute to her parents, who used to go dancing and enjoying these rhythms to some of these places in their youth.

However, not all are covers. She is about to release an original song featuring Puerto Rican cuatro player Prodigio Claudio, but she did not have the details to share with us yet.

Diana and Tito Puente Jr.
Diana Sosa Playing with Tito Puente Jr.

Read also: Bandleader and bongosero Ray Degaldo is here to talk about his life and career

Dominican bandleader and musical director Orlando Santana talks about La Makina and his career in general

Orlando Santana, the bandleader and musical director of La Makina, has made room in his busy schedule filled with studio recordings to talk about the most interesting topics of his career and, of course, the group that has given him more fame.

The Dominican artist has built an interesting career that led to his aforementioned group, which was founded in Borinquén (the name given to Puerto Rico before the arrival of the Spanish). Naturally, the genre by which La Makina is best known is merengue, implying that the Dominican Republic is still present in mind and heart.

Orlando with his saxophone
Orlando Santana with his saxophone

Orlando’s Beginnings in Music

Orlando started his story by saying that music had a significant presence in his life because his father, Santiago Santana, was a music teacher who taught in their own home. He taught all types of instruments such as the saxophone, trumpet, flute, piano, bandoneon, clarinet, guitar, and many more. Additionally, he also knew about harmony, solfège (sung), and solfège (spoken).

This led to his son learning to play instruments at a very young age and being interested in this way of life. 

Orlando’s Music Education

When Orlando moved to Miami, he took private piano lessons for a while, just as his father did with his students, but it was from Richie Ray and Bobby Cruz whom he really learned. He attended their church and took advantage of his visits to receive some piano lessons from Richie, while his brother David Santana, who was already a veteran musician, bought him his first saxophone and taught him many other tricks of the trade.

Early experiences as a paid professional

As for the beginning of his professional practice, Orlando, as a 15-year-old boy, started with the orchestra Dioni Fernández y El Equipo, from which the great Sergio Vargas emerged. In fact, they entered together a television channel (Color Visión, Channel 9) on the same day in Santo Domingo. This group is still active today, and Sergio Vargas’s own brother, Caqui Vargas, is currently part of it.

Bobby and Orlando
Bobby Valentín and Orlando Santana

Some time later, he had the opportunity to perform along with Wilfrido Vargas, which he describes as an incredible experience, since Vargas’s orchestra had a very challenging repertoire and he had to prepare himself very well in order to play along with the merengue exponents and his musicians. Orlando came on as a substitute replacing his brother on some tours, where he showed he had the capacity to keep up with their pace and improvise just like Wilfrido did so with ease on stage.

Among the most important things this time taught him, the artist mentioned discipline, the importance of always practicing his instruments, and a permanent focus on what he wanted to achieve. Another thing he mentioned was the significant improvement in his ability to improvise and release new material constantly.

He also learned a lot from Toño Rosario, Peter Cruz, Cuco Valoy, Ramón Orlando, and Elías Santana (Orlando’s first cousin and trumpeter for Conjunto Quisqueya). With all of them, he also came to play both merengue and other genres. 

How La Makina Band was founded

Orlando met Fernando Colón in Toño Rosario’s orchestra, while he was a saxophonist, and Fernando entered as a bassist. At the same time, Orlando was writing some arrangements for Los Sabrosos del Merengue, and as it so happens that Fernando was also working with them, so they were always in constant contact.

When Orlando decided to found an orchestra, it was he who called him and accepted his proposal. That was when both artists founded La Makina in 1996, though the process started a year earlier when they set up a company for that purpose.

Orlando and Rafael
Orlano Santana and Rafael Ithier from El Gran Combo de Puerto Rico

His Role as producer and director

Regarding his role as producer and director of La Makina, he points out the importance of preparing and studying to exercise these areas of music. In his case, he had already spent many years working on important record productions, including those he did together with his cousin Cesar Cuesta, with whom he formed a small orchestra that covered songs by very famous bands. He created his own musical arrangements for these new versions to differentiate them from the original songs and wrote scores for other musicians.

In addition, he served as music producer for Grupomanía and wrote songs for artists such as Toño Rosario, Elvis Crespo, Oscarito, Manny Manuel, and many others.

Current Members of La Makina

Of the original members of La Makina, the only one left is Orlando himself, but he has been joined by other equally-talented musicians, including Carlitos Rivera and his own son, Anderson Santana.

Orlando and Johnny
Orlando Santana and Johnny Ventura in San Juan, Puerto Rico

Current projects

This conversation had been delayed a few times due to how busy Orlando was in the studio working on new music, so obviously we had to ask what it was all about.

He told us that he and the rest of the group were working on a remastering of La Makina’s greatest hits, but with other arrangements and a fresh color. They also plan to include songs recorded by other artists but written by Orlando for them. He did not want to say what these would be so they would be a surprise for the audience.

Read also: Don Perignon Y La Puertorriqueña releases his new album ‘‘Classique et Savoureux’’

10th Festival Salsa Cubana

Europe / Germany / Munich

Circulo Events presents 10th Festival Salsa Cubana

Circulo Events presents 10th Festival Salsa Cubana
Circulo Events presents 10th Festival Salsa Cubana
Munich - Germany / January 27th - 29th 2017

“In January 2017, Munich will be able to experience a high class weekend full of dance and music, again. Inspired by “Baila en Cuba”, the annual dance and music event in Havana (Cuba), we brought this festival to life. And moreover we want to import a part of the wonderful atmosphere of its big Cuban counterpart to Munich”…

Cuban atmosphere and total joy of life!

Let yourself get carried away and dive into the world of Salsa & Co.

“Salsa Cubana is more than a dance – it’s an attitude towards life! Who does not inevitably associate typical Cuban music, Cuban ambience and Son cubano (the most traditional of all Cuban dances) with these words?

Festival Salsa cubana stands for this very diversity. No matter if dancer, music lover or just fancier of the Caribbean atmosphere – you will get your money’s worth!

This year again with the Percussion Ensemble Live: Drums Secret”

http://www.festival-salsa-cubana.de/en.html

This winter’s music and dance event!

  • Top event for all dancers in and around Munich! • Salsa, Afro, Reggaeton and a lot more!
  • Great party with show acts!
  • Taster’s session Salsa Cubana
  • Rueda de Casino: Dancing Salsa with other couples in a circle. Nice combinations with the exchange of the dance partners provide pure fun!
  • Up to 50 workshops with the best in class instructors • For all dancers and future dancers a “must do”: authentic teaching with guest instructors! From beginner to masterclass!
  • Awesome and high class parties and show acts!

http://www.festival-salsa-cubana.de/en/the- festival.html

WORKSHOPS

WORKSHOPS - 10th Festival Salsa Cubana
WORKSHOPS – 10th Festival Salsa Cubana

Up to 70 lessons in 5 rooms. Be inspired by the best teachers and artists and enjoy a weekend very special cuban weekend!See the workshops schedule at:

http://www.festival-salsacubana.de/en/festival/kursplan.html

Workshop Topics and ContentFestival Salsa Cubana offers up to 70 high class workshops and training lessons!

  • Salsa elegante / Musicalidad en la Salsa
  • Salsa figuras / Nudos en la Salsa
  • Salsa con rumba – Rumba en la Salsa!
  • Salsa con pasitos / Pasitos en la salsa • Rueda de Casino
  • Son cubano
  • Manstyling
  • Ladystyling
  • Salsa suelta
  • Cubaton/Reggaeton
  • Afro – Movimientos afrocubanos • Afro-cuban Dances (ACD)
  • Makuta / Palo
  • Guaguancó – black soul of the Cuban Salsa!
  • Columbia
  • Bantu
  • Shangó
  • Ογά
  • Kizomba
  • Semba

Photo 1: 10th Festival Salsa Cubana
Photo 1: 10th Festival Salsa Cubana

Photo 2: 10th Festival Salsa Cubana
Photo 2: 10th Festival Salsa Cubana

See the information about workshop content and topics at: http://www.festival-salsa-cubana.de/en/festival/kursinhalte.html

Location

The festival is located in the rooms of the CIRCULO. CIRCULO is the biggest dance shoool for Salsa Cubana in Munich. Additionally, as a salsateca, with legendary salsa parties and a lot of Salsa live concerts, CIRCULO is an integral part of Munich’s salsa scene. CIRCULO’s address is Rosenheimerstrasse 139, in Munich. With its seven, highly equipped rooms, it is predestined for the realization of all classes and parties that are part of the Festival Salsa Cubana.http://www.festival-salsa-cubana.de/en/location.html

See more information at:

  • http://www.circulo.de/
    http://www.festival-salsa-cubana.de/en.html
    https://www.facebook.com/events/1121917691219559/

God and Salsa: the rhythm with purpose

European Union
God and Salsa: the rhythm with purpose
God and Salsa: the rhythm with purpose

Dancing has a special characteristic; it makes the dancer have total concentration in the moment. No past, no future, no problems, just the joy of the present, music and movements. That’s one of the therapeutic reasons to join the salsa movement.

Dancing has changed the life of many people, with this begins the journey of “God and Salsa”, mixing two worlds that are usually separated: faith and dancing.

A project created with love in the core, Jess and Anayancy Thomas, writers and producers of God and Salsa, they want to spread a message of love, faith and awareness.

Anayancy Thomas
Anayancy Thomas

Jess Thomas
Jess Thomas

Jess Thomas, writer, producer and director has enjoyed a career in both the technical side of Broadcast TV, which included Project Management and the production side of video and film as a Producer, Director and Final Cut Pro editor. He brings a high level of enthusiasm to any task at hand. Jess is an excellent communicator and tends to get along well with everyone. He understands the ground up nature of the work and has an uncanny knack for seeing the big picture. These traits have proven themselves essential when managing a project or Producing a low budget film.

Jess is excited at the prospect of taking on the nuts and bolts activities necessary to maintain a high level of excellence. He would be honored to be a part of an entertainment or broadcast companies staff and would take great pride in having the opportunity to be a part of a company that brings quality entertainment to millions of satisfied customers.

The project begins with the desire of talk about an important issue: How children are affected by divorces in families.

With her personal experience, Anayancy created the story of Raquel, a 40-year-old therapist and divorcee is trying to cope with the loss her daughter to suicide. Her trust in God has suffered because of it. Matt, 45 asks her to see his son Shane 17 who has attempted suicide due to depression brought on by the conflictive divorce of his parents. Shane’s mother, Monica 40, is self-absorbed and has turned Shane and her other children against Matt.

Raquel struggles to regain her faith, but in the meantime Salsa dancing is her only solace. Against Monica’s will, Raquel takes on the challenge of trying to help a belligerent yet severely depressed Shane and prevent him from successfully killing himself. What follows is an intense emotional struggle that Raquel is only able to overcome with the help of God & Salsa.

Jess and Anayancy Thomas
Jess and Anayancy Thomas

The goal for this film is to stop the terrible situation that many children go through their early years. There are different levels of damage: family dissolution, emotional damage, self-blame, depression, etc. The child always suffers the consequences of separations.

The Thomas knows that personal experiences are very powerful to pursue a goal and getting people’s empathy. The film goes with the character-story line, going through all the darkness, how Raquel takes the personal tragedy that she was going through with salsa dancing to redeem herself, with a very dark beginning she overcomes everything to change her life.

Photo: Jess and Anayancy Thomas
Photo: Jess and Anayancy Thomas

The film is the combination of different stories and experiences. The salsa is on the story thanks again to Anayancy’s personal experience. When she decided to explore other parts of her life and herself, salsa dance was the best option, because she could get away from all the troubles, getting the mind occupied with an incredible activity. “When I dance, I’m in a bubble” she say, a proof of how dancing gets you in the present.

With a special air of a fairytale story, Jess and Anayancy met at the Presbyterian Church in Bel-Air, here their journey begin. Jess told International Salsa Magazine why you should go and watch the film: because every family member can relate with an aspect of the story, parents, teenagers, seniors, etc. Faith, love, drama and a lot of salsa dancing make this film so amazing. This film will touch a special part of everyone’s heart. Don’t miss it!

God and Salsa
God and Salsa

Houston Salsa Congress 2017

North America /  USA / Texas

In 2000, Houston Salsa Dancers, Inc. hosted the first Congress of its kind in the City of Houston. Today, the Houston Salsa Congress continues to highlight the beauty, creativity, and culture of Latin dance and music with our featured performing artists and musical artists.

Houston Salsa Congres 2017
Houston Salsa Congres 2017

HOUSTON SALSA CONGRESS 2017

Houston Salsa Dancers, Inc. is officially recognized as a nonprofit corporation who hosts the LARGEST Salsa Socials in Houston every month raising funds for the annual HSD, Inc. Scholarship Program. Through this program, HSD has helped dozens of students from the Houston area by awarding a cumulative total of over $25,000 in scholarships.

Scholarships are awarded annually at the LARGEST Salsa event in the South, the Houston Salsa Congress, every Martin Luther King, Jr weekend.

The Houston Salsa Congress has become a must-attend event for many dancers and performers. Being the first non-profit Congress, the HSD Board Members are always innovating and changing how Congresses are managed setting the bar high for other events to follow the remainder of the year. The Congress consist of performances by only the best in Salsa and other dances, weekend workshops to help dancers improve their skills, and some of the best social dancing in the world!

Houston Salsa Congress 2017
Houston Salsa Congress 2017

Another way HSD is stepping above the rest is through its event called “Bailando Hacia La Universidad (“Dancing Your Way to College”)” which was designed to educate High School students on attending college and college admission. (We bring in guests speakers and end it with a special performance… Example agenda: http://www.houstonsalsacongress.com/schedule_collegeday.php).

Houston Salsa Dancers, Inc. also hosts the “SalsaDURA Saturday” social every 1st Saturday every month. SalsaDURA is also called the mini-Congress of the South attracting dancers and performers from all around the world. This monthly event helps fund the Scholarship fund along with the Houston Salsa Congress event.

BANDS

JOSÉ ALBERTO “EL CANARIO”

José Alberto Justiniano (born December 22, 1958 in Villa Consuelo district, Santo Domingo, Dominican Republic), better known by his stage name José Alberto “El Canario” is a Dominican salsa singer. José Alberto moved to Puerto Rico with his family at the age of 7, and inspired by Latin music went on to polish his singing at Las Antillas Military Academy. He relocated to New York in the early 1970s and sang with several orchestras. He received international attention as the bandleader of Tipica 73 in October 1977.

José Alberto started his own band in 1983, and became a major Latin star after the release of his 1984 debut Noches Calientes. His 1991 album Dance With Me, which established a new style of salsa called salsa romántica. He has sung hit songs such as “Sueño Contigo” His voice was widely adored by his fans, and his exceptional whistling abilities (being able to improvise as if he was playing a traverse flute) led them to give him the nickname El Canario (The Canary).

JOSÉ ALBERTO "EL CANARIO"
JOSÉ ALBERTO “EL CANARIO”

El Canario has enjoyed success in the United States and Europe, but especially throughout Latin America, including in his native Dominican Republic, Puerto Rico, Peru, Venezuela, Panama, and Ecuador. El Canario in 1999 also was part of the biggest Latin American festival in Australian history at The Bacardi Darling Harbor Latin American Festival in Sydney, as supporting act for salsa performer Celia Cruz with over 22,000 people in attendance.

On 24 May 2008, José Alberto celebrated 30 years in the music industry at the United Palace Theater in New York City. Among the several special guests were Oscar D’León, Ismael Miranda, Raulín Rosendo, Joe Arroyo, and Latin music mogul Ralph Mercado.

JOSÉ ALBERTO "EL CANARIO"
JOSÉ ALBERTO “EL CANARIO”

Bobby Valentín & His Orchestra

Valentín (birth name: Roberto Valentin) was born in June 9, 194, in Orocovis, Puerto Rico. He was taught by his father to play the guitar at a young age. When his mother died in 1947, he went to live with his older sister and was raised in the town of Coamo where he received his primary education and studied music. When he was 11 years old, he participated in a local talent contest with a trio that he had formed.

He played the guitar and sang for the trio and they won the first place prize. One of his teachers suggested that he attend the Jose I. Quinton Academy of Music, which he did. It was there that he learned to play the trumpet.

Valentin en concierto
Valentin en concierto

In 1956, Valentín moved with his family to New York City where he attended George Washington High School and continued to take music lessons. In 1958, he went to play for Joe Quijano but, shortly after, he played in the band of Willie Rosario, who was from the same neighborhood.

MUSICAL CAREER

In 1963, Valentín joined Tito Rodriguez (after not being hired by Tito in a recording session because of his age, he was given a chance and was added to his regular band) and traveled twice with Tito’s orchestra to Venezuela. He also made musical arrangements for Tito and at times for Charlie Palmieri, Joe Quijano, Willie Rosario, and Ray Barretto. In 1965, he formed his own band and was signed by the Fania Record Label. He recorded “El Mensajero” (The Messenger) and “Young Man With a Horn”. He held his first concert in Puerto Rico during that period of time.

In 1975, Valentín left Fania and founded his own record label “Bronco Records” and released the recordings of “Va a la Carcel” Vol 1 and Vol 2, recorded “live” at “El Oso Blanco”, Puerto Rico’s oldest state penitentiary. At the time, Marvin Santiago was the singer on Valentín’s band; his biggest hit with Valentín was “Soy Boricua”, an ode to Puerto Rican nationality that has since become a patriotic song for the pro-independence faction of the island.

In 1978, salsa singer Cano Estremera made his singing debut with Valentín’s orchestra and recorded various major hits for the band, particularly the Roberto Angleró song “La boda de ella” and “Manuel García”. During the years Valentín has been featured in recordings (and occasional live appearances) by Larry Harlow, Ismael Miranda, Roberto Roena, Cheo Feliciano and Celia Cruz. He also provided backdrop for the Billyván Santiago (Marvin’s youngest brother) song “Mata la cucaracha”, a sleeper hit in Puerto Rico during the 2002 Christmas season.

Houston Salsa Congress 2017. TICKETS
Full Event Pass: $280.00 (USD)
Full Event Pass + VIP Upgrade: $310.00 (USD)
Full Event Pass + VIP Upgrade: $310.00 (USD)
Night Pass (ALL NIGHTS): $110.00 (USD)
Night Pass + VIP Upgrade (ALL NIGHTS): $165.00 (USD)
Night Pass (THURSDAY ONLY): $35.00 (USD)
Night Pass (FRIDAY ONLY): $35.00 (USD)
Night Pass (SATURDAY ONLY): $35.00 (USD)
Night Pass (SUNDAY ONLY): $35.00 (USD)
www.houstonsalsacongress.com
Houston Salsa Congres 2017 FLYER
Houston Salsa Congres 2017 FLYER
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.