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Search Results for: Salsa music

Dámaso Pérez Prado and the Succession of the “Mambo King”

Dámaso Pérez Prado was a Cuban musician, composer, arranger, and orchestra conductor, known worldwide as the “Mambo King.”

On December 3, 1983, Pantaleón Pérez Prado, an excellent bass player and composer, passed away in Milan, Italy. He was born on December 27, 1926, in Matanzas, Cuba.

Pantaleón’s Beginnings and Career

Pantaleón followed in the footsteps of his famous older brother, Dámaso Pérez Prado. At age 18, he formed his first orchestra, which he left in 1950 to join Dámaso’s group as a double bassist, accompanying him for several years.

He also played for a short time in Havana with the Laito Castro Orchestra. In the mid-1950s, Pantaleón Pérez Prado went independent and traveled to Europe, where he led an orchestra of Cuban musicians. This group achieved great success performing the songs that Dámaso had popularized.

Dámaso Pérez Prado and the Succession of the King of Mambo
Dámaso Pérez Prado and the Succession of the King of Mambo

The Legal Dispute

In 1956, a dispute between Dámaso Pérez Prado and his younger brother, Pantaleón (1926–1983), led to an unusual legal conflict. Dámaso sued his brother for $500,000, accusing him of impersonation.

In Hispanic culture, it is common for children to receive both parents’ surnames. In this case, the brothers’ birth names were Dámaso Pérez Prado and Pantaleón Pérez Prado, respectively, with Pérez being the father’s surname and Prado the mother’s.

In Portugal, the song Pantaleón performed, “Mambo del Estudiante” (Student’s Mambo), became the “official anthem” of the University of Coimbra. He also succeeded in Spain, France, and Italy, where he was introduced as “Pérez Prado, Rey del Mambo” (King of Mambo), which produced intentional confusion with his brother Dámaso.

Dámaso initiated legal action that concluded with Pantaleón being prohibited from using the title “Mambo King,” while also being required to use his full name. Some suggest that, beyond the lawsuit, there was a tacit agreement between the two brothers, based on the fact that Dámaso visited Europe infrequently, focusing his activities in the Americas, while Pantaleón permanently settled in Milan.

Name Confusion and The Conflict’s Revival

Originally, RCA credited the recordings to Dámaso Pérez Prado. However, when his records began appearing in the US, the record company shortened his name to the more alliterative Pérez Prado. In 1955, Dámaso dropped his full name and legally changed it to Pérez Prado.

Around that time, Pantaleón, who played bass with his own group, appeared at the Alhambra theater in Paris under the name “Pérez Prado, el Rey del Mambo.” Pantaleón was subsequently restricted by court order from passing himself off as Pérez.

However, hostilities resumed when an angry French visitor called the Hollywood Palladium, where Pérez Prado was performing, and yelled at the management for featuring an “imposter,” claiming he had danced with the “real” Prado (actually Pantaleón) in Deauville a few weeks prior.

Dámaso Pérez Prado fue un músico, compositor, arreglista y director de orquesta cubano, conocido mundialmente como el Rey del Mambo.
Dámaso Pérez Prado fue un músico, compositor, arreglista y director de orquesta cubano, conocido mundialmente como el Rey del Mambo.

The ensuing lawsuit effectively put Pantaleón out of commission, but the younger brother had a form of posthumous revenge. When Pantaleón died in 1983, a widely circulated obituary was headlined “Mambo King Dies in Milan,” leading many people to (erroneously) believe it was Dámaso who had passed away.

Pantaleón’s Career and Legacy

Pantaleón Pérez Prado performed in Greece and traveled to Iran at the invitation of the Shah himself and his wife, Princess Soraya. He remained active until shortly before his death in 1983.

Dámaso Pérez Prado’s Notable Hits

Dámaso Pérez Prado’s best-known songs include:

  • “Mambo No. 5”
  • “Qué rico el mambo” (also known as “Mambo Jambo”)
  • “Mambo No. 8”
  • “Cherry Pink and Apple Blossom White,” which was a number one hit in the United States.
  • “Patricia,” which was a worldwide hit and was included in Federico Fellini’s film La Dolce Vita.
Dámaso Pérez Prado
Dámaso Pérez Prado

Legacy: In addition to his recordings, Dámaso Pérez Prado participated as an actor and musician in several Mexican films. His music was key to the international popularization of the mambo, and his style remains influential in Latin music and jazz.

Collaboration:

Los Mejores Salseros del Mundo 

Dj. Augusto Felibertt

Also Read: Israel “Cachao” López, a Cuban musician and composer, has been hailed as “the Inventor of Mambo

Africa / December 2025

PedSalsa Angola 2025

Calibrated maracasMartinez attorney

Directory of African nightclubs

Angola circular flag
ANGOLA

Casa da Música Talatona
Casa da Música Talatona
Avenida S8, Espaços Avenida, 2do anda, porta 36,Talatona
Luanda, Angola

Marginal Lounge Conceito 3D
Marginal Lounge
Avenida 4 de Fevereiro, Marginal de Luanda, Edifício Deana Day Spa
Luanda, Angola

PediSalsa Luanda
Restaurante Péd’Salsa
Ilha de Luanda (ex Cais de 4)
Luanda, Angola

South Africa cIRCULAR FLAG
SOUTH AFRICA
Pa Mi Corazon Academic
Pa Mi Corazon
Suite 4, 680 Musgrave Rd, Essenwood, Durban, 4001, South Africa

Salsa Addicts Academic
Salsa addicts
47 5th Ave, Parkhurst
Randburg, 2193, South Africa

La Nota Band showcases the best of Venezuelan talent

We are proud to introduce the talented Venezuelans Rebeca Rodríguez and Armando Montiel, who are members of the group La Nota Band, which we will talk about in the following lines.

After thanking us and clarifying that they are both partners and share the direction of the band, they proceeded to tell us a bit about their origins, professions, band, and current careers.

Rebeca and Armando in 2018
Rebeca Rodriguez and Armando Montiel at the Latin Grammys 2018

Rebeca and Armando’s beginnings in music

Armando began his story by telling us that, in his case, he has always loved music and enjoyed listening to it live. In his native city of Maracaibo, there were many street concerts featuring national and international artists, which sparked his interest in joining his school’s marching band between the third and fourth grade. This, in turn, led him to participate in some intercollegiate gaita festivals, which are very popular in many cities of the South American country. 

This love for music took shape when the young man moved to Caracas and began his percussion lessons to finally have more formal training in this art. However, his parents made him promise to study a “real” career and then do whatever he wished for. He did so and studied civil engineering at Nueva Esparta University, but he has never practiced it, as music has always been his profession.

Rebeca also loved music, and from an early age, was always reciting poems, learning songs, and singing them at full blast. Then, as she grew up, she slowly built her career and made decisions based on that goal. Just as Armando, she participated in her school’s gaita festivals and took singing and dancing lessons, which led her to join bands in Caracas and become a backup singer for great artists.

Like Armando, she also studied a university degree, but in her case it was social communication at Andrés Bello Catholic University. She does not practice it either, although she does use her knowledge in favor of her artistic career.

Armando playing live
Venezuelan percussionist Armando Montiel playing live

Groups prior to La Nota Band

Armando said with a laugh that he could not mention all the bands and artists he has worked with because there are too many, but the most important ones were Ricardo Montaner, Chino y Nacho, Víctor Muñoz, Elvis Crespo, Guaco, Treo, Mermelada Bunch, and a few others. 

Meanwhile, Rebeca pointed out that they met playing for Son Bubalú in Caracas and continued to share experiences in a certain way. While Armando was Chino y Nacho’s percussionist, Rebeca was hired as their backup singer, so they continued to live together and grow as artists in the same environments.

Their professional relationship developed at such a level that they ended up moving to the United States together in 2014 to take advantage of some work opportunities that arose. Among the artists they were able to play with in the United States are Gloria Estefan, Wisin y Yandel, Daddy Yankee, Luis Enrique, José Alberto “El Canario,” and many more. 

Already in the year 2016, both realized that they loved collaborating with music greats, but also wanted to start their own business so they would not have to rely on what others wanted for them. That is when La Nota Band was born, with support from family and friends who were willing to help them on this new path.

Rebeca and Yandel
Puerto Rican singer Yandel and Rebeca Rodriguez at the Premios Lo Nuestro gala

The beginning of La Nota Band

In addition to being on their own, another thing Rebeca and Armando wanted to do was to offer employment to other musicians who were in the same situation as them years ago. This was the case of Armando’s twin brother, who was about to go to the United States and also devoted himself to music on percussion. Then, he bought a drum set so he could become the band’s drummer and his brother could take his place as a percussionist.

From the beginning, they have always focused on pleasing both Anglo-Saxon and Latin audiences, so they have been working to fill their repertoire with songs in both English and Spanish in order to enliven events where the two cultures come together.

What they have learned from the artists they have worked with

Of all the great artists Rebeca and Armando have been fortunate enough to work with, there are a number of things they have learned and applied to their own careers. One of these was the use of playback, as it is an extremely common and necessary resource in modern music. There are also other elements used to increase the sound quality of their performances.

Similarly, the discipline, professionalism, and perseverance necessary to manage this business are things they have seen in other artists and that have helped them get the place they want in the industry, which they also expect to achieve. 

The Venezuelan musicians always keep their eyes and ears open to capture what can work for them and apply it to their own project.

La Nota Band and Chino y Nacho
Part of La Nota Band with Chino y Nacho at the Premios Lo Nuestro gala 2016

Dreams fulfilled

Among the many dreams come true thanks to music, Rebeca and Armando appreciate being able to travel regularly to many countries, even if their professional activities prevent them from sightseeing as they would like. This is something they would not have accomplished with other kinds of work, which they are enormously grateful for.

In addition to that, they are pleased to have been able to perform on big and famous stages such as Crypto.com Arena, formerly known as Staples Center, and Madison Square Garden in New York, something they never would have thought possible in their early years in Venezuela.

And last but not least, their talent and hard work have also led them to perform in important award ceremonies such as the Latin Grammys, Premios Juventud, and Premios Lo Nuestro.

Read also: Colombian dancer and instructor Camila Cepeda takes salsa caleña to Canada

ISM / December 2025

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N.A. December 2025
L.A. December 2025
EU December 2025
AF December 2025
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OC December 2025
Azesu December 2025
Art December 2025

“We are the Real Latin music world network”

Wishes December 2025

Letter to the Editor Joint our team

[Read more…] about ISM / December 2025

Asia / December 2025

Apocalypse Now 2025Dubai Latin Crazy TribeGuia Fu 2025

Calibrated maracasBill Martinez

Directory of Asian nightclubs

Hong Kong December
HONG KONG
Graffiti LKFGraffiti LKF
G/F, 17-18 Lan Kwai Fong, Central
Central, Hong Kong
Solar LKFSOLAR LKF
Central 2nd Floor, Ho Lee Commercial Building, 38-44 D’Aguilqr Street, Lang Kwai Fong Central
HKI Hong Kong
Sole Mio RestaurantSole Mio
Upper Ground Floor, 51 Elgin Street, Soho
Central Hong Kong, Hong Kong

Israel December
ISRAEL

Havana Music Club
Havana Music Club
Yigal Alon St 126
Tel Aviv-Yafo, Israel
+972 3-562-3456

Japan December
JAPAN

Egoland
Egoland Bar Akihabara
Chiyoda City, Kanda Sakumacho, 4 7-3 2F
Tokyo, Japan
Bar MirageBar Mirage
5F VORT Roppongi Briller, 3-14-14 Roppongi, Minato-ku
Tokyo 106-0032, Japan
+03-5860-6946
FiestaFiesta Latin Spot Bar
3F, 1 Chome-14-6 Kabukicho, Shinjuku City
Tokyo 160-0021, Japan
+81 90-1086-2878
El Cafe Latino TokyoEl Cafe Latino

3 Chome-15-24 Roppongi, Minato City
Tokyo 106-0032, Japan
+81 3-3402-8989

Latin Club Leon
Latin Club Leon
5-17-6 B1 Shinjuku, Shinjuku-ku
Tokyo 160-0022, Japan

La Tropi Azabu
La Tropi Azabu
3F Roppongi Azelea Bldf. 1-3-6 Nishi-Azabu, Minato-ku
Tokyo1060031, Japan

Thailand December
THAILAND

bAFROS lOUNGE
Bafros
Sugar Club Complex Sukhumvit Soi 11
Bangkok 10110, Thailand
+66 63 039 8700

Havana Social Cocktail Bar
Havana Social
1/1 Sukhumvit Rd. Soi 11
Bangkok, Thailand
+66 2 821 6111

Vietnam December
VIETNAM
Apocalypse Now Vietnam
Apocalypse Now Sai Gon
2F Thi Sach
Ho Chi Minh City, Vietnam 70000
+84 799 741 261

 

La Habanera Vietnam
La Habanera
Basement 81 xuân diệu Tay Ho
Hanoi 100000, Vietnam
+84 35 320 7220

La Pachanga Saigon
La Pachanga Club Saigon
3rd Floor, 39A Co Bac Street, Cau Ong Lanh Ward, District 1
Ho Chi Minh City 700000, Vietnam
+84 93 855 79 21
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.