Through a very kind friend of our editor Eduardo Guilarte, María del Carmen, we have been fortunate to make contact with the extremely talented Puerto Rican actress, comedian, and singer Carmen Nydia Velázquez, with whom we had the opportunity to talk with for our report on Bad Bunny’s Super Bowl halftime show.

It turns out that her career is so fascinating that we obviously had to talk to her and know much more about her artistic journey, both in her native Puerto Rico and abroad. Without further ado, these are the highlights of our conversation.

Carmen’s education and start in acting

When it came to her academic background, theater always caught her attention, but she also loved to sing. These tastes led her to study drama at the University of Puerto Rico, where she brought out her histrionic talent and showed just how good she would be at doing comedy in the future.

Even before graduating, she already worked in theater and appeared in Francisco Arrivi’s play *Vejigantes*. At that time, she was in her last academic year, and the play was a tribute to the great Puerto Rican actress Lucy Boscana, who had died back then. For many years, Boscana played the character of Toña, and Carmen did the same when it was her turn in this new version, which had so much impact that it led to a film based about the same story.

Then, in the 1970s, she joined the musical group Moliendo Vidrio, led by Gary Núñez, and was there for about 11 years, while doing theater and television. The group took up a lot of Carmen’s time and was part of the New Song movement in those days.

Kiosko Budweiser and Susa Cruz

In 1983, Carmen first portrayed who is still considered one of her most iconic characters to this day, Susa Cruz. Channel 7, known at the time as Teleluz, first aired the comedy segment Kiosko Budweiser, featuring the beloved Susa alongside other iconic characters such as Epifanio, Johnny El Men, Humberto, and El Negrito.

When Teleluz ceased to exist, Carmen took a break from the character to continue her theatrical activities and start singing professionally. However, later, Channel 4, Guapa Televisión, called the actors back to do the segment again, which is when it became a media phenomenon and gave immense fame to the characters, especially Susa and Epifanio.

The high popularity of the show and its stars made them appear on TeleOnce, which continues to air today, and Telemundo, where they are recurrent figures during the regular programming.

People enjoyed Susa and Epifanio so much that they have even hosted a radio show, and both Carmen and Víctor Alicea (Epifanio) will soon celebrate their 38th anniversary as an artistic couple, though they have not yet decided what to do for that day. 

Tiempo de Cantar

By the late 1990s, she released an album of boleros titled “Tiempo de Cantar,” which was her first solo production. It all started with a show by Susa and Epifanio in the south of Puerto Rico, where they met a musician friend of hers named Cacho Montalvo. 

He has spent many years urging her to go back to singing, but she ws not entirely sure due to all the professional commitments she already had, added to the fact that she did not have very fond memories from the time in which she had to promote her own music of the New Song movement which, being so traditional, did not receive the media coverage it deserved. This killed Carmen’s enthusiasm, as she took for granted that she would never sing professionally again.

However, Montalvo and Carmen’s husband “conspired” to some extent to convince her, and they succeeded. On the album, the artist pays tribute to the songs she grew up with and used to hear on the radio as a child, achieving a result she loved. 

Her solid background in theater gave her the ability to convey her feelings through her voice and expressions, which made her have a wide acceptance. In fact, she is now a member of the Music Hall of Fame in Puerto Rico, a venue dedicated to romantic and bohemian music that hosts live events featuring artists associated with those genres. 

Hacienda Susa

Among the many projects she was involved in, Carmen also ran a restaurant and activity center called “Hacienda Susa.” She describes this stage of her life as interesting, yet exhausting and demanding at the same time.

Due to the success she had on television, the project did very well, so she and her team were there doing shows for visitors from all over the island practically every day. The problem was that it was too much work for her at the time, and she told us that sometimes, she had to leave the hacienda to perform a show outside, return to meet her commitments there and then close the venue. 

The above, added to the fact that everyday fewer people were coming to the venue and the extremely high rent Carmen had to pay, made her ask herself if it was really worth continuing with the project in exchange for those dividends. That was when she finally got tired of it and decided to close the venue indefinitely to focus on what she was truly passionate about: acting.

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