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Search Results for: Son

Jose Bello, The Salsa Tycoon

North America / USA / New York

Jose Manuel Bello Suazo, better known as José Bello “El Cantautor”, a Dominican artist of international stature with several awards and achievements worldwide.

Jose Bello, born on April 6 in the city of Santo Domingo, who from an early age showed a deep love for music, making his first performances in kindergarten and elementary school. As a teenager, he moved to New York where he met Carlos Castillo, a member of internationally known bands such as Machito y su Orquesta, Joe Cuba y su Sexteto, Tito Rodríguez y su Orquesta. From that moment on, Bello formalized his start in the world of music by forming “El Sexteto Latino” together with Carlos Castillo.

Jose Bello
Jose Bello

Baila que Baila is known as his first musical recording with maestro Julio Gutiérrez, after that he recorded four record productions with the owners of LA CHARANGA AMERICA. His first full-length album emerged in the 70’s, with the record company “Lo mejor records” with songs of his own inspiration. But, it was in his third record production, where he decides to add songs with a title in another language, entitled “Blue Bossa”

José Bello manages to start his own record label in partnership with Mr. Aldemar Barona, who titled it “B&B Records Presents José Bello”, containing compositions by both members. In the fifth record production, which was established as the owner Jose Bello, El Cantautor, where only the La Salsa Magnate’s own productions are found.

After that, it was decided to record the first DVD recorded live in the city of Medellin, Colombia, becoming known around the world.

In the last 10 years, José Bello has taken his music to all parts of the world, receiving great acceptance from the European, American and Latin American public. Sharing the stage with great personalities such as Celia Cruz, Rubén Blades, Gilberto Santa Rosa, Oscar D’Leon, Marc Anthony, Tito Nieves, among many more.

Jose Bello Cover
Jose Bello Cover

At International Salsa Magazine, we were able to chat with this incredibly talented artist.

 

Below is the interview:

 

How was your first presentation? Did you know after that that music would be your passion?

In the kindergarten of the La miraculous school they had parties and they had a stage where I sang constantly and even had choirs that accompanied me and also acted, since I can remember, my passion is music.

 

How did you and Carlos Castillo meet? Did you know about his career before?

I met Carlos Castillo, because my mom lived in the house next to him and she talked to Carlos’s mom about me and they both agreed to introduce me, I had no idea who he was, until I met him.

 

What inspired you to compose those songs?

The experience of life and the gift that I always knew I had to compose, at any time.

Jose Bello CDs1
Jose Bello CDs1

Jose Bello CDs2
Jose Bello CDs2

Jose Bello CDs3
Jose Bello CDs3

 

Tell us a little about Aldemar Barona, what year did you decide to start with the label?

My great friend Aldemar Barona always went to my presentations and when the contract ended with the best record, we decided to make our own record label in the late 80s, early 90s.

Jose Bello - Photo
Jose Bello – Photo

Was this performance during a tour? What album were you promoting? Where could that DVD be purchased?

Exclusive record. He hired me to make that DVD in the mid 90s and you could get it online, or at the Musical 90 record store in Jackson Hghts Queens New York

 

All these artists are well known worldwide and having been able to share stages with them speaks volumes about your incredible talent and career. Which of these artists would you say is your greatest inspiration or example?

As I said before, my inspiration is a divine gift, I love all my colleagues very much, I respect and admire them, some started before me, others are from my generation and others became famous after my love, and I respect music, They have moderated me as I am and have led me to feel fulfilled in what I do, blessed and immensely happy.

Jose Bello in concert
Jose Bello in concert

 

Where would you like to present yourself in the next opportunity?

I would like to personally take my art to some countries that I have not visited to this day, such as Mexico, Peru, Panama, Canada, Japan, Chile, and Argentina.

 

What comes next in the life of José Bello, El Cantautor?

Make my new recording, already as JOSE BELLO EL MAGNATE DE LA SALSA 40 ANIVERSARIO and finish negotiating my next tours, to Central Europe and South America.

 

Where does his nickname El Magnate de La Salsa come from?

On July 23, 2017, I married the designer Patricia González on the largest luxury yacht in New York called “Infinity”, around 2000 people and with two orchestras. Tito Nieve with his orchestra and my orchestra. The ceremony was on the high seas.

Jose Bello, Jose Bello, The Salsa Tycoon
Jose Bello, The Salsa Tycoon

When in Mexico they found out about my marriage, they wrote to congratulate me and told me “Now you are the salsa magnate” I was surprised and asked them why? and they told me “Only Arab Magnates get married on the high seas on a luxury yacht” I liked the idea.

I always hear that in music there are kings, princes, knights, but there are no tycoons and I think that because of the explanation of the Mexicans, I am the tycoon of salsa.

Continues in the spanish repertoire “The Colonel has no one to write to him” by Gabriel Garcia Marquez

North America / USA / New York

During this month of March, the super theatrical production “The Colonel has no one to write to him” by Gabriel Garcia Marquez, continues in the Spanish Repertoire, the only company to present plays entirely in Spanish since 1968, subtitled in English, in New York City.

Gabriel Garcia Marquez
Gabriel Garcia Marquez

“The Colonel has no one to write to him” is under the direction of Colombian director Jorge Alí Triana and has a leading cast of wonderful Latin American theater, film and television actors such as: the first Colombian actor, Germán Jaramillo incarnating the Colonel and the first Cuban actress on the New York scene, Zulema Clares, playing the Colonel’s selfless wife. This play is an adaptation by Jorge Alí Triana and his daughter Verónica Triana to the novel published in 1961 by the Nobel Prize for Literature (1982) and world-renowned Colombian writer, Gabriel García Márquez.

The story of this theatrical piece focuses on the life of a retired colonel, who fought in the Colombian Civil War and since then has longed for his retirement pension, delayed for 15 years due to the country’s bureaucracy.

The Colonel has no one to write to him - Gabriel Garcia Marquez
The Colonel has no one to write to him – Gabriel Garcia Marquez

The thoughtful colonel lives with his unconditional wife in a situation of poverty and they only have a fighting rooster, the product of the inheritance of their deceased son, Agustín. The bird becomes, then, a possible salvation from his misery, since he questions whether or not to sell it to be able to eat, while every Friday he waits for the postman, who yells at him: “Nothing for the colonel.” Nobody writes to the colonel.”

According to statements made by director Jorge Alí Triana for the news outlet Efe, the play “The Colonel has no one to write to him”: “It is a play about dignity, about hope. Every transcendental work of art has a great metaphor and here is that of our peoples who have waited their whole lives with great hope that their situation will change”.

While for the actor Germán Jaramillo, the personification of the colonel has been quite a challenge. “Entering a character like the colonel is like entering the universe of Shakespeare… It is a very beautiful fable but it is also the story of power, old age, decrepitude and political struggle. And this character (the Colonel) in García Márquez’s perspective, which is also universal, achieves that greatness”. (Statements to an international media).

The bird and The Colonel has no one to write to him - Gabriel Garcia Marquez
The bird and The Colonel has no one to write to him – Gabriel Garcia Marquez

The play concentrates the action in the dialogues, maintains the atmosphere of the time and has a dramatic language.

 

Gabriel Garcia Marquez (Writter):

 

Gabriel García Márquez was born in Aracataca (Colombia) on March 6, 1927. He studied law at the National University of Colombia, but abandoned it to devote himself to journalism and literature.

In 1955, he published “The Leaf Storm”, his first novel. In 1961, he settled in Mexico City. That same year he published “The colonel has no one to write to him” and the following year “Big Mama’s funerals”. In 1967, he had “One Hundred Years of Solitude” published in Buenos Aires, the work that consecrated him worldwide. In 1972, he won the Rómulo Gallegos Prize and in 1982, the Nobel Prize for Literature.

Other of his great works are: “The Autumn of the Patriarch” (1975), “Chronicle of a Death Foretold” (1981), “Love in the Time of Cholera” (1985) and “News of a Kidnapping” (1996) . His memoirs were published in 2002 under the title “Living to tell the story.” On Thursday, April 17, 2014, at the age of 87, he died in Mexico City, being one of the most recognized, admired and influential authors of Latin American literature and culture.

 

JORGE ALI TRIANA (DIRECTOR):

Jorge Alí Triana was born in Colombia and is considered one of the most distinguished film and theater directors in Latin America. He studied film and theater at the Higher Academy of Arts in Prague. He is the founder of the Popular Theater of Bogotá. His films have been presented at the most important film festivals in the world such as Cannes, Sundance, Berlin, London and Mar del Plata.

His theatrical credits include “Chronicle of a Death Foretold”, “The Goat Party”, “Don Quixote”, “Blind Date”, among many others, for Repertoire Español. Triana has collaborated with Gabriel García Márquez in several film and theater projects, among them: “Time to die” and “Oedipus Alcalde”, the latter selected to be presented at the Cannes Festival in 1996.

Some of the recognitions that he has in his have are: 3 ACE Awards for Best Director; a Tucán Award for best film for “Time to die”, the Ombú de Oro and Ombú de Plata awards at the Mar del Plata Festival, both for his film “Bolívar Soy Yo!”, among others. Triana directs in Repertorio since 1992 and currently presides over her own production company “Dramax”, where she makes the TV series “Comando Elite” for the RCN – Colombia network.

Jorge Alí Triana
Jorge Alí Triana

GERMAN JARAMILLO (ACTOR):

Germán Jaramillo was born in Manizales, Colombia. His performances as an actor earned him awards as the best actor of the year in Colombia on several occasions. He starred in the film “La virgen de los sicarios” (2000), with which he obtained international nominations and awards.

He is also known for his performances in “Paraíso Travel” (2008) and the famous series “Narcos” (2015). Jaramillo is co-founder of ID Studio Theater in New York, of which he is the Artistic Director. He is also co-founder of the Teatro Libre de Bogotá (1973) and its Actors Training School (1988), where he worked as a resident actor, producer and director for almost 30 years with more than 40 productions. His credits in Repertoire Español include: “Blind Date”, “Bad Grass Never Dies”, “Aunt Julia and the Writer” and “Burundanga”.

German Jaramillo and Zulema Clares
German Jaramillo and Zulema Clares

ZULEMA CLARES (ACTRESS):

Born in Cuba and graduated from the National School of Art in Havana in the careers of Choral Direction and Theater Direction. She has worked in theater, film and television as an actress, playwright and director. She was the founder of the Argos Teatro de Cuba group in 1996 and soon after became one of the most acclaimed actresses on the Cuban scene for her performances in classics by Strindberg, Brecht and Calderón de La Barca, among others. She worked as an acting and directing teacher at the National School of Theater in Cuba.

His film credits include the leading roles in “The Nights of Constantinople”, “Three Times Two” (Silver Zenith, debut film, Montreal 2004) and “Long Distance”. He currently resides in New York and is part of the Spanish Repertory company of actors. His credits with the company include “La fiesta del chivo”, “La casa de Bernarda Alba”, “En el nombre de Salomé”, among many others.

 

Functions:

▪ Friday, March 02: 8:00 pm

▪ Saturday, March 03: 8:00 pm

▪ Sunday, March 04: 3:00pm

▪ Thursday, March 08: 7:00 pm

▪ Saturday, March 10: 3:00pm

▪ Friday, March 16: 11:00am and 8:00pm

▪ Thursday, March 22: 7:00pm

General Admission

▪ $30.00

logo repertorio - Gabriel Garcia Marquez
logo repertorio – Gabriel Garcia Marquez

Address: Spanish Repertoire. 138 East 27th Street, New York, NY 10016

 

“The colonel has no one to write to him.” An adaptation of the novel by Gabriel García Márquez as part of the 50th Anniversary of Spanish Repertory.

Do not miss it!!!

The bird and The Colonel has no one to write to him - Gabriel Garcia Marquez
The bird and The Colonel has no one to write to him – Gabriel Garcia Marquez

For more information visit: https://repertorio.nyc or follow them on Facebook: https://www.facebook.com/repertorionyc/

The legacy of El Palladium lives on, as demonstrated by ‘Mambo Fantasy’

The legacy On Saturday, January 18, 2025, the Tropicoro Club at the Fairmont El San Juan Hotel in Puerto Rico was decked out to celebrate the music of Tito Rodríguez; led by his heir, Tito Rodriguez Jr., and El Caballero de la Salsa: Gilbertito Santa Rosa on vocals and the characteristic marquee of “El Inolvidable”. The show was part of ‘Mambo Fantasy’, a duel between the legacy of Tito Puente and that of Tito Rodríguez, two of the Kings of mambo during the golden age of big bands.

Humberto Ramirez, Herman Olivera, Tito Rodriguez jr. y Gilberto SantaRosa en Mambo Fantasy
Humberto Ramirez, Herman Olivera, Tito Rodriguez jr. y Gilberto SantaRosa en Mambo Fantasy

The dance concert featured the musical power of the big orchestras, responsible for placing Latin music among the favorites of the dancing public. It was a must remember that the history of what was the era of mambo was strengthened in the emblematic New York halls, among which “El Palladium” stood out. To do so, the dance corps of Tito Ortos and Tamara Livolsi was accompanied by the nonagenarian Mambo Mike, engaging in an energetic choreography that the trio executed to perfection.

The legacy of Tito Puente resonated under the musical direction of the trumpeter, arranger, composer and producer Humberto Ramírez, with Hermán Olivera and Michelle Brava as the singers in charge of interpreting Puente’s repertoire.

Michelle La Brava 'Mambo Fantasy' en Puerto Rico
Michelle La Brava ‘Mambo Fantasy’ en Puerto Rico

Rodríguez’s legacy was carried out by the union between the timbalero, arranger, composer, producer and orchestra director, heir to the musicality and the name of one of our greatest musical glories -Tito Rodríguez, Jr.- and one of the greatest stars of contemporary music -Gilberto Santa Rosa. The group was composed of: Gerardo Rivas on the tumbadoras, Pete Perignon on the bongos, Mako Pérez and Genaro “Ginno” Ramírez on the chorus, Luis Marín on the piano, Johnny Torres on the bass; Freddie Miranda, Josué Urbina, Saviel Cartagena and Francisco “Pacman” Cruz on the saxophones; Georgie Torres and Anthony “Nony” Rosado on the trombones; with Rolando Alejandro, Pedro Marcano, Kevin Ibáñez and Becky Zambrana on the trumpets. And since legacies are significant, it should not be overlooked that the three percussionists of this group are children of musicians.

Orquesta 'Mambo Fantasy' en Puerto Rico
Orquesta ‘Mambo Fantasy’ en Puerto Rico

The repertoire, which included “Mama Güela,” “A los Muchachos de Belén,” “Vuela la paloma,” the bolero “Me faltabas tú,” “Baranga,” “Bon sueno,” “Yambú,” “Avísale a mi contrario,” “El agua de Belén,” “Óyeme Antonia,” “Estoy como nunca,” and the surprising intervention of the tumbador singer Johnny Rivero, the bolero “Tómame ya,” “El que se fue,” and “Abarriba cumbiaremos,” made it clear that the musical complexity of the golden age of mambo remains alive. The Gentleman of Salsa gave a lecture on his expertise in the most Tito Rodríguez-like dance that has ever been seen and heard, imprinting his interpretive style on the songs of “El Inolvidable,” while demonstrating his mastery of the dance, sliding across the stage using Rodríguez’s best steps.

Herman Olivera 'Mambo Fantasy' en Puerto Rico
Herman Olivera ‘Mambo Fantasy’ en Puerto Rico

Evidently, the participation of El Caballero de la Salsa was inspired by the musical perfection of “El Inolvidable”, achieving an impeccable performance. Through the magic that Santa Rosa brought to the concert, Tito Rodríguez, Jr. managed to connect with the Puerto Rican public that follows his father’s music. For our part, we are grateful for the invitation of the work team responsible for the success of ‘Mambo Fantasy’, while we remain awaiting the next show that manages to bring together these greats of mambo.

Also Read: Bella Martinez, the irreverent Salsa writer

Bella Martinez Puerto Rico

Europe / February 2025

Calibrated maracasMartinez attorney

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La Macumba 2024
La Macumba
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8, rue vandamme 75014
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Le Balajo
9 rue de Lappe 75011
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La Macumba – The Real Latin Club in Hamburgs
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FEBRUARY 2025

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Salsa at its best, led by the leader of La Puertorriqueña: Don Perignon

The most recent production of the Bailable Víspera de Reyes, which was instituted in 1987 by the timbalero and band leader known in the salsa scene as Don Perignon, was quite an event. Thirty-eight years ago, ‘La Puertorriqueña’ was still known as ‘Compañeros y amigos’.

El líder de La Puertorriqueña, Don Perignon
El líder de La Puertorriqueña, Don Perignon

However, the dance that fulfills a promise made by Perignon to kings has continued to be celebrated beyond the names with which Perignon has identified his band over time.

Each year, the show brings with it a box of surprises. In addition to what is promised during the promotion, the salsa public that comes to the traditional gala knows that anything can happen there. This year, the stage showcased great artists in addition to the luxurious closing that gave us the night by way of El Caballero de la Salsa, Gilberto Santa Rosa performing the emblematic song by Johnny Ortiz, ‘Tu música popular’.

Ángel Martínez, Efraín Hernández, Don Perignon y Miguel Aponte
Ángel Martínez, Efraín Hernández, Don Perignon y Miguel Aponte

In this edition, held on January 5, 2025, the concert was started by the successor of the Perignon dynasty, also a percussionist, Pete Perignon; flanked by vocalists Ricardo Rodríguez in the more melodic songs and Julio López in the heavier numbers. López got the first turn at the microphone with ‘Azúcar pa’ un amarga’o’, followed by Rodríguez in the key of ‘Cuéntame tu historia’.

According to Pete himself, he invited Jorge Yadiel Santos to silence rumors regarding the singer’s departure from his orchestra. With the vocal power that characterizes him, the now soloist closed the presentation of the first orchestra of the night; performing ‘Baila’ and ‘Gotita caído en clave’.

Cuto Soto, Gamalier González, Rafy Torres, Pedro Marcano, Carlos __Coamito__ Martínez, Jr., Ángel Segarra y Humberto Ramírez
Cuto Soto, Gamalier González, Rafy Torres, Pedro Marcano, Carlos __Coamito__ Martínez, Jr., Ángel Segarra y Humberto Ramírez

The group led by Pete Perignon and his timbal offered a great performance with master musicians of the present generation. These were: Jean Carlos Camuñas on the tumbadoras, Carlos Pagán on the bongó, Reynaldo Burgos on the piano, Jorge Rivera on the bass; Víctor Ambert and Jahaziel García on the trumpets; Darnell Febres and César Javier Ayala on the trombones, and Víctor “Yuca” Maldonado on the baritone saxophone.

La Mulenze kept the crowd on the dance floor, with the first song of their repertoire being ‘La sala pa’l baile’, performed by Rafy Andino. The vocal front was completed by Rafy Cruz and Alex Ojeda. The bassist, director of the orchestra of eternal youth, Edwin Morales led his boys, as he affectionately refers to his musicians; Among them were Emanuel Navarro on the tumbadoras, Robert Watts on the timbal, Alberto Muriel on the bongo, Manolo Navarro on the piano, Carlos “Coamito” Martínez, Jr. and Abdel Rivera on the trumpets; in addition to Willie Torres Ortiz and Heity Morales Nogueras on the trombones. The golden touch was offered to those present during the interpretation of the song “Mala paga”, written by our Moncho Rivera, when the Venezuelan master musician and sonero Marcial Istúriz took on the task of accompanying Rafy Andino on the soneos, shortly after Rafy confessed to being a great admirer of one of the greatest exponents of the salsa sound in Venezuela.

Henry Santiago, Joe González, Rico Walker, Marcial Istúriz, Hermán Olivera, Jerry Rivas, Pichie Pérez, Josué Rosado y Pedro Brull
Henry Santiago, Joe González, Rico Walker, Marcial Istúriz, Hermán Olivera, Jerry Rivas, Pichie Pérez, Josué Rosado y Pedro Brull

Before starting his presentation, the star of the annual gala, Don Perignon marked and conducted the orchestra to play ‘Happy Birthday’ in honor of the evening’s host, also Z-93 announcer: Néstor Galán, “El Búho”. The timbalero conducted the orchestra, which was reinforced for the evening with guest musicians. The group in its Bailable Víspera de Reyes 2025 version was composed of: Charlie Padilla on the tumbadoras, Miguel Aponte on the bongó, Ángel Martínez on percussion (güiro), Luis Marín on the piano, Efraín Hernández on the bass; Cuto Soto, Gamalier González and Rafy Torres on the trombones; in addition to Pedro Marcano, Carlos “Coamito” Martínez, Jr., Ángel Segarra and Humberto Ramírez on the trumpets. For the vocal front, Perignon called on: Henry Santiago, Pedro Brull, Joe González, Pichie Pérez, Josué Rosado, Jerry Rivas, Rico Walker, Marcial Istúriz, Hermán Olivera and Gilberto Santa Rosa.

Cuto Soto, Gamalier González, Rafy Torres, Pedro Marcano, Carlos __Coamito__ Martínez, Jr., Ángel Segarra y Humberto Ramírez
Cuto Soto, Gamalier González, Rafy Torres, Pedro Marcano, Carlos __Coamito__ Martínez, Jr., Ángel Segarra y Humberto Ramírez

The repertoire took the followers of La Puertorriqueña on a historic tour that demonstrated the variety of songs and voices that come together in a salsa key with the cadence and flavor that Perignon manages to give to each project he leads. Joe González performed ‘Ciudad, ciudad’, Pedro Brull excelled singing ‘Represento’, Pichie Pérez was in charge of vocalizing ‘Como mangó’, Josué Rosado visited to sing ‘Cantándole al amor’, Jerry Rivas was in charge of ‘El pin pin’, Rico Walker shined with ‘Que vengan rumberos’, followed by Marcial Istúriz and a masterful interpretation of ‘La familia’ and Hermán Olivera with his spectacular ‘Ritmo Bembé’.

Marcial Istúriz comparte micrófono con Hermán Olivera
Marcial Istúriz comparte micrófono con Hermán Olivera

La Puertorriqueña was born in 1988 near the promise of Kings, which happens every January 5. The dance of January 5, 2025, which was held at the Sheraton in San Juan, Puerto Rico and was dedicated to trombonist Toñito Vázquez (RIP) showed that the promise of Reyes by Don Perignon -who is the leader of a generation of musicians- established more than three decades ago, remains valid. The participation of El Caballero de la Salsa recreated the beginning of his career, together with his first musical director: Don Perignon. That brotherhood between Gilberto and Perín, like the promise of Reyes, also remains valid. For our part, we will continue in salsa thanks to the call of the leader of La Puertorriqueña.

Also Read: Don Perignon and La Puertorriqueña are prides of Puerto Rico

Bella Martinez Puerto Rico

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.