Search Results for: Spanish in the United States

In Buenos Aires I held the Tango Festival and World Cup 2021

Buenos Aires, Argentina, the place where the spirit of Tango was born, so when tourists visit this beautiful city they say that to get to know it you have to immerse yourself in the magic of dance.

Tango is a dance full of sensuality that was born during the 1800s, a musical style that results from the fusion between African culture and the local cultures of the gauchos and native peoples, in addition to the contribution of European immigrants –mainly, Spanish and Italian – and from the Middle East.

The elegant and passionate movement of tango shows the exotic cultural mix of the first tango dancers and the solemn melodies of this music offer the listener a glimpse into the lives of the first Argentine immigrants, and over time the tango later spread to the wealthier areas of Buenos Aires and at the beginning of the 20th century it became a sensation throughout Europe and the United States.

Photo of Tango Dancers — Tango dancers in Buenos Aires

For many years, Tango Festivals have been held in Buenos Aires every year, being a very attractive event for both national and foreign citizens, where many professional Tango dancers participate and compete and this year it is organized again by the Ministry of Culture of the City of Buenos Aires, Tango BA Festival and Mundial who announced the champions in the categories Tango de Pista and Tango Escenario which was filling the Buenos Aires center with magic with more than 4000 people who enjoyed it with the Obelisk on Diagonal Street North as part of the stage.

The Tango BA Festival and Mundial was held from September 16 to 26, where shows, tributes and the best dancers performed on stage; more than 400 couples from Argentina, Brazil, Russia, Italy, Japan, Korea, Taiwan, Spain, Romania, Poland, Malaysia, Turkey, United States, United Kingdom, China, Germany, Colombia, Indonesia, Ecuador, Mexico, Latvia, Georgia , Bolivia, Canada and Switzerland competed in the Tango de Pista and Tango Escenario categories in this edition of Tango BA Mundial.

The inauguration began on Thursday, September 16 at the Auditorium of the Usina del Arte at 7:30 p.m. where a tribute was made to maestro Aníbal Troilo (he was a bandoneonist, composer, orchestra conductor of Argentine tango) with the orchestral direction, arrangements and solo violin by Fabián Bertero, the special participation of the dancers Sandra Bootz and Gabriel Ortega, and the presence of notable guests such as the singer Sandra Luna and the pianist José “Pepe” Colangelo, the special production “Pichuqueando”.

Photo of the dance stage Buenos Aires — Dance stage for the Tango festival in Buenos Aires 2021

September 17:

Starting at 5 pm: the Carlos Gardel Museum presents the Fileteadoras Talk, by Patricia Berman and Claudia Medori and in turn an interview by Silvia Brunelli and Mercedes González Bracco.
At 6:00 pm: at the Abasto Shopping, the La Juan D’Arienzo Orchestra performed.
Starting at 7:00 p.m., Hernán Reinaudo presented his album Toro mañero in the Chamber Room of @usinadelarte
7:30 pm: María Garay presented 80 years of Life and Song, in Concert, at the Auditorium of the Usina, which were an exciting celebration of her career, with Marcos & Louise, Champions of Tango de Pista 2020, as dancers, Also at the same time, “Eternamente Di Sarli” was presented with the Orquesta Típica Misteriosa Buenos Aires on the voice of Eliana Sosa, at the Amphitheater of Parque Centenario. With Carlos Rossi, as special guest, and Carla Rossi and José Luis Salvo, as guest dancers, not to mention that at the same time there was a class and exhibition by Soledad Rivero and Cristian Gallardo.

September 18th:

From 2:00 p.m. to 6:00 p.m., Tango BA drinks the Historic Quarter. He toured one of the most emblematic areas of the City while enjoying concerts, guided tours, and dance shows. In addition, throughout the afternoon, “La Calle de la Música” came to life on a stage set up on the corner of Chile and Balcarce: where Ache Rey & Foul Envido Tango performed; Vanina Tagini & Gabriel Merlino Trío; Alfredo Piro and Profética y Fatal.
At 7:00 pm: Walter Ríos Quinteto presented El Tango y la Danza in the Amphitheater of Parque Centenario. A musical journey through the history of tango, from its origins to its contemporary expression.
At 8 pm: Cantá began at the Festival at the Carlos Gardel Cultural Space, with Alberto Bianco as host. Those who dare will be able to show their talent and love for tango on stage

September 19:

12:30 pm: at the Usina del Arte, the Qualifying Rounds of the Tango World Cup were held, in the Tango Track Category.
5:30 pm: in Sur en Vivo – Cultural Center – Milonga del Pueblo by Oscar Héctor, Cantá took place at the Festival, with Alberto Bianco as host. An open microphone for tango players who want to break it on stage.
6:00 pm: The Emilio Balcarce Tango School Orchestra presented a tribute to Elvino Vardaro, the great senior violinist of tango, at the Centennial Park Amphitheater. Roberto Leiva & Valentina Cipollone will dance.

September 20:

5 pm: Milonga Lo de Celia Photographic show Espíritu Milonguero, by Silvia Rojas and the magazine La Milonga Argentina.
7 pm: Milonga Lo de Celia and there was a talk about the spirit of the Argentine milonga, with Silvia Rojas and guests.

September 21:

At 1 pm: in the Auditorium of the @usinadelarte (it is a unique space that brings together people from all over the world through the love of tango and dance) where all the qualifying rounds of the Dance World Cup were seen, in In the Stage Tango Category, here each couple presented themselves individually where they demonstrated all their talent to the whole world both live and on the web (internet)

September 22:

6pm: The Milonga La Nacional begins with the presentation of My life in the milongas, by Oscar Héctor. The dancer, milonguero and organizer of spaces, portrays what he has experienced from the age of 9 to the present in the neighborhood clubs.
8pm: Milonga El Beso and Hugo Mastrolorenzo presents his book: El tango ha died on stage. A dystopian tale about a robotic and cloned tango.

September 23:

A concert was held from Italy in tribute to Astor Piazzolla, and another from Japan with a repertoire of classics and new compositions

September 24:

There were classes and shows in emblematic milongas, proposals in cultural spaces, and the show Remembranzas, by Corporación Tango, in the Centennial Park Amphitheater. In addition, at the Usina del Arte, José Colangelo celebrated his 80 years with special guests: Gabriela Rey, Laura Colangelo and Fabián Bertero.

Photo of el Obelisco - The Tango BA Festival and Mundial 2021 — Photo of the Obelisk on Diagonal Norte street

On September 25 and 26:

The grand finale of the BA Tango World Cup began, which will be enjoyed both live and through social networks from Vivamos Cultura; This final was very striking since for the first time the great stage set up was on Diagonal Norte, with the Obelisk in the background, giving it a unique image and experience, with different shows and tributes that filled the heart of the City with tango mysticism with:

Concert by the Sans Souci Orchestra, presented by Porteñisimo with the singers Emiliano Castignola and Walter “Chino” Laborde.
An emotional tribute was made to Juan Carlos Copes, who died this year, in which Johana Copes, his daughter, participated.
32 couples took the stage to compete for 1st place in the Tango de Pista category.
Pablo Banchero accompanied by a guitar trio presented Serenatas de Arrabal.
The Sexteto Mayor, which together with Roxana Fontán, performed a repertoire with classic themes from all periods and compositions by contemporary authors.
The dancers María Nieves and Silvia Toscano, “La Cachorra”, met in a public talk in which María Nieves told the story of how she brought tango to the stage.
At the end, a tribute show to “Tango Argentino” was held, a show by Claudio Segovia and Héctor Orezzoli, which was decisive in the international recognition of tango. This tribute included exhibitions by important dancers such as Milena Plebs and Fernando Carrasco, Vanina Bilous and Javier Rodríguez, Guillermina Quiroga and Mariano Logiudice and Analía Morales and Gabriel Ponce. The general direction was in charge of Julio Zurita.

Dancing Tango at the Obelisk on Diagonal Norte street — The Obelisk on Diagonal Norte Street – The Tango BA Festival and Mundial 2021

And at the moment of the climax, a great emotion was experienced when Fernando Bravo finally announced the winners in each category, not to mention that the couple chosen by the public was awarded in celebration mode.

“The world champions to the couples formed by Agustín Agnez and Bárbara Ferreyra in Tango de Pista; and Emmanuel Casal and Yanina Muzyka in Stage Tango. ”

Due to the Covid-19 pandemic, many people could not be at this beautiful festival, so the organizers made a great gesture with all their followers and transmitted it live by streaming to the whole world on Vivamos Cultura and the Canal de la City with the conduction of the event was in charge of Carlitos Lin and the awards, in charge of Fernando Bravo, so that he would know how the event was going and they could enjoy it from the comfort and safety of their homes.

The winners of the Festival Tango BA and Mundial 2021- Photo — Tango BA Festival and World Cup 2021-
tango dance champions

If you want more details or videos of the event held:

Facebook: @FestivalesGCBA

Ray Barretto Giant Force y A Conguero’s Conguero

Finalists in the 23rd edition of the Latino Book Awards, October 2021.

In Puerto Rico this past September 17, 2021, Bella Martinez announced that two of the publications produced in 2020 under the imprint ‘Be more by BME’ are in the finals of the International Latino Book Awards, the most important award for Latino cultural focus in the United States. The awards ceremony for the 23rd edition of the International Latino Book Awards will be held on October 16 and 17, 2021. It will be virtual via www.LatinoBookAwards.org. Finalists are from the United States, Puerto Rico, and 19 other countries.

Positive Impact

The awards are produced by Empowering Latino Futures (ELF), a non-profit organization established in 1997 by Edward James Olmos and Kirk Whisler. Other ELF programs include the Latino Book and Family Festival. The International Society of Latino Authors.

‘Education Begins in the Home’ has provided books to more than 155,000 young readers. 182,000 students have utilized the Latino and American Indian Scholarship Directory. More than 80 episodes of the Latino Reads Podcast have aired. ELF programs have reached more than one million people. 350 volunteers annually donate more than 14,000 hours of service.

Sponsors of this effort are AALES, AARP, American Library Association, Atria Publishing, Book Expo America, California State University System, California State University Dominguez Hills, California State University San Bernardino, Entravision, Independent Book Publishers Association, Las Comadres para las Americas, Libros Publishing, Los Angeles City College, Los Angeles Community College District, MAAC, MAOF, MiraCosta College, Piping Industry Progress & Education Trust Fund, REFORMA, Scholastic Books and Visa. ELF has recently received grants from Amazon, LULAC, SDGE, and SBA.

Availability

Both books are available through the links below: Ray Barretto, Giant Force or A Conguero’s Conguero, A Memoir of Jimmie Morales as told to Bella Martinez.

Since 2016, ‘Be more by BME’ has been offering solutions focused on cultural dissemination through literature.

‘Be more by BME’, A Conguero’s Conguero, and Ray Barretto, Giant Force are trademarks of ”Be more by BME’ in the U.S. and other countries.

The names and brands of the companies and products mentioned herein are trademarks of their respective owners.

For more information, press only:

Bella Martinez

7874248868

[email protected]

For more information about the books:

bellamartinezescribe.com

Bella Martínez was born in Puerto Rico. She is a graduate of Natural Sciences from the University of Puerto Rico, Rio Piedras Campus.

She lived in the state of North Dakota as a member of the United States Air Force. She completed her master’s degree in Health Services Administration and Quantitative Methods at Central Michigan University, Mount Pleasant, Michigan.

In 2016 she published Schizophrenic: Imaginary Episodes of a Different Life. In 2020 she wrote Insurrecta: Schizophrenic Chronicles of an Untamed Life from Scriba Editions NYC.

She maintains contact with her followers through the blog La Vida es Bella, atrévete a vivirla. Her mission is to inspire Spanish-speaking people around the world to live life to the fullest. Her writings have been published in several international literary anthologies, among them: Divina, la Mujer en veinte voces by Ediciones Scriba NYC -awarded at the International Latino Book Awards 2019, in Los Angeles, California- and in several editions of the poetry collection Siglema 575, of minimalist poetry, Ediciones Scriba NYC.

If you would like to learn more about Bella, you can do so by visiting Bellamartinezescribe.com or through her pages on Instagram, Facebook, Twitter, YouTube, and Pinterest.

Articles of Interest:

Jimmie Morales a conguero for the history of Afro-Caribbean music

Bella Martínez: Amazon

By: Bella Martinez “The Irreverent Salsa Writer”

Puerto Rico

4 Salsa Books You Can Read In One Week

Spanish Author Saúl Delhom Immerses Us Into The World Of Salsa In Four Simple Illustrated Texts

Ficcionario Salsero and El Antimanual de la Salsa by Saúl Delhom — El Antimanual Para Bailar Salsa. Episodio I: El Social was published in November 2019 and contains 73 pages

The computer engineer, illustrator and dancer, Saúl Delhom, recreates the culture of Salsa in an exclusive selection of four short books that are easy to understand, a substantial exploration of the representatives of the genre, and an enjoyable reading that you can finish in a week.

The author of these different texts tells us quickly and with the characteristic Spanish humor about the skills, efforts, adaptability, and approach of Afro-Caribbean music.

With these books aimed at Salsa fans, you will get motivation, reflection, knowledge of history, tips, and advice on social dance based on real stories that will not allow you to get left behind in this competitive and fascinating world of Latin dance.

The four books on Salsa by Valencia-born Saúl Delhom will make you learn the most relevant data of the Salsa industry in a fast and exceptional way.

En Clave

En clave is one of the books by the Valencia dancer with which he makes a chronological journey of Salsa through the lives of 77 women artists around the world. For this reason, you will find singers, instrumentalists, composers, and directors of the genre from Croatia, Denmark, Spain, France, the United Kingdom, Japan, Puerto Rico, the United States, Cuba, and Venezuela, just to mention a few countries.

En Clave is structured by a timeline dating from 1877 to 1995, separated by decades. So in the first instance, you will read the biography of an artist who is probably the source of inspiration for another. Then, you will come across a connection diagram as visual support and contribution of extra information that will provide you with emotional ties, teachers, professionals, and collaborations between members of the industry.

Likewise, you will find at the end of each biography the title of a song along with a printed code that you can scan through your smartphone that will link you directly to the Spotify digital platform to listen to it.

And finally, you will observe a second timeline with the exhibition as a frame of reference for contemporary male singers and groups and the exact date of the incursion and musical performance of the artist reviewed for that moment.

“In short, for this book, I have opted for that general vision of the term Salsa… This has also allowed me to include interpreters of traditional Cuban music, to travel back in time making prominent women visible, and to the future including generations of artists who merge, and they reinterpret. For that reason, you will find exponents of the Trova, Danzón, Danzonete, the Cuban point, Guajira, or Latin Jazz. ” Excerpt from the En Clave book.

Remember that you need to read this book because…

“More Salsas are known with female names than female names in the Salsa”. Saúl Delhom

El Antimanual Para Bailar Salsa: Episode I. The social

El antimanual para bailar Salsa is an ironic and humorous illustrated guide on how to successfully overcome a social dance of this Latin rhyme on a dance floor.

In this first book by Saúl, you will find answers to common questions of beginning dancers, such as: Should the girl be dragged to the floor? Is it better to dance only with your partner? Is doing many figures the best to stand out? Do I have to know all the songs of memory to be a real Salsero? Is criticizing other couples a national sport? Who moves my drink from here?

Delhom tells us that his intention in creating this project was initially purely personal and without any commercial intention, but due to its success and the liking of the experience acquired, he decided to write an extension of this book with a few extra chapters and face a second different book.

Ficcionario Salsero. 50 New Words Explained For Normal People

The Ficcionario Salsero is a dictionary of 50 words invented by the author.

These simple words with minimal modifications in the union of two of them or the exchange of one or two letters make the meaning vary entirely, creating a new terminology in salsa slang.

To do this, Saúl Delhom developed an advanced algorithm that allowed him to generate each new term, which in the writer’s words, that should already exist today.

In addition, in the last pages of the Ficcionario, you will find a story about the events that take place in a Salsa Congress and in which these new words are used as an example and that make you actively get involved in this fascinating world.

It should be noted that the style and method applied to the illustrations here are different from those applied previously.

Trivial Salsero

Finally, there is the Trivial Salsero, a Salsa cultural enrichment book. Its base consists of 360 questions that join a playlist of 160 songs.

In the questions related to a hit, for example: According to a song from El Gran Combo de Puerto Rico, what city do you recommend living in summer to have fun with charm and beauty? You will have the information about the correct answer and bring you the exact time within the song through a mark on the digital link to listen to it on Spotify.

Trivial Salsero also includes a system to choose pages randomly without the need for dice or cards.

And is that if you consider yourself a real Salsero you should already know the answers to any of these questions that appear in this book and that I leave you here below as a preamble to what you will find in its internal pages:

With what instrument is the artist Noro Morales associated?
What discipline did Celia Cruz leave to dedicate herself to music?
What nickname has the artist Charlie Palmieri received?
What is the meaning of the word Segundo of the artist Compay Segundo?

“I’ll tell you a little personal anecdote… The first time I tried a Salsa class was in a pub called Cachao. At that time, I had no idea who was the legendary double bass player Israel López “Cachao”. I believed that it was an invented word or the name of some island. Years later, I not only know his story thanks to dancing and the controversial term Salsa, but I have ended up writing a book in which appears his sister Coralia López, much less known”. Saúl Delhom

Home

The role of boogaloo in the Latin essence

How boogaloo was born

Throughout history, music has undergone a series of transformations that have led it to become what we know today, which means that this set of artistic expressions is the product of an ongoing process that does not stop and will never stop. These changes are deeply and closely linked to the rhythms originating from a certain place and their mix with those of other latitudes. In the specific case of Latin music, this process was accelerated with the arrival of a large number of immigrants to the United States of America. That is how so-called boogaloo was born.

Boogaloo is a powerful combination of son montuno with American rock and soul, although there are many who claim that mambo played a much greater role than son. Its origins are not entirely clear, but one of the most talked versions asserts that the emergence of a generation of musicians who had no academic training or experience in the industry were the ones who started this impetuous and scandalous trend that had no reverse.

Likewise, it is believed that everything starts in New York with a then small group of artists who were inspired by the rock style of the time, but the one who really popularized Boogaloo around the world was singer Pete Rodriguez. Of course, We cannot fail to mention the important role played by pianist Richie Ray and La Lupe, also known as the queen of Latin soul.

La Lupe and Tito Puente posing for a picture — La Lupe next to Tito Puente

How boogaloo revolutionized music at that time

Just as boogaloo came to revolutionize the sounds, it also did it with the topics addressed in most of the music of the time.

Generations raised in the United States that did not feel identified with the Beatles or the Rolling Stones found in this set of rhythms an identity to cling onto in order to combat the hottest at the moment. This rising genre began to address issues related to the social and economic situation of the most disadvantaged sectors. In any part of the world these songs were heard, local people knew what was going on, or at least from the perspective of the artists who lent their voices to give life to these new creations.

A very appealing characteristic of boogaloo songs is that they could be performed in both English and Spanish, so in a way, it gave the genre an essence merged with Latin and Anglo-Saxon elements that was fairly new at that time.

Pete Rodríguez and one of his records — The cover of one of Pete Rodríguez’s records

It went on to become some kind of social movement that intended to fill a gap that could not be filled by mistakenly called gringo music. Many of its defenders thought it was destined for greatness and durability, but unfortunately, it did not happen. In fact, the peak years of the rhythm went from 1965 to 1969, to show that it did not go beyond being a passing fad after an enthusiastic start.

It was quickly replaced by other catchier genres and dances that quickly sank in the taste of young and old alike, leaving behind what could have been the greatest musical legacy that Latinos have contributed to the outside world. Other sounds arrived, crept over the music scene slowly but surely, and left out boogaloo.

However, we must clarify that while this genre was no longer relevant as at the beginning, there is no getting around the fact that it was this movement that gave rise to a lot of legendary songs that today are still analyzed and commented on by those who danced and sang them at the time. Not to mention that this and several other rhythms that followed were the transition that salsa needed to explode as did at the peak of its popularity.

Home

Antonio “Tony” Succar, percussionist, composer, arranger, band leader and music producer

The Latin Tribute to Michael Jackson

Antonio “Tony” Succar (Lima, May 18, 1986) is a Peruvian-American percussionist, composer, arranger, band leader and producer.

Succar was born in Lima, Peru. When he was two years old, his family emigrated to the United States and settled in Miami, Florida.

Among his relatives were several musicians who encouraged Succar to develop his own musical interests. The family’s musical tradition began with his paternal great-grandparents, Mexican composer Lauro D. Uranga and Spanish flamenco dancer Adelina Esteve Gregory.

The Latin Tribute to Michael Jackson Antonio “Tony” Succar — Antonio “Tony” Succar (Lima, May 18, 1986)

Succar’s father, Antonio F. Succar, is a pianist and his mother Mimy Succar Tayrako Sakaguchi is a singer. Since he was 3 years old Tony started playing in The Peruvian Cajon, when Succar was 13, he started playing drums with his parents’ band when they played at weddings and other private and corporate functions, mainly in Miami, Florida, USA.

Succar attended Miami Sunset Senior High School in Miami-Dade County. At the time his ambition was to be a professional soccer player, and he played on several teams, including his high school team when it won the 2004 state championship. He later tried to earn a soccer scholarship to Florida International University. Unable to get a scholarship, he asked his father for study advice.

The advice he received was to apply to FIU’s School of Music.

Seeking an interview with the school’s drum instructor, he ended up auditioning for the Latin jazz ensemble and was quickly accepted. Succar earned a Bachelor of Arts in Jazz Performance in 2008 and went on to study for a master’s degree, which he earned in 2010.

Succar already had an active musical career while still an undergraduate student. As a junior in college he took over as musical director of the family band, which he renamed Mixtura.

On September 21, 2010, Succar released an album recorded at his graduation recital, a live concert with Mixtura at the Wertheim Performing Arts Center in Miami. This CD/DVD contains a mix of Latin-influenced arrangements of classic jazz numbers and original material. It received numerous positive reviews including from Audiophile Audition5 and JazzChicago.

After graduating from FIU, Succar became artist-in-residence in 2012, and continued to work with the school’s music students on a number of projects. He is the youngest artist to ever hold this appointment at FIU.

Succar has worked with several prominent artists in Latin music genres. These include Tito Nieves, La India, Kevin Ceballo, Michael Stuart, Jon Secada, Jennifer Peña, Jean Rodriguez and Obie Bermudez, who collaborated with him on Unity: The Latin Tribute to Michael Jackson.

Unity features over 100 musicians, Latin superstars such as Tito Nieves, Jon Secada, La India, Obie Bermudez, Jennifer Pena, Michael Stuward, Angel Lopez, Sheila E., Judith Hill, Jean Rodriguez, Fernando Vargas, Maribel Diaz, Kevin Ceballo, hosted on PBS TV by Gloria Estefan, and the magic of Jackson's legendary engineer Bruce Swedien. — Unity: The Latin Tribute to Michael Jackson is a collaborative project to produce a musical tribute to Michael Jackson.

The Latin Tribute to Michael Jackson

Unity: The Latin Tribute to Michael Jackson is a collaborative project to produce a musical tribute to Michael Jackson. In addition to live performances, the project plans to release an album consisting of 14 Jackson songs rewritten to include Latin influences, primarily salsa and Latin American rhythms, Succar, who was a long-term fan of Jackson’s work, is the founder and producer of the project. Unity launched in 2015 with a concert at Miami’s Olympia Theater sponsored and broadcast on PBS TV, 360 stations, primetime, Friday night at 9:00 p. m., and also sponsored by Universal Music Classic.

Unity features over 100 musicians, Latin superstars such as Tito Nieves, Jon Secada, La India, Obie Bermudez, Jennifer Pena, Michael Stuward, Angel Lopez, Sheila E., Judith Hill, Jean Rodriguez, Fernando Vargas, Maribel Diaz, Kevin Ceballo, hosted on PBS TV by Gloria Estefan, and the magic of Jackson’s legendary engineer, Bruce Swedien.

Succar’s sound is refined and distinctive. His up-tempo songs have an unmatched explosive energy, while his slower arrangements are soulful and captivate the listener with the intricate nuances that are signatures of his sound.

Tony is currently working on his next album and touring the world with his band.

He has performed at the Caribbean Sea Jazz Festival (Aruba), the Ravinia Festival (Chicago), Auditorio Telmex (Mexico), Vivo Beach (Puerto Rico), Tempo Latino (France) and the 2019 Latin Grammy Awards (MGM Grand Las Vegas ), among others.

Contacts:

Youtube: tonysuccarofficial

www.tonysuccar.com

Home