• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / August 2026
      • ISM / July 2026
      • ISM / June 2026
      • ISM / May 2026
      • ISM / April 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
      • ISM May 2017
      • ISM April 2017
      • ISM March 2017
      • ISM February 2017
      • ISM January 2017
    • 2016
      • ISM December 2016
      • ISM November 2016
      • ISM October 2016
      • ISM September 2016
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: Van+Van

Ivano Zanotti

Europa / Italy / Montefredane

Ivano  Zanotti had a noticeably precocious drum groove, since the early age of 8.

Ivano Zanotti had a noticeably precocious drum groove, since the early age of 8. In his teens, he studied with Maestro Mauro Gherardi, learning drum secrets and modern techniques, all while studying at the Bologna Music Conservatory G.B.

Ivano Zanotti and his instruments
Ivano Zanotti and his instruments

Martini, where he earned his degree in Classical Percussion.

After an intense and widespread background with some of Bologna’s finest underground bands including Gli Atroci, Splatterpink, S.I.P.

Tonic, Zois and ART, Ivano toured the United States in 2006 with Manolo Badrena of Weather Report, in 2008 and 2009 with Black Smokers and in 2010 with Hammond Organ legend Brian Auger.

Ivano Zanotti in profile on stage
Ivano Zanotti in profile on stage

In the meantime, he started collaborating with Ligabue’s lead Guitar Federico Poggipollini, becoming his live and studio drummer and with former Vasco Rossi guitarist Maurizio Solieri, with whom he’s been playing since 2012.

In 2007, he played with Alan Sorrenti, composer of “Figli dell Stelle”.

Ivano Zanotti has established a solid reputation as one of Italy’s finest drummers, recording for Italian Rock legend Vasco Rossi on his Sono Innocente album, on his song “Cambiamenti” and on Maestro Francesco Guccini’s last album.

In 2016, Zanotti played drums and helped organize a one-of-a-kind concert in the Arena di Verona, supporting the fight against femicide.  Gathering many famous Italian female singers, including Gianna Nannini, Fiorella Mannoia, Patty Pravo, Loredana Bertè, Elisa, Paola Turci, Irene Grandi, Alessandra Amoroso and Emma, the memorable event produced a live DVD entitled “Amiche In Arena”.

Photo of Ivano Zanotti on stage
Photo of Ivano Zanotti on stage

Ivano is currently touring with Loredana Bertè, I Musici di Francesco Guccini, Federico Poggipollini and LIGABUE.

Ivano uses Alex Acuna Bells , the Red mountable Tambourine, the Daniel de los Reyes Signature Cajon and Tumbao Pro Bongos.

Ivano Zanotti
Ivano Zanotti

https://www.facebook.com/IvanoZanottiTheBigDrummer/

https://www.facebook.com/ivano.zanotti.5

Meet The Dates Of Havana D’ Primera – Europe Tour 2022

Alexander Abreu & Havana D’ Primera will begin their concert tour in Serbia celebrating their 15-year artistic career

cinco personas cantando
Alexander Abreu with the Van Van at Tempo Latino 2022

Alexander Abreu & Havana D’ Primera will visit Europe in September with their 2022 tour to celebrate their 15-year career with love and music, starting on Saturday, September 3rd in Belgrade (Serbia), and two days later they will step on the Bulgarian salsa stage (Monday, September 5th).

Subsequently, they will sing their repertoire in Spain (Seville, Madrid, Bilbao, and Barcelona) on September 8th, 9th, 23rd, and 30th, and will continue in France with two concerts: on Sunday 11th, they will be on stage on the Cabaret Sauvage (Paris), while the Sunday, September 25th, they will do so in the Patio de Camargue (Árles). In the same way, their tour of Germany (Hamburg) continues on Thursday, September 15th, and the 16th of this month, they will be in Finland, specifically in the capital city Helsinki.

The 2022 Tour continues in Italy (Florence and Naples) on September 17th and 21st. The latter will be in the Sweet Life concert hall located in the Somma Vesuviana municipality of the Neapolitan city.

On Thursday the 22nd, they will do the same at the Cuban Latin Festival in the Netherlands (Amsterdam) and will end their 2022 Tour 400 miles from Europe in Tunisia in the Yasmine Hammamet neighborhood located in the north of the African continent on Saturday, October 1st.

16 personas en un escenario
Ticket prices vary between £30 and £100.

Alexander Abreu spent his childhood in the city of Cienfuegos (Cuba) where he began playing the trumpet at the age of ten and has currently become one of the most versatile and acclaimed Cuban musicians of Afro-Cuban music. “I have always seen Havana D’Primera with 15 people on stage and everyone said that it was impossible, that it would be too expensive, too difficult to move… This is how we started: 14 or 15 of us and a lot of positive energy, now we are stronger than ever.” Abreu commente.

Havana D’ Primera (HDP) is a Cuban timba band founded by Alexander Abreu in 2007 and made up of 17 of the best Cuban musicians. The orchestra is led by the main composer Abreu, who has stood out for his melodic voice and ability to fuse genres through Salsa such as Jazz, Funk, and other Afro-Cuban rhythms.

“Since its inception, the band has released five studio albums and one live album. The debut album release was Making History with EGREM in 2009 and their first release for the Páfata Productions record label. 2012’s Pasaporte received favorable reviews from the international press and was voted one of the best Latin alternative albums of that year.

Since then, they have followed the success of “Pasaporte” with four more albums, released through Páfata Productions and the last one in co-production with the Cuban Producciones Abdala.

HDP released “La Vuelta al Mundo” in 2015 and “Haciendo Historia LIVE” arrived in 2016. “Cantor del Pueblo” in early 2018, earning the band a Latin Grammy nomination for Best Salsa album. We cannot forget “A Romper el Coco” with the participation of Mayito Rivera released in 2019, and the single Quiero Verte Otra Vez (2020) which won the Special Prize at the 2020 Lucas Awards gala and was also cataloged by the French newspaper “Le Monde” as one of the favorite songs of Latin music.

Finally, in 2021 the album “Será Que Se Acabó” was released, as a tribute to Cuban popular music of the 80s and 90s. Discography extracted from the Biography of Havana D’ Primera.

You can read: Where to go dancing Salsa in Paris?

In Barrio Marianao in Havana, Cuba was born Armando Peraza was a Latin jazz percussionist

Peraza (May 30, 1924-April 14, 2014) was a Cuban Latin jazz percussionist.

Thanks to his collaborations with guitarist Carlos Santana, jazz pianist George Shearing and vibraphonist Cal Tjader between 1950 and 1990, he is internationally recognized as one of the most important figures in the field of Latin percussion.

Known primarily as a conguero and bongocero, Peraza is also a skilled dancer and composer. He has appeared on recordings by Pérez Prado, Machito, George Shearing, Charlie Parker, Tito Puente, Cal Tjader and Carlos Santana. Performances with Santana, Shearing and Tjader brought him international fame.

He was inducted into the Smithsonian Institute and had three “Armando Peraza Days” from the city of San Francisco.

One of the most important and respected figures in the world of percussion.

He is a legendary master on both congas and bongoes, whose unorthodox style and story are an inspiration to countless young musicians.

He began his artistic career in the early 1940s, played with singer Alberto Ruiz’s Kuvabana ensemble where he played the bongo and moved to San Francisco in 1949.

At the New York World’s Fair he played congas in an African pavilion with a Nigerian.

This African arrives and says to me: “Man, what part of Africa are you from? I told him, I am from Cuba. He said: “Don’t tell me” He later worked with the orchestras of Paulina Álvarez and Dámaso Pérez Prado, and the Bolero group.

In 1947 he moved to Mexico, where he joined with Mongo Santamaría the ensemble Clave de Oro, and in 1948 they both traveled to New York as percussionists accompanying the dance couple Pablito y Lilón.

At the end of that year, Peraza joined Slim Gaillard’s jazz combo with which he traveled throughout the United States. After arriving in New York in 1949, Armando became a sought-after musician, especially in the contemporary Bebop and Latin Jazz scenes.

Armando built a reputation for impressively fast and complex hand technique, experimental techniques and great talent for entertaining. He flourished in progressive atmospheres that combined jazz with Afro-Cuban styles and was at the center of a new expression called “Cubop”.

He has played on more than 100 albums and is the composer of more than 40 songs. Some of these works include collaborations with Mongo Santamaria, George Shearing, Cal Tjader and Carlos Santana.

Settled in San Francisco, California, in the early 1950s, Peraza began working with pianist George Shearing’s quintet, where he demonstrated his mastery as a player of the tumbadora and bongo; also in this period he recorded several albums of Cuban folk music with Mongo Santamaria.

In the 60’s he joined the quintet of vibraphonist Cal Tjader, with whom he remained for several years and with whom he popularized Chano Pozo’s Guachi guaro. In the 1970s, he joined Mongo Santamaría’s orchestra, with which he participated in the Montreaux Jazz Festival in Switzerland.

Later he worked with Carlos Santana’s rock band, in which he remained for 17 years, until his retirement from artistic life in the 90s.

He possessed a great capacity to obtain the most unusual sounds of the bongo and the tumbadora, and distinguished himself for his extraordinary solos on both instruments.

He died on April 14, 2014 in California, United States, as a result of pneumonia.

 

Fuente: https://kripkit.com/armando-peraza/

Concerts: Servando & Florentino and Los Van Van in London

The two Salsa bands will perform at the Electric Brixton´s stage in the English capital

Servando & Florentino are descendants of Alí ​​Primera (singer-songwriter of social themes)

The duo Servando & Florentino will visit London with their “En Tu Ciudad” tour on Sunday, July 17th at the Electric Brixton https://www.electricbrixton.uk.com/ located at 1 Town Hall Parade SW2 1RJ London, United Kingdom. Ticket prices are £41.25 and those under 14 must be accompanied by a representative. In Your City Tour 2022, it will also arrive during this month of July in four cities in Spain (Valencia, Tenerife, Barcelona, and Vigo) and will step on the stage of The Button Factory in Dublin (Ireland) on July 18th.

“Europe, we will also see you in Your City! We are very excited to meet all of you and that you can enjoy the Primera Experience that we have prepared.” The publication was made by the duet on April 20th on their Facebook page. Online tickets have been available since April 22nd, and you can get them on their Los Primera website. www.losprimera.com

The Servando & Florentino brothers were born in the early 1980s in the popular area of ​​Valle in Caracas (Venezuela) and began their careers at a very early age as main members of the Salserín orchestra in the mid-1990s.

The Primera brothers with this orchestra led by the singer and composer, Manuel Guerra, had great hits such as “De Sol a Sol” and “Yo sin ti” from the studio album Salserín con mucho swing released in 1996. With this success, they became a youth phenomenon equaled to the Pop group, Menudo. Salserín crossed the Venezuelan borders achieving the same fury in countries like Peru, Ecuador, Colombia, Mongolia, Italy, Spain, and Mexico, managing to gather up to 500,000 people in some concerts.

Years later, they continue their careers abandoning this youthful salsa phenomenon, and began their internationalization as a Salsa/Pop duo signing with the record label Hecho a Mano belonging to the artist Ricardo Montaner. With him, they made the albums: Los Primera (1997) and Muchacho Solitario (1999) then followed by Paso a Paso (2000), for a total of seven record productions with different record labels.

After twelve years, the Primera brothers meet again with their salsa audience in Europe, and you can’t miss it.

“London! We are waiting for you VanVaneros. The Train is Normal but a little Accelerated.” Text published by the orchestra on their Facebook account

On the other hand, Los Van Van will also be performing on this same stage located in south London on Sunday, July 31st with their Havana To London concert. Tickets cost £35.50 and an ID is required to access the show. The doors will be open to welcome you from 8 PM.

Los Van Van has been called by many the “Rolling Stones of Salsa”. This band was founded in 1969 by bassist and composer Juan Formell, a legend of Cuban music, accompanied by José Luis Quintana known as “Changuito”, and César “Pupy” Pedroso invented the “Songo”, a Cuban rhythm predecessor of “Timba” or “Salsa Cubana”, which would generate “Salsa – Son” with a Cuban sound that has made generations dance.

In 2018, they recorded their first record production “Legado” since the physical departure of Juan Formell in 2014. This tribute album has 14 songs with 3 new versions of the international singles Te extraño, Por qué lo haces y Amiga mía.

Casa de la Música, Playa / Miramar in Havana Cuba

The month of January 2022 in this prestigious and exclusive place in Havana the best talents, orchestras, singers of the island are being presented, every weekend a different artist with the musical quality that characterizes the Cubans.

Aila Mompie, Asi Son, Tanin Pantoja, Quinteto Maden, Lazarito Valdez y Bamboleo, Papucho y Manana Club, El Hijo de Teresa y la Llegada, Leonel Limonta y Azúcar Negra, Yvan y la Leyenda, La Octava Nota, Zule Guerra, Maykel Hores y RB Salsa, Charanga Latina, Waldo Mendoza, Yordano y el Hermano, Giraldo Piloto y Klimax, Vania, Ronny, Casabe, Max Max, Pascualito Cabrejas y Tumbao, among others.

Since it opened in the mid-nineties, this concert hall has consolidated its position as the temple of salsa and Cuban son in the capital.
a de la Música, Playa / Miramar in Havana Cuba

Since it opened in the mid-nineties, this concert hall has consolidated itself as the temple of salsa and Cuban son in the capital. The best bands have played on its stage and the programming continues to be irreproachable.

It is a beautiful place in Havana, where orchestras from different artistic catalogs of the country perform, a spectacular place to enjoy good popular dance music in its halls.

The house was built in the 40’s in one of the most aristocratic neighborhoods of the capital and was the headquarters of a lodge of the Masonic Foundation. It had two floors of masonry and tiles and included in its ample distribution a party room, stage, and auditorium, a premonition of what it would be half a century later. The Irrumpe Theater Group and the Fondo Cubano de Bienes Culturales (Cuban Fund of Cultural Goods) also passed through it, then sadness came over every corner of the House until EGREM knocked on its doors to break the silence and turn it into the House of Musicians and Cuban Music.

It began with the EGREM Award Gala in April 1995 and in October of the same year, with the concert of the great Cuban musician Chucho Valdés and the group Irakere, it passed the test of fire because this concert was recorded live in the memory of the House thanks to the latest technology equipment it has.

The House was created to exhibit and commercialize the Cuban discography in different media and to promote the recognition of the work of our artistic talents through live presentations, and as a complement to this, the gastronomic offer, always preserving the most genuine values of the national culture.

“International Salsa Magazine is SalsaGoogle.com“.

We are an organization that from the hand of its Founder, Director, and Editor Eduardo Guillarte, in force since 2007 has been working nonprofit helping to promote:

Orchestras, Singers, DJs, Clubs, Plastic Artists in North America, Europe, and Latin America and Asia and with the contribution of volunteers in various parts of the world, which at the same time invite and recommend all lovers, dancers of our Latin music to visit the Casa de la Musica, Playa / Miramar in Havana Cuba.

How to get there: Dale Click Aqui

Calle 20# 3308 cya Havana, Cuba 10400orner of 35 Miramar Pla

+53 7 2026147

Facebook: Casa de la Música de Miramar Playa

Fuente: www.ecured.cu

Aila Mompie, Asi Son, Tanin Pantoja, Quinteto Maden, Lazarito Valdez y Bamboleo, Papucho y Manana Club, El Hijo de Teresa y la Llegada, Leonel Limonta yAzúcar Negra, Yvan y la Leyenda, La Octava Nota, Zule Guerra, Maykel Hores y RB Salsa, Charanga Latina, Waldo Mendoza, Yordano y el Hermano, Giraldo Piloto y Klimax, Vania, Ronny, Casabe, Max Max, Pascualito Cabrejas y Tumbao, entre otros.
Casa de la Música, Playa / Miramar Beautiful place in Havana

Long live music and its unique and great protagonist, La Salsa y  el Son Monte Adentro.

Article Interest: Quinteto D’Amore of Havana – Cuba

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Page 5
  • Page 6
  • Interim pages omitted …
  • Page 146
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.