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Search Results for: Van+Van

How Artificial Intelligence changed the music biz forever

Since very recently, there has been a tool that gives machines and systems the ability to mimic many of the things humans do, such as writing texts, drawing, analyzing data, recognizing information, making decisions, among many others. Of course, we are talking about Artificial Intelligence. 

One of the areas in which artificial intelligence has definitely impacted is music, reaching the point where it may even compose entire songs, write lyrics, and generate voices so realistic that they could easily be confused with those of humans. Because of the impact this set of technologies has had on the art world, we cannot stop talking about such an important issue that, whether we like it or not, has significantly changed and will continue to change the music landscape significantly.

Imagen created by Artificial Intelligence
This is an image about AI in music created by AI

AI and Music

Even when this could cause discomfort, it is not a secret for anyone that every day there are more facilities for those who make music without having the necessary knowledge to produce something of high quality in many cases, so they ride on all possible resources to make their job easier and simpler. 

Artificial intelligence makes producing, composing, mixing, and mastering much less complex processes, and in many cases, human intervention is not necessary. Artists and all kinds of music professionals now have a much wider range of possibilities with which they can cross boundaries technology did not allow before. For this reason, it is imperative that they are trained as best as possible in these tools so they can get the most out of them, but trying to keep the human touch that every artistic product needs.

Benefits of using Artificial Intelligence in music

As we have made quite clear, artificial intelligence offers numerous advantages to all those who learn to use it, but what would be some of them?

  • Less chance of making mistakes: by limiting to the minimum human intervention, the chances of making a mistake that could harm the final result is very slim, delivering greater levels of confidence throughout any process.
  • Speed and efficiency in the processes: anyone who has had the opportunity to compose or knows someone who does understands that it can be a rather slow and arduous process, but artificial intelligence can make things easier beyond imagination. Something that usually lasts days or even weeks can suddenly happen in seconds, making this technology a huge draw for any music creator.
  • Greater creative possibilities: Because AI offers the ability to mix up styles and genres that an artist would not consider by himself, opening up a wide range of creative possibilities and helping to create unique and experimental songs.
  • Highest adaptability: another of the virtues of AI is the ability to create lyrics, adjust them, and adapt them to existing melodies. 
AI has some disadvantages
AI offers many advantages, but also some disadvantages artists take into account

Challenges facing artists with artificial intelligence

So as we mentioned some of the virtues of AI, it is needed to be honest and admit that it can bring some problems when not used correctly. For an artist, there are certain things that can be harmful if he does not have the right training and a clear idea of what he/she wants to achieve:

  • Little originality: this is one of the aspects that most concerns those who criticize excessive use of AI in music, since this technology is based on pre-existing data. While it is true that AI can generate new things, its production only comes from previously made content. 
  • Low emotional depth: one of the main criticisms against AI in the realm of artistic creation is the lack of emotional depth it sometimes offers. Music has been understood as one of the most emotional and human expressions an artist can convey, but unfortunately AI is occasionally unable to replicate it with the same intensity. These platforms cannot always grasp this emotional component, which is so necessary to create music with the level of authenticity and depth required to touch the hearts of audiences.
  • Concerns about job security of musicians: due the legal gray areas over which AI still navigates, there are many worries about job security of artists. Because this technology is capable of reproducing vocals and compositions that may well compete with those of humans, this could mean that the livelihoods of many workers of the music industry could be seriously affected. 

Copyright law in relation to Artificial Intelligence

One of the most common doubts regarding AI is how the matter of copyright is handled, especially in the music industry, where there have been more than one scandal involving this topic. According to Intellectual Property Law, any copyrightable work should be completely original and created by a natural person. Could we say that an AI-powered song is original? Well, let’s see.

Given that originality has no clear definition in the law, the courts and the legal literature have set up the term, which results in the objective approach and the subjective approach.

Cover created by AI
Cover of NostalgIA with the voices of Daddy Yankee, Bad Bunny, and Justin Bieber. The song was made by the artist prototype Flow GPT

The subjective approach holds that a work is original if it is a true reflection of its author’s personality, while the objective approach makes references to creating something that did not exist before. The predominant approach in most countries that have enacted appropriate legislation on this matter is the subjective one, making it difficult for works created using AI to be protected by law. However, companies that provide this technology generally point out that the rights to the material created by their AI belong to them.

In view of the above, the law is very clear that the author must be a natural person, making it impossible for a work created with AI to be legally protected. It is for the same reason that, even if the objective approach predominates at some point, it would still be very difficult to protect this material.

What can we conclude from all this?

It is clear that Artificial Intelligence is here to stay and change the music industry forever, so struggling against it and its use is absolutely useless. For this reason, it is important to see it as an ally in improving what was done and not as an enemy to fight. 

Although these platforms may have some disadvantages that have already been mentioned, proper training of artists can lower the chances of falling in the lack of human sensitivity and help integrate them into their work as effectively as possible, since AI is a reality with no turning back.

Read also: David Frankel pursued music and created Avenida B Band to reconnect with the memory of his father

Antonio Adolfo: The Indelible Master of Brazilian Music

From Classical Cradle to the Jazz and Bossa Nova Revolution

That musical heritage is essential to understanding the greatness of Antonio Adolfo.

Being born into a home where the violin from the Rio de Janeiro Municipal Theater orchestra was part of the daily landscape shaped his sensibility from the cradle.

Although he grew up surrounded by the classical discipline of his father, his destiny lay within the keys, jazz, and the revolution of Brazilian popular music (MPB).

De la Cuna Clásica a la Revolución del Jazz y la Bossa Nova
De la Cuna Clásica a la Revolución del Jazz y la Bossa Nova

The son of a classical violinist, Antonio Adolfo was born in the bohemian neighborhood of Santa Teresa, Rio de Janeiro, under the sign of Aquarius in 1947. At the young age of 16, the young pianist was already part of the exclusive bossa nova club brewing in the famous Beco das Garrafas alley, leading ensembles that stood at the forefront of the scene, such as Conjunto Cinco and the Samba Trio 3-D.

Shortly after, he participated in the iconic musical Pobre menina rica by Carlos Lyra and Vinicius de Moraes, beginning to make a name for himself in the industry.

Starting in 1967, by forming a creative partnership with lyricist Tibério Gaspar, Adolfo became one of the great catalysts of modern melody in Brazil, composing massive hits like “Sá Marina” and “Juliana.”

Antonio Adolfo El Maestro Imborrable de la Música Brasileña
Antonio Adolfo El Maestro Imborrable de la Música Brasileña

At the same time, leading the group Brazuca, he established an electronic pop tone that was highly sophisticated for its time (with tracks like “Teletema” and “Ana Cristina”), culminating in the blistering musical highway of “BR-3″—a song that sparked great controversy and shook the core of the era’s music festivals.

A Pioneering Spirit and International Acclaim

After playing as a member of the backing band for the legendary Elis Regina on two European tours, and refining his technique in Paris with the renowned classical maestro Nadia Boulanger—in addition to studying in Brazil under masters Guerra-Peixe and Esther Scliar Antonio Adolfo was ready to take another giant leap.

In 1977, in an act of bravery and pioneering spirit, he released the album Feito em Casa (Homemade) under his own record label, Artezanal.

This was the opening kickoff for a liberating movement: the independent record industry in Brazil, triggering the rise of artistic dynamics that diverged from traditional market rules. Under this self-managed system, Adolfo recorded both original material (including children’s music that promoted free play) and foundational revisions of pianeiro classics, transforming the works of Ernesto Nazareth and Chiquinha Gonzaga for the contemporary piano.

This versatility proved that, as a performer and creator, Adolfo had achieved a rare distinction: mastering contemporary language from a place of timelessness.

Since 1985, the maestro has focused much of his energy on his music school, the Centro Musical Antonio Adolfo, while also participating in international events as an educator, without ever setting aside his stage career.

His profound work with the music of Chiquinha Gonzaga and jazz has earned him prestigious awards and nominations. Furthermore, he is the author of seven textbooks on Brazilian music published by Lumiar, a video lesson, and two books published abroad. For eight years, he proudly served as the Latin American representative for the IAJE (International Association for Jazz Education).

In recent years, Antonio Adolfo has returned to the stage more frequently, performing either in a solo piano format or with a group. From one of his performances at a U.S. university alongside his daughter, singer Carol Saboya, came an acclaimed live album released both in Brazil and abroad: Antonio Adolfo & Carol Saboya Ao Vivo / Live. This success has been followed by recording productions highly praised by international critics, such as Here and There / Aquí y Allá.

Chiquinha Com Jazz (1997)
Chiquinha Com Jazz (1997)

Discographic Gem: “Chiquinha Com Jazz” (1997)

A perfect example of his genius for fusing Brazilian roots with the freedom of jazz is his 1997 album dedicated to the pioneer Chiquinha Gonzaga.

Tracklist:

Atraente

Cordão Carnavalesco

Lua Branca

Angu

Gaúcho (Corta-Jaca)

O Forrobodó

Corte Na Roça

Satan

Ismênia

Faceiro

O Abre Alas

          Personnel:

Antonio Adolfo: Piano and musical arrangements

Gabriel Vivas: Double bass

Ivan Conti: Drums

Claudio Spiewak: Acoustic guitar

Contributor:

L’Òstia Latin Jazz

Dj. Augusto Felibertt

Also Read: Carlos “Nene” Quintero comes from a family of musical prodigies

Asia / June 2026

Apocalypse Now 2025Dubai Latin Crazy TribeGuia Fu 2025

Karina Bernales present June 2026 FESTIVALS

Sotn Korea
KOREA
Jeju 6 2026

Jeju Latin Culture Festival

Jun 17 / 22, 2026

Jeju Shinwha World
217 Nokchabunjae, Andeok-Myeon, Seogwipo-si
Jeju-do, South Korea

$ 250

Calibrated maracasBill Martinez

Directory of Asian nightclubs

Hong Kong `circular flag

HONG KONG

Graffiti LKFGraffiti LKF
G/F, 17-18 Lan Kwai Fong, Central
Central, Hong Kong
Solar LKFSOLAR LKF
Central 2nd Floor, Ho Lee Commercial Building, 38-44 D’Aguilqr Street, Lang Kwai Fong Central
HKI Hong Kong
Sole Mio RestaurantSole Mio
Upper Ground Floor, 51 Elgin Street, Soho
Central Hong Kong, Hong Kong

ISRAEL

Havana Music Club
Havana Music Club
Yigal Alon St 126
Tel Aviv-Yafo, Israel
+972 3-562-3456

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JAPAN

Egoland
Egoland Bar Akihabara
Chiyoda City, Kanda Sakumacho, 4 7-3 2F
Tokyo, Japan
Bar MirageBar Mirage
5F VORT Roppongi Briller, 3-14-14 Roppongi, Minato-ku
Tokyo 106-0032, Japan
+03-5860-6946
FiestaFiesta Latin Spot Bar
3F, 1 Chome-14-6 Kabukicho, Shinjuku City
Tokyo 160-0021, Japan
+81 90-1086-2878
El Cafe Latino TokyoEl Cafe Latino

3 Chome-15-24 Roppongi, Minato City
Tokyo 106-0032, Japan
+81 3-3402-8989

Latin Club Leon
Latin Club Leon
5-17-6 B1 Shinjuku, Shinjuku-ku
Tokyo 160-0022, Japan

La Tropi Azabu
La Tropi Azabu
3F Roppongi Azelea Bldf. 1-3-6 Nishi-Azabu, Minato-ku
Tokyo1060031, Japan

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THAILAND

bAFROS lOUNGE
Bafros
Sugar Club Complex Sukhumvit Soi 11
Bangkok 10110, Thailand
+66 63 039 8700

Havana Social Cocktail Bar
Havana Social
1/1 Sukhumvit Rd. Soi 11
Bangkok, Thailand
+66 2 821 6111

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VIETNAM
Apocalypse Now Vietnam
Apocalypse Now Sai Gon
2F Thi Sach
Ho Chi Minh City, Vietnam 70000
+84 799 741 261

 

La Habanera Vietnam
La Habanera
Basement 81 xuân diệu Tay Ho
Hanoi 100000, Vietnam
+84 35 320 7220

La Pachanga Saigon
La Pachanga Club Saigon
3rd Floor, 39A Co Bac Street, Cau Ong Lanh Ward, District 1
Ho Chi Minh City 700000, Vietnam
+84 93 855 79 21

Europe / June 2026

Tempo Latino 6 2026Cafe Berlin 2025Radio Gladys Palmera 2025

Karina Bernales present June 2026 FESTIVALS

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CROATIA
Croatian Summer 06 2026

Croatian Summer Salsa Festival

June 8 / 15, 2026

Rovinj, 52210 Croatia

€ 264

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FRANCE
Sense Evasion 6 2026

DANSE EVASION

June 5 / 7, 2026

4 Chemin du Jas de la Paro, 83490
Le Muy, France

€ 120

Pela Cultura 6 2026

KIZOMBA GALA CHALLENGE
Pela Cultura

June 11 / 15, 2026

The Career
2 bis, Rue du Souvenir Français
Saint Herblain, France 44800

€ 70

Corazon Latino 6 2026

FESTIVAL CORAZON LATINO

June 26 / 29, 2026

LE ROCHER DE PALMER
1 rue Aristide Briand 33150
Cenon, France

€ 169

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ITALY
Sicily Latin 6 2026

Sicily Latin Festival

June 04 / 07, 2026

Hotel Fontane Bianche Beach Club
Viale dei Lidi, 519
Fontane Bianche Syracuse, Italy 96100

€ 100

Spain Flag
SPAIN
Algeciras Baila 6 2026

Algeciras Baila Summer Festival

June 5 / 7, 2026

Hotel Reina Cristina
Paseo de la conferencia
11207 Algeciras
Cadiz, Spain

€ 80

GAF 6 2026

GAF Summer Festival

June 5 / 8, 2026

Hotel ALHAMBRA
Avenida del Mar, 2, 08398
Santa Susanna
Barcelona, Spain

€ 125

Crazy 6 2026

Crazy Dance Festival

June 12 / 14, 2026

Hotel Don Angel
Carrer del Pla de la Torre, 14, 08398 Santa Susanna
Barcelona, Spain

€ 139

Urban Bachata 6 2026

URBAN Bachata Festival

June 12 / 14, 2026

HOTEL OCCIDENTAL ARANJUEZ
Plaza de la Unesco, 2, Aranjuez
Madrid. Spain

€ 65

Terra Livre 6 2026

Terra Livre 8 Dance Festival

June 25 / 28, 2026

Terra Livre Resort
45694 Talavera de la Reina
Toledo, Spain

€ 95

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TÜRKIYE
Vivafest 6 2026

Vivafest Bodrum Summer
Dance Holiday

June 10 / 15, 2026

La Blanche Island Bodrum
Meşelik, Milas, Pina Yarimadasi
Bodrum, Türkiye 48450

€ 100

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UNITED KINGDOM
Ginga Boo 6 2026

Ginga Boo UK Kizomba Festival

June 19 / 22, 2026

The Cornerstones Church
300 Saxon Gate, Milton Keynes MK9 2ES, United Kingdom

£ 150

Calibrated maracasMartinez attorney

Directory of European nightclubs

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CZECHIA

La Macumba 2024
La Macumba
Štefánikova 230/7 150 00
Prague, Czech Republic

fRANCE FLAG
FRANCE

Canela
Canela Club Latino Paris
77 Rue du Faubourg du temple 75010
Paris, France

Cuba Compagnie
Cuba Compagnie Café
48 BD Beaumarchais 75011
Paris, France

Cubana
Cubana Café
47 rue Vavin 75006
Paris, France

La Pachanga
La Pachanga Officiel
8, rue vandamme 75014
Paris, France

La Peña
La Peña Saint Germain
3 passage de la Petite Boucherie 75006
Paris, France

Balajo
Le Balajo
9 rue de Lappe 75011
Paris, France

Pachamama
Pachamama PARIS
46 rue du Faubourg Saint Antoine 75012
Paris, France

Selsero
Salseroparis
9 Rue du Petit Pont, 75005
Paris, France

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GERMANY

Cascadas
Cascadas
Ferdinandstr. 12
20095 Hamburg-Mitte, Germany

Havanna
Havanna Berlin
Hauptstr. 30
10827 Berlin-Schöneberg, Germany
La Macumba - The Real Latin Club in Hamburgs
La Macumba – The Real Latin Club in Hamburgs
Adenauerallee 3 20097
Hamburg, Germany

Latin Palace Changó
Latin Palace Changó
Münchener Strasse 57
60329 Frankfurt, Germany

SODA
Soda Club Berlin
Schönhauser Allee 36
10435 Berlin, Germany

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MALTA

Bario Latino Malta venue
Barrio Latino Malta
Ghar il Lembi Street SLM1562 Sliema
Central Region, Malta

Poland flag
POLAND

Teatro Cubano
Teatro Cubano Warsaw
ul. Aleksandra Fredry 6 00-097 /> Warsaw, Poland

Spain Flag
SPAIN

ACM City
ACM CitY
Carrer Can Pallarès 2, Cerdanyola del Vallès
08290 Barcelona, Spain

Antilla
Antilla Barcelona
C/ d’Aragó, 141
08015 Barcelona, Spain

Azucar
Azúcar SalsaDisco
Calle de Atocha, 107
28012 Madrid, Spain

Disco Bar Cuba Live
Cuba Live
Ramón y cajal número 2
07011 Palma de Mallorca, Spain

El Son
Discoteca El Son
C. de la Victoria, 6
28012 Madrid, Spain

Prisma Discoteca
Discoteca Prisma
C. de Alcalá, 192
28028 Madrid, Spain

Discoteca El Edén Boliviano
El Edén Boliviano
Carrer Gremi de Tintorers, 49A
07009 Palma, Illes Balears, Spain

Mojito
Mojito Club
Rosselló, 217
08008 Barcelona, Spain

Morena
Morena Barcelona
calle 11 num.29
08860 Castelldefels, Spain
Que Chimba
Qué Chimba
Av. del Vallès, 117
08223 Terrassa, Barcelona, Spain
Sala Olvido Madrid
Sala Olvido
C/ Olvido 15
28026 Madrid, Spain
Seven Dance
Seven Dance (Dio Club)
Carrer del Perill 10
08012 Barcelona, Spain

The Host Madrid
The Host
C/ Ferraz nº 38
28008 Madrid, Spain
+34 918 05 36 48

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UNITED KINGDOM

Salsa Soho
Bar Salsa Soho
96 Charing Cross Rd
WC2H 0JG London, UK

Salsa Temple
Bar Salsa Temple
Victoria Embankment, Temple
WC2R 2PH London, UK

Juju's
JUJU’s Bar & Stage
Ely’s Yard 15 Hanbury Street
E1 6QR London, UK

Revolucion de Cuba
Revolucion de Cuba Leeds
64-68 Call Lane
LS1 6DT Leeds, UK

LightHouse
The LightHouse Bar & Club
62 Rivington Street
EC2A 3AY London, UK
 

 

 

 

 

 

North America / June 2026

The Latin Ensamble 06 2026Gafieira Rio Miami 06 2026Brad Shores 06 2026Artificial Intelligence in music 06 2026Canto Tropical 2025Luis Medina 2025Thumbnail about the salsa museum

Las Maracas promo

Martinez attorney

Directory of North American nightclubs

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CANADA

Ontario, Canada
ONTARIO

Canada, Vancouver
VANCOUVER

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UNITED STATES
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CALIFORNIA

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FLORIDA
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ILLINOIS

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MICHIGAN

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NEW JERSEY

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NEW YORK

Ohio State
OHIO

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PENNSYLVANIA

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TEXAS

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VIRGINIA

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WASHINGTON DC

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.