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Search Results for: Van+Van

Large projects of Mexican pianist and composer Irving Flores

It is always a pleasure for us to talk with important figures from the Latin music industry in the United States and today it was the turn of the incredibly talented producer, arranger, composer and pianist Irving Flores, who has been kind enough to connect via Zoom and talk a little about his career and personal life. 

After the usual greetings and introductions, Irving started talking about what inspired him to get started in music which, in his case, was his father.   

Pianist Irving Flores
Mexican producer, arranger, composer and pianist Irving Flores

Irving’s father as a source of inspiration 

Irving’s first important contact with music was his father, who was a professional saxophonist in the 60’s and even worked for a big band in Tamaulipas, Mexico, the artist’s native country. 

He was his first musical maestro and the one who helped him take his first steps in this complicated world, to the extent that Irving also started playing the saxophone encouraged by his father. The young man always wanted to learn how to play piano, but the high level of salinity in the city of Tampico damaged this type of instruments. It is then that he chose the organ which, being electronic, withstood the weather conditions, but he never discarded the instrument he was most passionate about. 

Once he began his career as an orchestrator and arranger, he was exploring all wind instruments such as the saxophone, trumpet, and trombone and string instruments such as the guitar. He played the saxophone professionally for some years, studied at the National Conservatory of Music and received private music lessons to strengthen his knowledge.  

Roles as a producer, an arranger and a composer 

So, as was the case with many other Latin musicians, Irving perceived music as a job in which experience has been much more important than the academic part. In fact, he told us that, as a child, he saw his father sitting writing music and making arrangements, which led him to imitate him and do the same.  

When he has beraly 15, he was perfectly capable of arranging at a professional level, an experience that served him well in Mexico City when dealing with the best composers of his native country, such as Luis Demetrio, Vicente Garrido, Eugenia León and maestro Armando Manzanero. He was also Paulina Rubio’s musical director for many years. 

For years, Irving spent three or four days each week in a studio, which gave him the necessary experience to prepare for what was to come in his professional future.  

Irving worked with many figures
Irving has worked with many important figures in the music industry

San Diego 

Irving married a U.S. citizen and had a daughter with her, which made it much easier for him to get a visa to travel to the United States. After he split up with his wife, he specifically chose the city of San Diego because his daughter lives here and he wanted to see her grow up.  

Although that was the primary reason for his move there, he immediately noticed that there was much scope for him to work on his own stuff and make many contacts. One of them was Dave Scott, thanks to whom he was able to write music for the San Diego Symphony Orchestra. 

The artist assures that, regardless of the place he used to live, he never lost his way and never stopped learning everything he could about music. 

One of the greatest experiences he had in this city had to do with taking the place of Oscar Hernandez in the Spanish Harlem Orchestra. It turns out that Hernandez lost his luggage and passport on a flight, so someone had to take his place in the concert the band would have the next day in Mexico City. It was then that Gilbert Castellanos recommended Irving for this task.  

Hernandez and Irving met, each one put their terms and reached an agreement. The founder of the orchestra bought the artist a plane ticket and went to assume the role of pianist that Hernandez could not take that night and the result could not be better. Since then, Irving and the orchestra has been on excellent terms and both he and the world famous pianist became good friends.   

Irving and his piano
Irving next to his greatest passion, his piano

Working for great artists 

According to Irving, one advantage Latin musicians have is that they are able to play all styles of music, which gives them a greater range of action compared to other artists. We are also influenced by Latin music, Afro-Antillean music and Afro-Cuban music. These elements help us a lot to do our job. American musicians tupically specialize in a single context or genre, but Latinos don’t have those limitations,” Irving said on the subject.   

Although the pianist specializes in makings arrangements for jazz, the above mentioned shows that he is perfectly capable of entering any other genre, which has led him to work with great artists with many styles.   

One of the most interesting cases was Luis Miguel. One of his most important producers, Alejandro Carvallo, spent some time in Los Angeles, where he and Irving met and forged a friendship. That is how he started writing arrangements for ”El Sol de Mexico” and had a very good experience working for him and his team.  

In the case of the San Diego Chamber Orchestra, a composer working for the institution (and Irving’s friend) named Dave Scott needed an urgent arrangement at that time, but they did not have the budget for the relevant work. So, he asked Irving what they could do, to which he replied that he needed a few days to write a new arrangement. The following two weeks, the pianist had no time even to sleep, but he achieved the goal and wrote ”A Tribute to Frank Sinatra”. According to Irving himself, this has been one of the most important projects he has had in his entire career.  

Irving worked with Luis Miguel
Irving worked with many talented Mexican artists such as Luis Miguel and Paulina Rubio

American Citizen 

In the year 2021, Irving became an American citizen, which is certainly a great honor for anyone who lives in that country and also a great responsibility. The artist seems to know this very well.   

When we asked Irving about this topic, his answer was not so much based on the artistic aspect, but on everything that involves the acquisition of citizenship as a Latino. In this sense, the artist emphasized that the cultural and even judicial environment in which we grew up in most of our countries are completely different from those of the United States, so adapting to this country is a real challenge, but well worth it.   

In his case, the pianist also says that he was as disciplined as possible in each of his decisions to be able to get to the point where he is now. In that sense, he has always done his best to exercise his career as a musician with excellence, but always respecting U.S. laws at all times. He said this because he knows many talented people who were unfortunately imprisoned or deported for making mistakes in this regard.  

On the same subject, he also said that it is very important to follow the rules for American society to accept you as a member and give you all the opportunities you are given as a citizen with all the letters. 

Musically speaking, having a U.S. passport has provided him with the possibility to travel and tour anywhere in the world without any problem, which is extremely important for the growth of an artist’s career. 

Read also: The Rumba Madre and its roots in Basque culture 

Asia / January 2024

Calibrated maracasBill Martinez

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Bar Mirage
Bar Mirage
5F VORT Roppongi Briller, 3-14-14 Roppongi, Minato-ku
Tokyo 106-0032, Japan
+03-5860-6946

Fiesta
Fiesta Latin Spot Bar
3F, 1 Chome-14-6 Kabukicho, Shinjuku City
Tokyo 160-0021, Japan
+81 90-1086-2878

El Cafe Latino Tokyo
El Cafe Latino
3 Chome-15-24 Roppongi, Minato City
Tokyo 106-0032, Japan
+81 3-3402-8989

JBA
Studio JBA
11-8 HAT Chuo-ku
Chuo City, Tokio 103-0011, Japan
+81 3 62310638

jsdc
Japan Social Dance Club
1-19-5-705 Shibuya-ku
Tokyo 150-0042, Japan
+81 3 5939-7262

Studio Pepe
Studio Pepe
7-17-12 Minato-ku
Tokyo106-0032, Japan
+81 090-4705-715

La Tropi Azabu
La Tropi Azabu
3F Roppongi Azelea Bldf. 1-3-6 Nishi-Azabu, Minato-ku
Tokyo1060031, Japan
+81 3 6804-5776

Latin Club Leon
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5-17-6 B1 Shinjuku, Shinjuku-ku
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8/F, Fung Woo Centre, 279-281 Des Voeux Road Central
Hong Kong, Hong Kong
+852 9634 9770

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Upper Ground Floor, 51 Elgin Street, Soho. Central
Hong Kong, Hong Kong
+852 5508 8244

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+2F, Ho Lee Commercial Building, 38-44 D’Aguilar Street
+Central District, Hong Kong 0000
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After Work Salsa Party
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Pong, 1st Floor, Ho Lee Commercial Building, 38-44 D’Aquilar Street, Lan Kwai
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Bangkok 10110, Thailand
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1/1 Sukhumvit Rd. Soi 11
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+66 2 821 6111

MillionSpace
MillionSpace Rooftop Bar & Bristro
Soi Sukhumvit 32, Khlong Tan, Khlong Toei
Bangkok 10110, Thailand
+66 83 898 9939

 

North America / January 2024

Roosevelt CordovaPancho ChavezIrving Flores

Tracy Jenkins

Paquito D'Rivera

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Martinez attorney

 

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Dirty Martini
Dirty Martini Oakville
2075 Winston Park Dr
Oakville, OntarioN, Canada L6H 6P5
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430 College St
Toronto, Ontario, Canada M5T 1T3
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Lula
1585 Dundas West
Toronto, Ontario, Canada M6K1T9
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55 York Blvd
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1855 Dundas St E
Mississauga Ontario L4X 1M1
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744 Mt Pleasant Rd
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1180 Howe Street
Vancouver, BC, Canada V6Z 1R2
+1 604 559-5533

Baza
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1304 Seymour Street
Vancouver, BC, Canada V6Z 1R2
+1 778-379-2292

Studio Nightclub
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919 Granville street
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CALIFORNIA FLORIDA  ILLINOIS
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JANUARY 2024 FESTIVALS

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RLDF

The Reno Latin Dance Fest

Jan 04 / 07, 2024

Silver Legacy Resort Casino
407 North Virginia St., Reno, NV, United States, 89501

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Houston Salsa Congress 2024

Houston Salsa Congress

Jan 11 / 14, 2024

The Westin Houston Hotel, Memorial City
945 Gessner Rd, Houston, TX, United States, 77024

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Interfusion Festival 2024

Interfusion Festival

Jan 11 / 15, 2024

Crystal Gateway Marriott
1700 Jefferson Davis Highway, Alexandria, VA, United States, 22202

Europe / January 2024

Calibrated maracasMartinez attorney

 

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Salsabor
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31 rue Chapon 75003
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+33 1 42 71 61 61

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9 Rue du Petit Pont, 75005
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+33 6 50 16 74 76

La Peña
La Peña Saint Germain
3 passage de la Petite Boucherie 75006
Paris, France
+33 1 46 33 19 89

Cubana
Cubana Café
47 rue Vavin 75006
Paris, France
+33 1 40 46 80 81

Canela
Canela Club Latino Paris
77 Rue du Faubourg du temple 75010
Paris, France
+33 6 46 78 28 35

Balajo
Le Balajo
9 rue de Lappe 75011
Paris, France
+33 01 47 00 07 87

La Pachanga
La Pachanga Officiel
8, rue vandamme 75014
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+33 1 40 47 63 69

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46 rue du Faubourg Saint Antoine 75012
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+33 1 55 78 10 00

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48 BD Beaumarchais 75011
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92 Boulevard de Clichy 75018
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Clärchens
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10827 Berlin-Schöneberg, Germany
+49 30 78899655

SODA
Soda Club Berlin
Schönhauser Allee 36
10435 Berlin, Germany
+49 30 44056071

Zapatissimo
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Kolonnenstrasse 29
10829 Berlin, Germany
+49 176 20470772

Brotfabrik
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Bachmannstr. 2-4
60488 Frankfurt, Germany
+49 69 24790800

Latin Palace Changó
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calle 11 num.29
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+34 918 05 36 48

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07011 Palma de Mallorca, Spain
+34 618 86 78 20

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+34 676 64 68 26

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Rosies Birmingham
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B1 2HF Birmingham, UK
+44 121 632 4936

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Revolucion de Cuba Leeds
64-68 Call Lane
LS1 6DT Leeds, UK
+44 113 350 6556

All Stars Salsa
All Stars Salsa Fridays
122 Oakleigh Road North
N20 9EZ London, UK
+44 7956 941172

Salsa Soho
Bar Salsa Soho
96 Charing Cross Rd
WC2H 0JG London, UK
+44 20 7379 3277

Salsa Temple
Bar Salsa Temple
Victoria Embankment, Temple
WC2R 2PH London, UK
+44 20 7395 3690

Earl's Court
Earl’s Court Salsa & Bachata Club
St Philips Church, Upper Grand Hall, Earls Court Road
W86QH Earl’s Court, UK
+44 7831 715368

Juju's
JUJU’s Bar & Stage
Ely’s Yard 15 Hanbury Street
E1 6QR London, UK
+44 020 7770 6109

LightHouse
The LightHouse Bar & Club
62 Rivington Street
EC2A 3AY London, UK
+44 20 3325 9745

Wimbledon Salsa Bachata
Wimbledon Salsa & Bachata Club
Drake House, 44 ST George Road
EC2A 3AY London, UK
+44 7831 715368
JANUARY 2024 FESTIVALS     by Karina Bernales

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GERMANY

Latin Festival Würzburg

Jan 26 / 28, 2024

B.Neumann Restaurant & Biergarten
Residenzplatz 1 , Wurzburg, Germany, 97070
+49 170 2100221

ITALY
Event Peopele Roma 2024

Eventopeople Festival

Jan 12 / 14, 2024

Hotel Cristoforo Colombo
Via Cristoforo Colombo, 710, Rome, Italy, 00144
+39 345 227 2818

World Salsa Meeting Genova

14th World Salsa Meeting

Jan 19 / 21, 2024

Tower Genova Airport – Hotel & Conference Center
Via Pionieri e Aviatori d’Italia, 44, Genova, Italy, 16154

Firenze Kizomba Festival Florence

Firenze Kizomba Salsa & Bachata Festival

Jan 26 / 28, 2024

Hotel Delta Florence
Via Vittorio Emanuele, 3, Florence, Italy, 50041

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Salsa Aan de Haven 2024

SADH – New Years Gala

Jan 06 / 07, 2024

De Doelen Convention Centre
Schouwburgplein 50, Rotterdam, Netherlands, 3012 CL

Amsterdam International Salsa Festival 2024

Amsterdam International Salsa Festival

Jan 26 / 28, 2024

De Koning
Isolatorweg 29, Amsterdam, Netherlands, 1014 AS

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MSSF

Magic Slovenian Salsa Festival

Jan 11 / 15 2024

Hotel Union
Miklosiceva 1, Ljubljana, Slovenia, 1000

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Malaga Dance congress 2024

Málaga Dance Congres

Jan 26 / 28 2024

Hotel Sol Principe Torremolinos
P.º del Colorado, 26, 29620 Torremolinos, Málaga, Spain
Málaga, Spain
+34 687 16 49 71

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DANCE WITH ME!

Newcastle Salsa Congress

Jan 05 / 07, 2024

Holiday Inn Newcastle – Gosforth Park
Great North Rd, Seaton Burn,, Newcastle Upon Tyne, United Kingdom, NE13 6BP

Bristol Salsa

Bristol Salsa Congress

Jan 12 / 14, 2024

The Trinity Centre
Trinity Rd., Bristol, United Kingdom, BS2 0NW
+44 7531 238933

SSC

Scottish Salsa Congress

Jan 19 / 22, 2024

Leonardo Edinburgh Murrayfield Hotel
187 Clermiston Rd, Edinburgh, United Kingdom, EH12 6UG

Gato Barbieri was an excellent and virtuoso Argentine saxophonist par excellence

The Argentine musician takes us on a journey through his illustrious career.

Gato Barbieri

Editor’s note: Famed saxophonist Leandro “Gato” Barbieri passed away on Saturday, April 2, 2016, in New York City. He was 83 years old.

In 2015, the Latin Grammy Award for Musical Excellence was presented to Argentine composer Gato Barbieri, one of the most deserving musicians to be honored for his extensive career, throughout which he created a bridge between Latin music and an international audience.

In love with jazz since his formative years in the city of Rosario, Barbieri trained playing with great figures of American jazz during the 1960s.

The eternal radiance of Gato Barbieri
The eternal radiance of Gato Barbieri

But his heart never left his Latin American sensibility. When he came to fame as a soloist and leader of his own group, he sold millions of records, forging a personal language that draws inspiration from tango, Brazilian cadences, the sounds of the Andes and South American folklore.

Over the past few years, Barbieri, who turns 83 on November 28, has suffered several health complications. From his home in New York, the musician spoke with remarkable sincerity about this new stage of his life, now far from his youth, but full of acceptance and hope.

You recently performed at the Blue Note club in New York and sold out. How does it feel to be a jazz legend at the age of 80-something?

When I play here at the Blue Note, people come from Russia, from Europe, from everywhere, because people identify with what Gato has done.

Now, I’m a little sick and it’s hard for me to walk. I don’t like that. I have to do exercises and things like that. I’m going to be 83 years old and it’s necessary to do these things that put me in a horrendous mood [laughs].

Life is like that, it has nice things and ugly things, and you have to keep walking, walking, walking…It’s like a tango. If you pay attention, tango talks about beautiful things: people, siblings, loves, the sweet details of existence. To this day, there are some tango songs that I find incredible.

What memories do you cherish from the beginning of your career?

When I started playing with the Casablanca orchestra, when I was 17. We played bebop music, which for me was something incredible. We used to perform at carnivals in the provinces of Argentina.

He is the most influential Argentine saxophonist in the global jazz scene.
He is the most influential Argentine saxophonist in the global jazz scene.

I also have fond memories of playing in Europe with trumpeter Don Cherry, because I learned so much. He never said anything; he didn’t talk to us or explain anything about the music we were going to play. When we played together, we improvised, and he never stopped changing his compositions. It was a great thing.

And then, in 1972, came the music for Last Tango in Paris, which brought you international fame. What was it like to write the soundtrack for such a controversial film?

It was a magical thing, because Bernardo [Italian director Bernardo Bertolucci] is an incredible guy, an incredibly talented director. I was in good spirits, but it wasn’t an easy job because there were 50 moments in the film that needed music.

I remember we took a piano up to Pepito Pignatelli’s [owner of a legendary jazz club in Rome] house, which was on the fifth floor. Doing something like that 50 years ago was not easy, but when we recorded it, it was a beautiful thing. Sometimes the difficult things are the most beautiful.

And that unforgettable main theme, which is repeated throughout the film, how did it come about?

Bernardo called me and asked me to present him with several melodies, and that they should be as beautiful as possible. We had just gone to Italy to play some concerts, and we met Bernardo. I played him three or four tunes, and he immediately chose one and said: “This is the theme from The Last Tango in Paris”.

What do you think has been the secret of your success?

Gato Barbieri
Gato Barbieri

From 1970 onwards, I recorded about 45 records. That’s a lot. I was a guy who was always doing something, for me that lifestyle was a great satisfaction. As for the sax, I never knew much about chords. I make up my own chords, put one thing on top of them… and that’s it.

It’s hard to explain why I made the artistic choices I did. I wanted to do a little bit of everything, play an Argentine chacarera, or record with an Italian singer like Antonello Venditti [the hit ballad “Modena”, in 1979]. I always chose to play music from many different countries, and people identify with that.

Undoubtedly, you have lived a privileged life….

Yes, in a certain way, yes. Michelle [his first wife, who died in 1995] helped me a lot. She’s always in my heart, because she was incredible. She knew about film, art, so many things. In that sense, I learned a lot from her. And now I am living with Laura, my wife, who is a great person.

She has given me my only son, who is now 17 years old. He is tall and very intelligent, although a bit lazy, as I was myself at his age. It must be hereditary [laughs].

EL PAMPERO (1971)

After El Gato left his native Argentina, but before becoming a Latin jazz star, Gato Barbieri spent the second half of the 1960s collaborating with great, avant-garde musicians: trumpeter Don Cherry, vibraphonist Gary Burton and bassist Charlie Haden, among others. Capping a career for Barbieri as the leader of his own group, El pampero is an album recorded live at the Montreux Jazz Festival. Four tracks with extensive improvisations, steeped in South American nostalgia.

Gato Barbieri Album Caliente 1976
Gato Barbieri Album Caliente 1976

Gato Barbieri: Latin ‘jazz’ with a touch of pop and South American folklore.

By: Ernesto Lechner

Also Read: Irakere was a Cuban group that developed an important work in Cuban popular music and Latin Jazz under the direction of Chucho Valdés

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International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.