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There are countless artists from all over the world who have fallen in love with Latin and Spanish-speaking rhythms due to their colors and richness, so we cannot fail to talk about cases like that of dancer, choreographer and dance teacher Fanny Ara, with whom we had the opportunity to talk for a few pleasant minutes about her beginnings in her native French Basque Country and her current career.
This talented woman, who we met through her work with Javi Jiménez and his group Barrio Manouche, has a lot of interesting things to say, so we invite our readers to enjoy this story from start to finish.

With respect to how Fanny first became interested in dancing, Fanny explained that her aunt was a Spanish classical dancer and convinced her parents to sign her up for dance classes when she was about six or seven years old, to which they agreed and so they did. The little girl was so pleased with this discipline that she knew at once that she wanted to be devoted to this for the rest of her life.
She studied piano, although nowadays he does not play it, and obtained a degree in music at the Bayonne School of Art and, once he had finished all her studies, she wanted to try his luck in Spain. Been there, she had the opportunity to work side by side with some of the best exponents of flamenco dancing such as Isabel Quintero and Antonio Najarro, sparking her curiosity for looking further into it and specializing in it.
In the end, she stayed in Spain for a few more years and had no incentive to return to her country of origin. She had already started a new life in a completely different place and a profession that kept her there for the time being.
While still living in Spain, Fanny fell in love with an American and went to live with him in San Francisco, where her partner had always lived. She was fortunate enough to move to what was no other than the city with the largest flamenco music scene in the country, so it was not at all difficult for her to adapt to the new world that was opening up before her.
In fact, it did not take long for her to join dance companies, teach classes and perform just like she had been doing in Europe. The only difference is that San Francisco was a big city, while her hometown was very small and Seville, where she lived in Spain, was not a big village either, so this was a big change for her.
San Francisco opened her mind tremendously in many ways that she had not considered, so she decided that this would be her new home indefinitely.

Given that San Francisco had a much wider variety of cultures and music, Fanny was able to experiment with many other art forms like she had not done before, so she was able to dance different genres from flamenco such as jazz and even salsa, especially at social events.
The fact that her new home did not have the same traditional barriers the dancer encountered in Spain helped her to expand her horizons and try new genres and dances. In addition, being able to work in Canada and Latin America has also allowed her to expand her knowledge to unimaginable levels.
This entire career has also led Fanny to be recognized for her talent. The artist received six Isadora Duncan Dance Award nominations for important categories such as Most Outstanding Individual Dancer and Most Outstanding Musical Performance. In addition, she earned a recognition from New York’s Vilcek Foundation as “Creative Promise in Dance.”
She feels absolutely happy and lucky to be awarded and recognized for her achievements in several of her greatest works, including “Magia Flamenca,” “A Través de Tus Ojos,” “Tattooed,” “Lilith,” among others.
According to Fanny, one of the biggest challenges facing an event producer and choreographer like her is the obtaining of economic resources needed to carry out her ideas, which makes it difficult to get financing for her projects, especially after the pandemic.
In addition, many venues and restaurants are not interested in paying what corresponds to a flamenco show, which greatly reduces the chances of making some labour agreements.
Another disadvantage encountered by the artist and her team is the refusal of some theaters to allow them to use their premises, as the flamenco tablao requires a certain footwear and tap, which can be a little damaging to the floor of these establishments.
However, these problems have not been an impediment for her to continue her work, although she has had to adapt to certain conditions.

One of the things that move Fanny to create a choreography is to give a voice to those who cannot speak. In the last two productions the choreographer has made, she has sought to address the abuse suffered by human beings, especially women. The plot of the play is about three dancers who have suffered some form of abuse throughout their lives, showing how important it was for Fanny to show what many people suffer today with no one to listen.
What the artist wanted was to bring a message of hope to her audience and give a voice to those who have remained silent in the face of any form abuse to them. Best of all, words were not required to give the message, as the dancers expressed their emotions through their movements and gestures, which was more than enough.
In the case of “Lilith,” Fanny was the lead dancer together with two other musicians who accompanied her to offer a simple but powerful performance about the hard life’s way of a woman, something the artist wanted to illustrate through her work.
Ara sought to raise awareness among the audience during the hour or two her show lasted, so that attendees would go home with a different view of what they had believed until now.
Read also: Javi Jiménez from Barrio Manouche talks about his career in Spain and then in San Francisco
Europe / United Kingdom / Holanda
Cache Orchestra it’s known for its Salsa sound and is considered to be one of the finest bands of its kind in the UK. Their passion for the music is infectious and gets both Salsa enthusiasts and those new to the sensuous Latin American rhythms straight on the dance floor.
Cache Orchestra has thrilled audiences throughout the UK and internationally, playing authentic Latino rhythms that come straight from the streets of San Juan and Havana. The band is a lively and accessible mix that brings a vibrant spark to all the different rhythms that make up Salsa – mambo, rumba, chacha, bomba, merengue, bolero.

Cache Orchestra has thrilled audiences throughout the UK and internationally, playing authentic Latino rhythms that come straight from the streets of San Juan and Havana. The band is a lively and accessible mix that brings a vibrant spark to all the different rhythms that make up Salsa – mambo, rumba, cha-cha, bomba, merengue, bolero.
“UK’s very own Buena Vista band….absolutely tremendous…. music like that and we’re all feeling terrific. If you don’t start to move to this there is no hope for you. Extraordinary music.” Sean Rafferty, BBC Radio 3
“Most of the band members hail from Santiago De Cuba, the birthplace of Cuban son…. and have the effortless musicianship that comes from being to the manor born…..a set infused with rhythm changes and infectious melodies and grooves. ….the best band playing Cuban son.” Jane Cornwell, Songlines (Homegrown)
“Band were great, intoxicating music and a great crowd – all of which made for a fabulous vibe. Thank you!”Cecile Jackson “Please pass on my thanks to the band who were brilliant at our event and were just what was needed to get the party going. My only regret was that I did not have more time to enjoy the band myself!” Anne Davis, Asylum Productions
“….the acoustic septet with the real sound of Santiago De Cuba.” Simon Broughton, CD of the week, Evening Standard.
“A big thank you to the band for an exceptional wedding party. Everyone was very impressed with the sound and impeccable musicianship and is still talking about the band.” Jessica Garland Communications & Events Manager .

“Thank you to you, the band and dancers for a fantastic evening at the Chanel Conference. Everyone had a great time and they were still talking about it when they left the next day!” Emma Stoker – World Event Management Ltd
“I just wanted to let you know how much we enjoyed the band on Saturday. The music was superb and everyone was so complimentary about the group. So, thank you for helping to make our day so memorable.” Linda Marks – Harrison Parrott Ltd, Project Management.
“Please pass on my thanks to the whole band who were great on Friday and really got everyone going in the Vodafone Village. I look forward to working with you again.” Dee Goldstraw – Business Development Manager, Liz Hobbs Group
For tours and more stay tuned with us and check their website
https://www.facebook.com/OrquestaCach%C3%A9-320982197917226/
Europe / Francia

They owe their international success to the stunning emotional power of their improvisations, the huge diversity, creativity and complexity of their moves and the artistic depth of their performances.
Their workshops became among the most praised in the world thanks to their groundbreaking methods of training inspired by hip-hop, contemporary, martial arts, athletics, acting, but also Tao, zen meditation, mindfulness therapy and spiritual practice.
Their 10 hours programs aim to make the student able to connect to himself, free himself from fears and judgement, dive in his creative world, learn to see his own technical flaws, master the movements in a very deep way, fully connect to his partner emotionally, master the energy flow between the partners, and the most important: learn to train by himself and build his own tools to become independent, and therefore free.
In June 2017, after 21 months of dedicated research and preparation, they created the KizAcademy Instructors School: the world’s finest and most complete program for instructors. Kaem & Marina’s career probably had one of the fastest growths the afro-Latin dance world has ever witnessed.
Only 10 months after they started learning kizomba, they made ” THE PIANO SOLO” a kizomba video that hit 1 million views within 4 days, and got them teaching and performing in festivals and events all over the world. After only one year of international career, they decided to stop working with festivals, to work with their teams and to launch their own schools worldwide.

They created the AsOne style, and reached their goal within 4 months and been able to welcome around 70 students in every class they taught. That allowed them to be totally independant from any other institution and to focus full time and with total freedom on their pedagogy, their technical mastery, and most importantly:
Their creative journey. But why is this path relevant?
Such a fast and rare evolution was only possible thanks to 9 pillars every artist has: o Vulnerability, self-acceptance, self-discovery and self-mastery.
Anyone with an open and curious mind can learn all those things, The issue is that no one, so far, was teaching them.
Most of the masterclasses only focus on succeeding at making fancy moves. They totally disregard the development of the creative universe of the students, and they ignore all the other skills that make a complete creative dancer and a successful artistic entrepreneur.

During their carrier, Kaem & Marina became more and more aware of this mismatch between the existing concept of masterclass and what is really important to grow as an artist and have an international career. Therefore, they decided to create a full program for instructors that would prepare for the most important journey a dancer could ever experience: Self Discovery, Technical and creative Mastery and full self-expression.
For further information and courses https://www.facebook.com/KaemMarineAsone/
North America / Canada / Ottawa

What does a 3-day Salsa Convention entail? It means bringing together 50 of the most nationally & internationally renowned Latin dance stars from all of over Canada, USA & Mexico to perform right here in the Nation’s Capital. With over 30 Latin dance workshops taught by award-winning performers, there will be something for all levels of dancers.
Each day of the convention is then followed by social dancing to the sounds of some of the world’s best Salsa DJs across Canada and the United States. This 3-day convention is like no other, showcasing the best of Latin dance, right in the heart of the Nation’s Capital at Aberdeen Pavilion in Lansdowne Park. Let’s celebrate Canada’s 150th together through the best of Latin dance.



Some of the performers are…

Mario Acosta-Cevallos is a four time World Salsa Champion, a Canadian LatinAmerican Ballroom Finalist, and Director of the Edmonton area based SalsaVitus Dance Company. He is known for his hypnotic performances marked by high levels of grace, speed, and technical difficulty. Mario’s current projects include travelling to teach and perform, developing his dance teams and pro-ams, and creating new and exciting routines for the upcoming next year.
For many years, Ana Karen has excelled in dance in Manitoba, nationally and internationally. She is a three-time Manitoba Dance Festival Ballet scholarship recipient, and was the featured ballet soloist at a M.D.F.
Gala showcase. She most recently placed in the “top twelve” out of 145 dancers at the international ballet competition, the Youth American Grand Prix (Y.A.G.P.), at the semi- finals in Chicago, U.S.A. for both her Contemporary solo and her Pointe solo.
Ana also won the highest overall score for all senior solos at the Canadian National Dance Championships (C.N.D.C.), for another Pointe solo, which was to be the first time the highest overall score was awarded to a ballet number in Winnipeg. Most of Ana Karen’s dance training has been done at Marquis Dance Academy after having trained for two years in the R.W.B.’s professional division.

During her training at Marquis, Ana Karen has won multiple Elite Gold and Gold with Honours awards for her solos, trios and group numbers for Ballet, Pointe, Modern Ballet, Contemporary, Jazz and Lyrical.
She has also captured both gold and silver medals at several Dance World Cups in Montreal, Vancouver and Niagara Falls. She has continued her professional development as a teacher of ballet by studying at the worldfamous American Ballet Theatre (A.B.T.) in New York, N.Y., Ana Karen most recently won the Pro-Am World Salsa Championships in Miami, Florida and placed 2nd for Bachata Cabaret at the World Latin Dance Cup in Miami, Florida.
Harold Rancano and Regan Hirose, are a Latin dance couple best known for their energetic, and acrobatic flair on stage. Based out of Winnipeg, Manitoba, the flavorful couple has achieved plenty of success on a national and international level. Most notably they are the current World Champions for Bachata Cabaret having won gold at the World Latin Dance Cup in Miami, Florida; and are also the current Canadian Bachata Champions having won gold at the Canada Salsa Congress in Toronto, Ontario.

The couple has also competed and won various competitions in Salsa and Bachata in San Francisco, Los Angeles, Calgary, and Saskatoon. Aside from competition, the duo also directs Cubanisimo Dance Company in their hometown, where they train and coach their teams and students, 3 of which won gold at the 2015 World Latin Dance cup. They also coach and mentor various teams outside of the city by both teaching and creating choreography.
Also known for their connection and unique choreography, the couple has travelled to several festivals and congresses to share their vast knowledge of styles and various latin rhythms such as; Salsa on 1, Salsa on 2, Bachata, Pachanga, Cuban Salsa, Cha cha cha and Lifts & Tricks. Whether it’s privates, group classes or to coach teams, the couple has the experience to adapt to any teaching environment.
Lenin is proficient in rhythms such as: Salsa, Cuban Rumba, Pachanga, Bachata, Chacha, Boogaloo and Mambo. He is the director of Salcity of Angels Dance Company, one of the best and strongest dance companies in Mexico. His unique style is loved and enjoyed by audiences everywhere. It is full of energy flavor and charisma. It is not only elegant and technical but also dynamic and passionate. Lenin has been trained by several instructors including: Abel Peña (L.A.), Machito Ruiz (L.A.), Jose Aguilar (N.Y.), Jorge Martinez (Oaxaca, Mexico), Jose Chavarria (L.A.), Ernesto and Maritza (Chiapas, Mexico).
Awards:

Experiences: Lenin has had many opportunities to travel to different countries through dancing. He is recognized internationally. He has performed at the most recognized congresses in all of Mexico and the USA. In March and April of 2014, he went on a dancing tour of 27 cities in France and 5 cities in Germany.
Most recently he traveled to Panama in 2014 and the United States in 2013 and 2014 in various cities. He now resides in the United States (Cleveland, Ohio) and travels to the principal salsa congresses in the country as well as those in Mexico. Current Projects: Team and individual training, Traveling to the major congresses in the U.S., Canada and Mexico, Continue traveling all over the world through dancing.
Dedicated and passionate duo from Toronto, Canada, Daria Novoselova and Roberto Quaresma, started dancing together about 3 years ago.
Only 3 months into their partnership, they entered their first competition at the World Latin Dance Cup in Miami in December/14 and became amateur Salsa On1 world champions. Shortly after, Daria suffered a devastating neck injury during a dance practice and had to undergo surgery not knowing if she would ever be able to dance again.
After months of recovery and wearing a neck brace, she gradually returned to the dancefloor just in time to go back to Miami to defend the couple’s championship title. Despite a very challenging year for both dancers, in December/15 Roberto and Daria became 2x amateur world salsa champions.

The comeback story inspired many and was covered by numerous newspapers, such as the Toronto Star, as well as the CBC News. Since then the couple have traveled and performed in many congresses around the world such as Los Angeles Salsa Fest, Dubai Latin Festival and Japan Salsa Congress.
They have recently returned from the World Salsa Summit competition held in Miami in January/17 with 1st, 2nd and 3rd place medals in various salsa and bachata divisions. Known for their flare, playfulness and charisma on stage, Roberto and Daria are part of the Latin Energy Dance Company led by Vanesa Stay.
Angelo and Kathy began dancing together since 2009. Their passion for Latin dancing has led them to start competing and performing together. They are the 2011 Chim Pum Callao Congress and the Canada Salsa Congress Bachata Champions and were finalist at the Toronto Bachata Festival.
They enjoy travelling and sharing their passion for dance and have performed at international events such as the All Star Salsa European Cruise and the Israel Salsa Congress. Together they have developed a unique style of bachata, have taught hundreds of classes and workshops, and have choreographed numerous routines for both professionals and amateurs alike. Angelo De Torres is a professional dancer and choreographer and has had a love and appreciation for music since a very young age.
The diverse forms of expression inherent in Salsa, Bachata, Pachanga and Latin Hustle are what captivated him to learn and share his passion.

He has extensive training with respected international instructors such as Billy Fajardo, Katie Marlow, Nelson Flores, Tito Ortoz, Tamara Livolsi, Francesco Scalvenzi and Milko Succi.
Angelo has been teaching and dancing since 2008 for Steps dance studio under the direction of Jennifer Aucoin and is now a co-owner/director of Steps Dance Studio Inc.
Kathy Dondish has had the passion for dance at an early age, when she took her first ballet class at the age of 6 and trained in gymnastics at age 11. Her love for Latin dancing only grew stronger as of 2007 and hasn’t stopped since. Today, she is a performer, teacher and competitor. Having trained with top Toronto dancers as well as internationally has increased her drive to share her love on stage and in the studio.
Hiram and Briia have been dancing together for about a year in a half! In 2012 they joined Cadence Dance Academy and they been traveling and performing with them all across North America ever since. They have been traveling together in North America for showcases and teaching workshops.
Briia comilang started dancing at the age of 4 since then she had traveled for showcases around the world. Train in ballroom, ballet, hip hop, contemporary! She strives to become an all-around dancer.

Now Briia is a professional salsa dancer and a Canadian representative amateur ballroom dancer who’s traveled to China, Spain, and Italy for many competitions! Now she continues to strive to the top by teaching, choreographing and sharing her passion with others! Hiram’s love of dance has been evident in Mexico since he was a young child.
He began training Modern Jazz and Contemporary before he decided to migrate to Canada where he trained in Jazz, Ballet, Acrobatics and Hip Hop. He later partnered and competed with, 4x Salsa World Champion, Paulina Posadas. The dynamic duo went on to win 1st Place in different national competitions
Adriano Ieropoli and Samantha Scali are professional dancers based out of Montreal, Canada.
In 2009, at age fourteen they began their partnership by teaching locally and performing for various stage productions, concerts, festivals and salsa congresses. In 2015, they started competing internationally and founded Novaera Productions their very own dance studio in Montreal. That year, Adriano won his first world title in the same gender division and he is now the current world champion in the men solo division.

Adriano and Samantha are the first Canadian couple to have won a world title in the Professional Salsa On2 division, having placed first at the 2017 World Salsa Summit.
You can see know all of the performers in their official website http://www.ottawasalsaconvention.ca and all the information you need to know.
