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Search Results for: live music

The Lehman Center Performing Arts Series Presents Andy Montañez’s 55TH Anniversary

North America / USA / New York

Lehman Center for the Performing Arts Presents Andy Montañez:

Enjoy this Puerto Rican star recognized as one of the best and most influential singer in Latin America in a Special Show with special guests: Victoria Sanabria, El Trio Ideal and Johnny Olivo & Herencia de Plena

Date: Saturday, May 11th

Show: 8:00PM

Cost: $65 – $100

Venue: 250 Bedford Park Boulevard West Bronx, New York 10468

 

Lehman Center for the Performing Arts is proud to present the Latin GRAMMY Lifetime Achievement Award winner, Andy Montañez as he celebrates his 55th Anniversary with special guest: Victoria Sanabria on Saturday, May 11th. In addition to this, enjoy EL TRIO IDEAL and the exciting dance rhythms of JOHNNY OLIVO Jr. & HERENCIA DE PLENA’s performance of their afro-rich folkloric musical traditions of Puerto Rican Bomba and Plena in a Salsero Show never before seen in New York City.

 

BIO: The Andy Montañez ’s beginnings go back to 1962 with the orchestra: El Gran Combo de Puerto Rico. It was 15 years of success. El Niño de Trastalleres recorded 37 LP’S with this great Latin orchestra. There he created and sealed the luggage that would accompany him always: “El Barbero Loco”, “Julia”, “Guaguanco del Gran Combo”, Un Verano en Nueva York”, “Vagabundo”, “Milonga Sentimental”, “Las Hojas Blancas”, “La Soledad” and the now classic “A mí manera”, a song that he recorded with Paquito Guzmán and with Pellín Rodríguez originally.

 

In 1977, Andy Montañez decided accepts the irresistible offer made by the popular Venezuelan orchestra “La Dimensión Latina” to replace Oscar D’ León. With this important orchestra, Andy Montañez recorded eight LPs that placed the Venezuelan band at the popularity top and sales. The first album with Dimension Latina marked big hits, such as: “El Eco Del Tambor”, “Mujer Impura”, “Ritmos Cubanos”.  Then, the triumphs continued with the themes: “Las Perlas de tu Boca”, “Como Canto Yo “, “Nuestra Tierra”, “Vuelve”, “Rumberos de Ayer”, “Son del Bohío”, “Ave María Lola”, “Mi Son Oriental”, “Cantante Errante”, and others.

Andy Montañez
Andy Montañez

For 1980, Andy Montañez recorded with the group “Puerto Rico All Stars” three LPs that were the prelude to his return to Puerto Rico. “Reunión en la Cima”, “Isla Bonita”, “Homenaje al Mesías” dedicated to Eddie Palmieri, outlined the growth process in which the Salsero still remains.

Returning Puerto Rico, Andy Montañez forms his own orchestra. By 1981, he recorded his first solo LP titled “Salsa con Caché” with record label LAD (TH Rodven’s subsidiary). His third LP “Simplemente Andy Montañez” rang with the hits: “Dulce Veneno” and “Payaso”. This album stayed 30 weeks in the magazine, Bilboard, inside its pages Tropical Music with five themes.

For 1998, he finally created his first independent production as a Salsero artist. Guided by his feelings, his proven experience and his artistic spontaneity was released the album: “Soy Como Soy”. This production is a tribute to his people to whom Andy Montañez responds with commitment of national pride wherever he goes.

In 2002, this worldwide multifaceted artist sees the support of his people materialized by filling the Centro de Bellas Artes’ Festival Hall for three consecutive days, where he captivated three generations with an unforgettable musical tour in which El Bolero, la Música de Tríos, La Salsa and La Plena harmonized that unparalleled Salsa experience. For more details, please, visit him through http://www.andymontanez.net

BIO: Victoria Sanabria was born on October 6, 1976 in Guayama (Puerto Rico). This woman with a sublime voice who carries in her throat all the essence of singing peasant, is one of the most impressive talents that has given the Trova Jíbara of the island of enchantment.

In 1992, she won the third prize in the category of singing in the competitions “Juventud Vibra”. The following year she won first place in the Troubadour Contest of the Institute of Puerto Rican Culture, becoming the national troubadour per excellence. Later, Victoria was part of the Choir of the University of Puerto Rico, Ponce Campus.

Continuing her ascending path in the arts, in December (1995) she made her debut in Bellas Artes with the Puerto Rico’s Symphonic Orchestra. That same year this talented artist managed to be crowned as the first female to win the Bacardí Troubadour Contest, proving to be the best improviser of Puerto Rico at the end of the century.

Andy Montañez
Victoria Sanabria

Her first album as a soloist, Cánticos de Serrania, was recorded in 1999, and in the next eight years she released three more in Puerto Rico including 2008’s Celebra Conmigo that featured Andy Montañez and Andrés Jiménez as guest artists. That same year, she joined the world-wide Tribute to Hector Lavoe concert tour.

In December 2009, Sanabria released her international breakthrough album Criollo Con Salsa, in which she had combined Puerto Rican folk music with salsa. The album contained several hits including “10 Dias”, “No Lavo, No Plancho, Ni Cocino”, “Jibara Natural” that featured Luis “Perico” Ortiz, and “No Te Quiero” sung with reggaeton star Ivy Queen. 2011 saw the release of the highly successful album Boleros which established Victoria as a major singer, and a year later she followed up with the release of Boleros II, which is now considered a classic.

The Sanabria’s most recent releases are her live concert album Trayectoria that was recorded in Santurce in 2012, and 2016’s Música Mía. In addition to her own recordings, Victoria has been featured as a guest on works by Domingo Quiñónez, Olga Tañon, Richie Ray, Bobby Cruz, Gilberto Santa Rosa, El Gran Combo, Danny Rivera, Charlie Aponte, and Willie Colon, among others.

 

Purchase your Tickets NOW at:

https://lehmancenter.org/ANDY-MONTANEZ-VICTORIA-SANABRIA/

EUROPE / March 2024

Calibrated maracasMartinez attorney

 

fRANCE FLAG
FRANCE
DIRECTORY OF NIGHTCLUBS

Salsabor
Salsabor Paris
31 rue Chapon 75003
Paris, France
+33 1 42 71 61 61

Selsero
Salseroparis
9 Rue du Petit Pont, 75005
Paris, France
+33 6 50 16 74 76

La Peña
La Peña Saint Germain
3 passage de la Petite Boucherie 75006
Paris, France
+33 1 46 33 19 89

Cubana
Cubana Café
47 rue Vavin 75006
Paris, France
+33 1 40 46 80 81

Canela
Canela Club Latino Paris
77 Rue du Faubourg du temple 75010
Paris, France
+33 6 46 78 28 35

Balajo
Le Balajo
9 rue de Lappe 75011
Paris, France
+33 01 47 00 07 87

La Pachanga
La Pachanga Officiel
8, rue vandamme 75014
Paris, France
+33 1 40 47 63 69

Pachamama
Pachamama PARIS
46 rue du Faubourg Saint Antoine 75012
Paris, France
+33 1 55 78 10 00

Cuba Compagnie
Cuba Compagnie Café
48 BD Beaumarchais 75011
Paris, France
+33 1 48 06 07 11

O'Sullivans By The Mil
O’Sullivans Backstage By The Mill
92 Boulevard de Clichy 75018
Paris, France
+33 1 53 09 08 49

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GERMANY
DIRECTORY OF NIGHTCLUBS

Clärchens
Clärchens Ballhaus
Auguststraße 24
10117 Berlin, Germany
+49 30 555785440

Havanna
Havanna Berlin
Hauptstr. 30
10827 Berlin-Schöneberg, Germany
+49 30 78899655

SODA
Soda Club Berlin
Schönhauser Allee 36
10435 Berlin, Germany
+49 30 44056071

Zapatissimo
Zapatissimo Dance School
Kolonnenstrasse 29
10829 Berlin, Germany
+49 176 20470772

Brotfabrik
Brotfabrik Frankfurt
Bachmannstr. 2-4
60488 Frankfurt, Germany
+49 69 24790800

Latin Palace Changó
Latin Palace Changó
Münchener Strasse 57
60329 Frankfurt, Germany
+49 69 27220807

Cascadas
Cascadas
Ferdinandstr. 12
20095 Hamburg-Mitte, Germany
+49 69 27220807

Spain Flag
SPAIN
DIRECTORY OF NIGHTCLUBS

ACM City
ACM CitY
Carrer Can Pallarès 2, Cerdanyola del Vallès
08290 Barcelona, Spain
+34 675 30 26 64

Antilla
Antilla Barcelona
C/ d’Aragó, 141
08015 Barcelona, Spain
+34 610 90 05 58

Mojito
Mojito Club
Rosselló, 217
08008 Barcelona, Spain
+34 654 20 10 06

Morena
Morena Barcelona
calle 11 num.29
08860 Castelldefels, Spain
+34 691 46 57 72

Que Chimba
¡Qué Chimba!
Av. del Vallès, 117
08223 Terrassa, Barcelona, Spain

Seven Dance
Seven Dance (Dio Club)
Carrer del Perill 10
08012 Barcelona, Spain
+34 934 51 61 18

Azucar
Azúcar SalsaDisco
Calle de Atocha, 107
28012 Madrid, Spain
+34 639 64 29 06

El Son
Discoteca El Son
C. de la Victoria, 6
28012 Madrid, Spain
+34 671 05 67 91

Prisma Discoteca
Discoteca Prisma
C. de Alcalá, 192
28028 Madrid, Spain
+34 638 92 16 98

Sala Olvido Madrid
Sala Olvido
C/ Olvido 15
28026 Madrid, Spain
+34 619 22 29 19

The Host Madrid
The Host
C/ Ferraz nº 38
28008 Madrid, Spain
+34 918 05 36 48

Disco Bar Cuba Live
Cuba Live
Ramón y cajal número 2
07011 Palma de Mallorca, Spain
+34 618 86 78 20

Discoteca El Edén Boliviano
El Edén Boliviano
Carrer Gremi de Tintorers, 49A
07009 Palma, Illes Balears, Spain
+34 676 64 68 26

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UNITED KINGDOM
DIRECTORY OF NIGHTCLUBS

Rosies
Rosies Birmingham
259-262 Broad St
B1 2HF Birmingham, UK
+44 121 632 4936

Revolucion de Cuba
Revolucion de Cuba Leeds
64-68 Call Lane
LS1 6DT Leeds, UK
+44 113 350 6556

All Stars Salsa
All Stars Salsa Fridays
122 Oakleigh Road North
N20 9EZ London, UK
+44 7956 941172

Salsa Soho
Bar Salsa Soho
96 Charing Cross Rd
WC2H 0JG London, UK
+44 20 7379 3277

Salsa Temple
Bar Salsa Temple
Victoria Embankment, Temple
WC2R 2PH London, UK
+44 20 7395 3690

Earl's Court
Earl’s Court Salsa & Bachata Club
St Philips Church, Upper Grand Hall, Earls Court Road
W86QH Earl’s Court, UK
+44 7831 715368

Juju's
JUJU’s Bar & Stage
Ely’s Yard 15 Hanbury Street
E1 6QR London, UK
+44 020 7770 6109

LightHouse
The LightHouse Bar & Club
62 Rivington Street
EC2A 3AY London, UK
+44 20 3325 9745

Wimbledon Salsa Bachata
Wimbledon Salsa & Bachata Club
Drake House, 44 ST George Road
EC2A 3AY London, UK
+44 7831 715368
MARCH 2024 FESTIVALS by Karina Bernales

Austria circular flag
AUSTRIA

Meneate Festival

¡Meneate ! Viena Cuban Dance Festival

Mar 21 / 24 2024

Wolke 19
Donau-City-Straße 11
Vienna, Austria 1220

Fanialive
U-Bahn-Bogen 22 & 23
Vienna, Austria 1080

Boogie Lounge Club
Kalvarienberggasse 28A
Vienna, Austria 1170

fRANCE FLAG
FRANCE

PALC

Paris Afro Latin Congress

Mar 22 / 25 2024

Paris Marriott Charles de Gaulle Airport Hotel
Zone Hoteliere, 5 All. du Verger
Roissy-en-France, France 95700

Lyon Bachata

Lyon Bachata Festival 9e édition

Mar 29 / 31 2024

Espace Ecully Bar
7 Rue Jean Rigaud
Ecully, France 69130

Germany circular Flag
GERMANY
Latin Fusion Festival

Latin Fusion Festival 2024

Mar 14 / 17 2024

TSZ Blau-Gold Casino Darmstadt Club
Alsfelder Strasse 45a
Darmstadt, Germany 64289

ITALY
ITALY
Bachata Day Festival

Bachata Day  International  Festival

Mar 01 / 03 2024

Montresor Hotel Tower
Via A. Mantegna, 30
Bussolengo, Italy,37012
+39 347 900 1092

LITHUANIA
Dinastia Festival

Dinastia World Dance Congress

Mar 15 / 18 2024

Radisson Blu Hotel Lietuva
Konstitucijos pr. 20
Vilnius, Lithuania 09308

Norway Circle Flag
NORWAY
Puro Cubano

Bailan2 Puro Cubano Festival

Mar 08 / 10 2024

Drammens Theatre
Øvre Storgate 12
Drammen, Norway 3018

Poland flag
POLAND
El Sol Festival

El Sol Festival Spring 2nd Edition

Mar 08 / 11 2024

Sound Garden Hotel
Żwirki i Wigury 18
Warsaw, Poland 02-092

Romania Flag
ROMANIA
Salsa Addicted

Salsa Addicted Festival

Mar 22 / 25 2024

Hotel Boavista
Aleea F. C. Ripensia 7/A
Timisoara, Romania 300575

Slovakia circle flag
SLOVAKIA
Mambo Bratislava

Mambo Bratislava Weekend

Mar 01 / 02 2024

Salsa With Norika Dance Studio
Tomášikova 34 821 01
Bratislava, Slovakia

Spain Flag

SPAIN

Timbeando

Timbeando Festival

Mar 01 / 03 2024

Evenia Olympic Resort
Senora de Rossell, S/N
Lloret de Mar, Spain,17310

BCN Sensual Family Weekend

BCN Sensual Family Weekend

Mar 06 / 11 2024

L’Azure Hotel
Carrer dels Esports, S/N
Lloret de Mar Gerona, Spain,17310

LIFE 2024

Life Malaga Latin Congress

Mar 15 / 17 2024

Rotonda de los Elefantes
Av. del Sol, 195
Benalmadena, Spain 29630

+34 615 64 93 25

TURKEY
Istanbul Dance

12th Istanbul Dance Festival

Mar 20 / 26 2024

Pullman Istanbul Hotel & Convention Center
Yenibosna Merkez, Mahallesi, 1. Asena Sk. No:15
Istanbul, Turkey 34295

United Kingdom circular flag
UNITED KINGDOM
UKSF

Learn Salsa in a Weekend and Social on Saturday

Mar 16 / 17 2024

Penn Bowling & Social Club
10 Manor Road WV4 5PY
Stourbridge, United Kingdom

+44 7961 514074

Argentine-American composer and guitarrist Alejandro Meola kindly talked to us

There is a country we do not usually talk much about in this edition, but we have found the best moment to do so, and it is the land of tango and mate, Argentina. It turns out that, on this occasion, we talked with composer, singer and guitarist Alejandro Meola, who has honored us by accepting our invitation to this very special exclusive interview we had. 

Alejandro Meola is an artist who was born in the city of Miami, but his parents moved to Argentina when he was very young, so he spent his childhood and adolescence in the aforementioned country. In his accent, we can see how influential his upbringing in Buenos Aires was.   

Next, we will touch some of the most important issues related to his career and his life in general.  

This is Alejandro Meola
This is Alejandro Meola, a very talented Argentine-American guitarist

Alejandro’s beginnings in music 

As is typical, Alejandro began to feel a great attachment to music and it all started with the guitar that was in the house he grew up, with which he played at an amateur level and began practicing slowly and improving his skills over time. He says he always knew that his vocation was music, even without being old enough to decide on these issues. 

Given that the guitar was the instrument with which he started in music, this will always be the most important element in his artistic life above any other. However, he is also capable of playing other instruments such as piano, drums and bass, which can transport him to places within his mind where the guitar does not always take him.   

With regard to composition, Alejandro started to develop in this area through the need to express those emotions he had on the inside and communicate what his feelings in an original way with the help of music and the melodies that compose it. ‘‘I like to communicate things that resonate in other people’s minds and that’s where my taste for composition came from. Besides, I think that practice and time improve your ability to communicate emotions and transmit messages to anyone who listens to you. That evolves with oneself” said the artist.  

Alejandro’s musical education 

Alejandro told us that he studied at a music school in Argentina where he specialized more on guitar and composition, but what he calls ”street training” also helped him a lot to polish his act as an artist. The experience gained out the academies is so important to Alejandro that he even defines it as ”a parallel university”, which is as important as formal academic training, if not more. 

”It’s the street that gives you the tools, the experience and the journey to be a more complete artist. Practice on real stages is critical to specialize in music as it should be” Alejandro said on the subject.  

street training is important for Alejandro
According to Alejandro, ”street training” is very important for any artist

Argentine and American roots in Alejandro’s work 

Hearing Alejandro play evidences that he is heavily influenced by legendary and world-famous Argentine rock and the artist confirms this stating that he listened a lot to Fito Paez, Soda Stereo, Charlie Garcia, Gustavo Cerati, Luis Albert Spinetta, Andres Calamaro, among others. Undoubtedly, all of these music luminaries played a very important role on how this young man would perceive music, adding to all the American rock and blues he would listen to upon arrival in the United States. 

However, he noted that being in the United States also allowed him to listen to a number of Latin artists and rhythms which he never planned on experimenting with, but he did. His song ”La Inmigración” is a good example of this. In that regard, living in New York has expanded his horizons and led him to discover salsa, Cuban and Puerto Rican music. He also says that he took inspiration from Héctor Lavoe, Cheo Feliciano and La Fania when doing one or two songs. 

”At the end of the day, my music is a mixture of who I am and the places I’ve lived. A little from there, a little from here and a little from nowhere (laughs). A little from everywhere and a little from nowhere” he said.  

Alejandro also said that he is always on the lookout for other rhythms and ideas that come his way, but always using rock and guitar as a starting point.   

Alejandro at The Bowery Electric
Alejandro Meola playing live at The Bowery Electric

Why Alejandro chose New York as his permanent residence 

Since he was very young, Alejandro had always wanted to experience the dream of living and working in his art in New York. In addition to that, he wanted to know other cities in the country where he was born because while it is true that he spent most of his life in Argentina, he was also very clear that his country of birth was the United States, so he was curious to know it better. 

Once in New York, I met all kinds of people and artists with a very high musical level, so I was able to learn a lot from all of them. I feel like the bar is rising here and that led me to want to improve further every day. In that sense, I feel that New York gives you thick skin, since there are many obstacles to overcome to be truly recognized in music” said Alejandro about the city.   

The artist has been living in New York for 10 years now and is at ease in the place in which he currently is. In addition, he has managed to find a niche singing in Spanish, which has made him very happy and satisfied with his career.    

How Alejandro deals with languages in his music 

Something very common that many well-known artists do is to record songs in both English and Spanish so that the audience they reach is bigger, but Alejandro does not believe in it. He thinks that each song must have its own language and feeling, so he prefers to do one version of each song in one language. 

When he arrived in New York, he experimented a lot with English and has several albums in this language, but noting that he could work with Spanish without problems, he began to focus his music in that direction. In fact, today, almost all of his concerts are in Spanish.   

Each language has its advantages and disadvantages in terms of sound, so I must always pay attention to that,” said Alejandro on the subject. 

It has been a great pleasure for us to count on the talented Argentinean singer Alejandro Meola for this edition and we wish him the greatest success in his career from now on. 

Read also: El Tresero Moderno San Miguel Perez 

La Puertorriqueña de Don Perignon presents her new recording work

Demostrando in time

With great enthusiasm, La Puertorriqueña de “Don Perignon” announces the release of its most transcendental recording production, entitled Demostrando a tiempo.

La Puertorriqueña de Don Perignon presents her new recording work
La Puertorriqueña de Don Perignon presents her new recording work

This release is a testament to more than forty-five years dedicated to music by the orchestra’s leader, Pedro Morales Cortijo, known artistically as “Don Perignon”. After overcoming health challenges,

“Don Perignon“, with renewed vigor, turns his attention to what he calls “an unprecedented chapter for the orchestra”.

And what better way to kick off this new phase than with the release of the album? Demostrando a tiempo, a title derived from Moncho Rivera’s composition arranged by Carlos García, adds a historical and significant nuance to the recording.

“Don Perignon” highlights the importance of paying tribute to the pioneers of Puerto Rican popular music, Ismael Rivera and Rafael Cortijo, underlining the crucial influence they had on the musical movement to which their group belongs:

“Moncho represents Ismael Rivera and I represent Rafael Cortijo. They (Cortijo and Rivera) were the ones who created what we do, that’s why we decided to pay tribute to these two greats of our music”.

The album opens with a composition by Sammy Ayala, entitled ‘Dilo tú’, previously recorded by Rafael Cortijo’s Combo. This song, on this occasion, includes an exquisite timbal solo by Perignon.

This, which is La Puertorriqueña’s thirteenth production, rescues two jewels of the prolific composer Catalino “Tite” Curet Alonso.

The first, ‘Aquí estoy con mi son’, was first recorded in 1991 by singer Frankie Hernández under the production of Bobby Valentín. The second, ‘Soy tu ley’, was initially recorded in bolero time by Cheo Feliciano, the so-called “Señor sentimiento”. For this occasion, the skillful musical arrangement -in salsa key- by Ramón Sánchez gives the song a fascinating nuance, by integrating it with the distinctive sonority of the orchestra.

Pedro Luis Morales Cortijo, is the first name of the Puerto Rican timbalero and musical director
Pedro Luis Morales Cortijo, is the first name of the Puerto Rican timbalero and musical director

It should be noted that ‘Soy tu ley’ was destined to be part of the album Música Maestro (2014), but like fine wines, it waited patiently until it reached its optimum point to be released.

Highlighting the musical diversity, the album includes ‘A quién iré’, a composition by singer-songwriter Héctor Olmo, which at Perignon’s request, seeks to express gratitude to God for all that He has given him, including what the orchestra leader calls “a new opportunity in life”.

“I have my way of thanking God, but not through a message as fine as that,” says the director of La Puertorriqueña, considering that the song written by Olmo came to answer questions about everything he has achieved musically, despite the many obstacles that have come his way. ‘A quién iré’ features the arrangement by Juan C. Cardona, the vocal participation of Alex D’ Castro and the creation of the chorus by “Don Perignon” himself.

Demostrando a tiempo includes the songs: ‘Sácala a bailar’ (composition and vocals by José Karlo Ribot, with a tasty arrangement by Andy Guzmán who incorporates a forceful piano solo); ‘Sin brújula’ (lyrics by Harold Aguirre, musical arrangement by Ramón Sánchez, sung by Joe González); ‘La clave me lleva’, ‘Como si me amaras’ and ‘Afinque, cadencia y sabor’ (title that lists the distinctive adjectives of La Puertorriqueña).

Demostrando a tiempo reflects the dedication and unparalleled talent of “Don Perignon” and La Puertorriqueña.

Through a careful fusion of tradition and innovation showcased in the repertoire, this album represents the invaluable contribution of the orchestra, captivating dancers around the world with its vibrant and distinctive sound.

La Puertorriqueña de “Don Perignon” invites the public to immerse themselves in this unique musical experience and enjoy Demostrando a tiempo, available on digital platforms and select music stores.

La Puertorriqueña de “Don Perignon” invites the public to immerse themselves in this unique musical experience and enjoy Demostrando a tiempo, available on digital platforms and select music stores.

Don’t miss the opportunity to experience the magic of Demostrando on time. Join us on this exciting musical journey.

About Don Perignon:

Pedro Luis Morales Cortijo, is the first name of the Puerto Rican timbalero and musical director known internationally as “Don Perignon,” whose musical career began in 1974.

Don Perignon y la Puetorriqueña
Don Perignon y la Puetorriqueña

“Don Perignon” comes from a family with a long musical tradition, which includes his cousin, Rafael Cortijo.

After having stood out as musical director for singers Andy Montañez and Lalo Rodríguez, in 1989. “Don Perignon” released his first production La buena vida, which featured the participation of Victor Manuelle. This album was followed by Festival de soneros (1990) and Subiendo (1992).

In his career “Don Perignon” with his orchestra, La Puertorriqueña, has released thirteen recordings, in which figures such as Gilberto Santa Rosa, Víctor Manuelle, Luisito Carrión, Oswaldo Román, Pedro Brull, Josué Rosado, Rico Walker, José Alberto “El Canario” and Hermán Olivera, among others, have collaborated.

Bella Martinez Puerto Rico

 

 

 

Also Read: Déjalo, the latest track by Pedro Conga y su Orquesta Internacional

Cubarumba Tataguines in memoriam International Festival in its second edition.

Latin America / Cuba / La Habana

The National Center for Popular Music invites you to participate in the Cubarumba Tataguines in memoriam International Festival in its second edition.

It will be held in Havana from June 28-30, 2019. With the aim of Honoring the memory of Tata güines, Stimulating the artistic creation of rumba groups from the community, encouraging children’s projects based on the folkloric and musical genre, highlight the social value of the rumba as intangible heritage of humanity.

Asocosalsa Cuba
Asocosalsa Cuba

Likewise, to carry out a national and international workshop based on the pedagogical need to strengthen cultural nationality by art students in Cuba on the basis of the figure of tata güines, the fundamental foundation that promoted the proclamation of Rumba as Intangible Heritage of Humanity. . With this goal we urge all young people, students who wish to participate in the Festival through the following themes:

Themes:

  1. Cultural educational practices
  2. Potential value of transformation of the percussive theory of Tata güines.
  3. Main factors that slow down or facilitate the descending of the Rumba genre as a percussion modality.
  4. Ethical and aesthetic values ​​promoted by the practice of percussion
  5. Challenges to perfect percussive techniques
  6. Creation and promotion of Cuban art
  7. Young rumbero, possibility of cultural advancement. Harvested experiences and challenges for the present and immediate future.
  8. Others

The venue will take place at the Turf Night Club

General program:

Press conference

Thursday, June 13, 2019

Venue: El Turf Night Club

Address: F Street between Calzada and Quinta Vedado

Time: 2pm

Participation: Press-Radio-Television-Guests

Duration: 1h

toast to daddy

Place House Museum Tata güines

TIME: 3 PM

Event schedule:

Thursday, June 27

  • 8:00 Opening Gala Avellaneda Hall of the National Theater

Cast Subject to change

  • Tata guines Jr.
  • Makuta Flow
  • Rumbansoc
  • Ronald and his Rumbera explosion
  • Denis and his swing
  • Vania Borges
  • Iannna Wobble

Friday, June 28

Venue: Club Noturno El Turf

  • 9:00 Inaugural Conference
  • 10:00 Recess
  • 10:30 Percussion and dance workshops
  • 12:30 Demonstration group
  • 1:30 Visit Tata Guines House Museum
  • 2:00 Lunch

Cultural

Devil Tun Tun: 4pm to 6pm.

Show Woman in the rumba

Omini Bata-Rumba Morena

  • 6:30 a.m. to 8 p.m. Tataguines/Ochareo Group
  • 10-2am Venue: Club Norturno El Turf Shows with rumba groups

Explosion Rumbera/Rumbavila/Rumbansoc/

Saturday, June 29

Venue: Club Noturno El Turf

  • 9:00 Inaugural Conference
  • 10:00 Recess
  • 10:30 Percussion and dance workshops
  • 12:30 Demonstration group
  • 2:00 Lunch

Cultural

  • 3:00 Clave de Rumba folkloric ensemble / children’s project.
  • 8pm-2am Venue: El Turf Timbalaye Nightclub /Rumberos de Cuba/Rumbansoc/ Tata güines

Sunday, June 30

Venue: El Turf Night Club

  • 9:00 Report of the event. Delivery of Certificates.
  • 10:00 Recess
  • 10:30 Symposium Asocosalsa Cuba
  • 5:00 Cinema Avenue Closing Gala
  • 10:00 Final reception.

Festival Project

Event Organizing Committee:

Víctor Rodríguez García: Executive Director

Arturo Soto Martínez: Chairman of the Event

Suset Núñez Vázquez: CNMP Events Coordinator

Osorio García Rule: CNMP Events Department

Brigitte Oliva: General Producer

Principal Cubarumba
Principal Cubarumba

Company National Center for Popular Music

INTRODUCTION

The Cubarumba 2019 Tata güines in memoriam project is a previous interactive festival that consists of pedagogical, competitive, sociocultural moments that will transfer original Cuban music, through percussion and dance workshops, interaction with the community, as well as shows of this genre, intangible heritage of the humanity, the evident and permanent need to rescue Cuban roots, and the representation of the name Tata güines, a national and international figure. Following this trilogy as a cultural line, the president of the festival Arturo Soto Martínez advocates for this event.

Carrying out research, it is verified that this festival has a high tourist level, which causes a useful strategy to penetrate tourists about our idiosyncrasy and traditions, in addition to giving an unforgettable moment to all those who are present at that moment.

If we observe the social gaze, we realize the motivation of society in general since we encourage in the community a hope of cultural revival, a festival of inclusion in all senses since people of all ages and disabilities participate. Achieving a mutual interaction that achieves as a result an inclusion of this musical genre in daily life and in the tastes of all the people who enjoy it.

It is emphasized that times are changing, however it is important to take actions so that the celebrations of our origin are not forgotten, it is about looking for very frequent actions that work with everyday life, exclusivity, professionalism and good taste that keep this celebration alive. choice for youth not only in our country but around the world

For all the above, the need for this culturally artistic project becomes evident, specifically in these places where a large foreign crowd is concentrated, since it is unaware of Cuban culture. Relying on the battle of ideas that we have daily for the rejection of national identity, this project that settles the roots, that remembers the past, that discloses our present and that above all that is written increases love is evident, permanent and necessary. for Cuban culture.

DEVELOPING

  • Goals:
    • Honor the memory of Tata güines
    • Stimulate the artistic creation of rumba groups from the community
    • Encourage children’s projects based on the folkloric and musical genre.
    • Highlight the social value of the rumba as intangible heritage of humanity

Themes:

  1. Cultural educational practices
  2. Potential value of transformation of the percussive theory of Tata güines.
  3. Main factors that slow down or facilitate the descending of the Rumba genre as a form of percussion.
  4. Ethical and aesthetic values ​​promoted by the practice of percussion
  5. Challenges to perfect percussive techniques
  6. Creation and promotion of Cuban art
  7. Young rumbero, possibility of cultural advancement. Harvested experiences and challenges for the present and immediate future.
  8. Others

PARTICIPATION METHOD

  • Delegates
  • Student
  • Musicians
  • Guests

REGISTRATION FEES: DELEGATES

Foreigners………………50 cuc includes participation in the event, certificate and/or credits.

Cubans …………………….250 cup includes food, participation, certification and/or credits

Cuban students ……………..125 cup includes food, participation, certification and/or credits

PROJECT OBJECTIVES

GENERAL OBJECTIVE

Carry out an international rumba festival based on the artistic value of the figure of tata güines in the world on the basis of the Rumba proclamation as Intangible Heritage of Humanity

Goals:

  • Honor the memory of Tata güines
  • Stimulate the artistic creation of rumba groups from the community
  • Encourage children’s projects based on the folkloric and musical genre.
  • Highlight the social value of the rumba as intangible heritage of humanity
Specific Objectives Actions Indicators Participants Responsible
Honor the memory of Tata güines Hold the Cubarumba Tataguines Festival in memoriam Conciliation Company, Sponsors, Organizing Committee Event Leader
Stimulate the artistic creation of rumba groups from the community Theoretical-practical dance and percussion workshops, presentation of youth groups in event activities Conciliation with Artex, Egrem. Cuban and foreign population Org Committee
Encourage children’s projects based on the folkloric and musical genre.

 

Activity in the National Folkloric Ensemble of Cuba, headquarters for the socialization of children’s projects Address of Palenque, Production Org Committee Event Leader
Highlight the social value of the rumba as intangible heritage of humanity Activity the woman in the rumba, the longest rumba, the rumba and its youth, the rumba does include you Group Directors Production Event Leader

 

Tata Guines No 1
Tata Guines No 1

Beneficiary population:

Directly, the population that benefits is Cuban and foreign, since in some way the project is aimed at educating, including, transforming the culture of these times that affects this population.

For this, their full participation is needed, in the first order the attention that is very important, then the interest in dance and percussion and the decline that forms the taste for this musical genre.

Also highlighting the importance of the social inclusion of people with disabilities, we can mention that the festival has the honor of promoting groups with different disabilities. Example of the incursion of culture in Cuba.

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.