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Search Results for: music

Asia / November 2025

Apocalypse Now 2025Dubai Latin Crazy TribeGuia Fu 2025

Calibrated maracasBill Martinez

Directory of Asian nightclubs

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HONG KONG

Graffiti LKFGraffiti LKF
G/F, 17-18 Lan Kwai Fong, Central
Central, Hong Kong
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Central 2nd Floor, Ho Lee Commercial Building, 38-44 D’Aguilqr Street, Lang Kwai Fong Central
HKI Hong Kong
Sole Mio RestaurantSole Mio
Upper Ground Floor, 51 Elgin Street, Soho
Central Hong Kong, Hong Kong

ISRAEL

Havana Music Club
Havana Music Club
Yigal Alon St 126
Tel Aviv-Yafo, Israel
+972 3-562-3456

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JAPAN

Egoland
Egoland Bar Akihabara
Chiyoda City, Kanda Sakumacho, 4 7-3 2F
Tokyo, Japan
Bar MirageBar Mirage
5F VORT Roppongi Briller, 3-14-14 Roppongi, Minato-ku
Tokyo 106-0032, Japan
+03-5860-6946
FiestaFiesta Latin Spot Bar
3F, 1 Chome-14-6 Kabukicho, Shinjuku City
Tokyo 160-0021, Japan
+81 90-1086-2878
El Cafe Latino TokyoEl Cafe Latino

3 Chome-15-24 Roppongi, Minato City
Tokyo 106-0032, Japan
+81 3-3402-8989

Latin Club Leon
Latin Club Leon
5-17-6 B1 Shinjuku, Shinjuku-ku
Tokyo 160-0022, Japan

La Tropi Azabu
La Tropi Azabu
3F Roppongi Azelea Bldf. 1-3-6 Nishi-Azabu, Minato-ku
Tokyo1060031, Japan

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bAFROS lOUNGE
Bafros
Sugar Club Complex Sukhumvit Soi 11
Bangkok 10110, Thailand
+66 63 039 8700

Havana Social Cocktail Bar
Havana Social
1/1 Sukhumvit Rd. Soi 11
Bangkok, Thailand
+66 2 821 6111

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VIETNAM
Apocalypse Now Vietnam
Apocalypse Now Sai Gon
2F Thi Sach
Ho Chi Minh City, Vietnam 70000
+84 799 741 261

 

La Habanera Vietnam
La Habanera
Basement 81 xuân diệu Tay Ho
Hanoi 100000, Vietnam
+84 35 320 7220

La Pachanga Saigon
La Pachanga Club Saigon
3rd Floor, 39A Co Bac Street, Cau Ong Lanh Ward, District 1
Ho Chi Minh City 700000, Vietnam
+84 93 855 79 21

Africa / November 2025

PedSalsa Angola 2025

Calibrated maracasMartinez attorney

Directory of African nightclubs

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ANGOLA

Casa da Música Talatona
Casa da Música Talatona
Avenida S8, Espaços Avenida, 2do anda, porta 36,Talatona
Luanda, Angola

Marginal Lounge Conceito 3D
Marginal Lounge
Avenida 4 de Fevereiro, Marginal de Luanda, Edifício Deana Day Spa
Luanda, Angola

PediSalsa Luanda
Restaurante Péd’Salsa
Ilha de Luanda (ex Cais de 4)
Luanda, Angola

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SOUTH AFRICA
Pa Mi Corazon Academic
Pa Mi Corazon
Suite 4, 680 Musgrave Rd, Essenwood, Durban, 4001, South Africa

Salsa Addicts Academic
Salsa addicts
47 5th Ave, Parkhurst
Randburg, 2193, South Africa

Carlos “Cano” Estremera was a legendary Puerto Rican salsa singer, widely known as “El Dueño del Soneo” (The Owner of Soneo)

Why “El Dueño del Soneo”?

He earned this nickname due to his extraordinary and almost unbeatable ability for soneo, which is the part of a salsa song where the vocalist has the freedom to improvise lyrics, phrases, and rhymes over the musical base, elevating the track’s energy and the connection with the audience.

El Dueño del Soneo
El Dueño del Soneo

Cano Estremera was famous for his quick wit, rapid rhyming, and extensive vocabulary, qualities that established him as one of the greatest soneros in history, often compared to figures like Ismael Rivera and Héctor Lavoe.

He started in Latin percussion and also with the group Barrio Latino, then he was with Los Pleneros del Quinto Olivo, and later, at the young age of 18, he joined La Orquesta Mulenze, with whom he recorded the track “Mala Lengua” in 1976. The voice that replaced Cano Estremera in Orquesta Mulenze was the great Pedro Brull, who recounts that he had to thoroughly study Cano Estremera’s style to join Edwin Mulenze’s orchestra.

Undoubtedly, one of the greatest successes in Cano Estremera’s career was accepting, in 1978, the invitation to be the lead singer of maestro Bobby Valentín’s orchestra, “El Rey del Bajo” (The King of the Bass).

His first song recorded with Bobby Valentín’s orchestra was the iconic track “La Boda de Ella” (Her Wedding), by the Puerto Rican composer Roberto Angleró, with no suspicion that it would soon become one of the essential elements of Puerto Rican popular culture.

Cano Estremera was famous for his mental agility
Cano Estremera was famous for his mental agility

Cano Estremera was a unique sonero. He was an artist with an identity and immense talent that was very distinct from the normal or commercial. He established his style from the very first day he became known. There was no style in the genre like “El Cano’s.”

Bobby Valentín was always looking for sound and voices, and Luigi Texidor was leaving the group, and that’s when “Cano” joined with a very different talent.

‘Bobby Valentín Presenta al Cano Estremera’ turns 40.

Cano Estremera’s first solo album, accompanied by Valentín’s orchestra. Produced by ‘El Rey del Bajo’ (The King of the Bass) and released by the Bronco Records label (BR-124) on Thursday, October 7, 1982. It includes the hits: Por qué Me Citas, Buen Corazón, El Caimán, Awilda, Casa En El Campo, etc.

'Bobby Valentín Presents Cano Estremera 1984

‘Bobby Valentín Presents Cano Estremera 1984

When he decided to go his own way as a solo singer, Cano Estremera did not have the support of the salsa industry’s machinery at the time. Despite this, with hard work and talent, Cano Estremera decided to fight alone with his music, personally producing everything from his album covers, musical arrangements, tours, and even the distribution of his musical works.

He was always a defender and fiercely protective of the genre. His style and demeanor were always controversial, and that was the magic that captivated his audience throughout his long career—always entertaining, creative, melodious, and above all, prodigious when he stepped onto a stage.

Solo Career: He separated from Bobby Valentín at the end of 1984 to form his own orchestra, further consolidating his career and his title with albums like “Dueño del Soneo”.

Cano Estremera y Dj. Augusto Felibertt
Cano Estremera y Dj. Augusto Felibertt

Death: He died on October 28, 2020, at the age of 62, after years of health problems related to pulmonary fibrosis, for which he received a double lung transplant in 2018.

Also Read: The owner of the Soneo’s solo career Cano Estremera

North America / November 2025

 

Camila Cepeda Salsa & Saborgabriel gonzalezMac Gregore BrunisGianni and Solange Yalil Guerra 2025

Events – November 2025

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UNITED STATES
Sakao

RUMBON TAINO 2

Nov 29, 2025

240 East 123 St
Cristal Room 4th Floor
New York, New York
646-374-6752

$ 25

Next Event – December 2025

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UNITED STATES
Azesu

Azesu

Dec 06, 2025

Rhythmix Cultural Works
2513 Blanding Ave Alameda
CA 94501

+1 510-865-5060

Festivals – November 2025

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UNITED STATES
San Francisco SBK

San Francisco SBK Congress

Nov 21 / 23 2025

Hyatt Regency San Francisco
1333 Old Bayshore Hwy
Burlingame, CA 94010

PBSCanto Tropical 2025Luis Medina 2025Thumbnail about the salsa museum

Las Maracas promo

Martinez attorney

Directory of North American nightclubs

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Gabrielito Y La Verdad giving everything in Los Angeles and beyond

Gabriel González from the group Gabrielito Y La Verdad has been kind enough to speak exclusively with International Salsa Magazine and me, Karina García, about his beginnings, bands, and current career. The composer, actor, and musician gave us some of his time to address the most important issues concerning his successful career and everything that surrounds it, for which we are extremely grateful.

Gabriel performing at the museum
Composer, percussionist, singer, and actor Gabriel Gonzalez playing live at the Los Angeles County Museum of Art

How Gabriel started to become interested in music 

Gabriel was born and raised in Los Angeles, where he took his first steps towards what would become his lifelong vocation. Since his parents were Mexican immigrants, it was not uncommon for him to listen to rancheras, huapango, boleros, son jalisciense, and other genres typical of that country.

He liked music so much that he began participating in contests at “El Mercadito,” a place located east of Los Angeles, where amateur concerts and all kinds of musical events were held. After his father sang there several times, he told him he wanted to do the same, and that is how he began entertaining wider audiences with his voice.

Years later, after his passion for music was being shaped and getting more serious, he contacted his uncle, who was a promoter, and took him with him to Mexico to get some acting work in movies. This means that his artistic career was not just limited to singing but also to acting, but at some point, both areas would end up mixing. 

It should be noted that his work as an actor made him stay in Mexico for several years, so he shared with many great actors of the time who were also singers, such as Yolanda del Río, Federico Villa, David Reynoso, Lucha Villa, and many more. 

Upon returning to California, he experienced a significant culture impact. He realized that he was not Mexican enough for Mexicans nor American enough for Americans. This double identity made it much easier for him to cross cultural and musical boundaries, so from playing ranchera, huapango, and son jalisciense, he was given a chance to play other styles such as son montuno, which for Gabriel is the basis of salsa and much of Latin music. 

Gabrielito at the Vibrato Grill And Jazz
Gabrielito Y La Verdad performing at the Vibrato Grill And Jazz

Gabriel’s professional beginnings in music

Gabriel tells us that, during a huge part of his career, he worked as a solo artist, but he went on to collaborate with several groups and one of them was the Mexican band Quetzal, which specializes in playing Chicano rock and son jarocho. His sister Martha González was the lead singer, so he was able to work with them on and off for about 20 years. He describes his time with Quetzal as a very nice period in which he learned a lot and was even blessed to win a Grammy, but everything has an end, so he went ahead and worked with many other bands in the Los Angeles salsa scene.

In fact, today he is a member of Boogaloo Assassins and has been playing with them since 2015, while also having his own project, which he named Gabrielito Y La Verdad.

Gabrielito Y La Verdad

After all experience gained so far, Gabriel decided to form his own group Gabrielito Y La Verdad, with which he had his first big hit “Oye Muñeca,” released around 2019. Since the project began, the artist has had the same keyboardist and pianist, but the rest of the musicians have come and gone over the years, as it is not easy to maintain a cohesive musical group for a long time.

In fact, he usually has a list of musicians he can call, and their presence at an event depends almost entirely on their availability and ability to read sheet music. Gabriel often works with the same musicians Jimmy Bosch uses, so when the Puerto Rican travels to Los Angeles, Gabriel knows he can count on them if an event comes up. He also often uses some of Jerry Rivera’s musicians and those of many other exponents of the genre.

Gabriel with Oscar Hernandez
Gabriel Gonzalez and bandleader and pianist Oscar Hernandez

Facets additional to singing

In addition to being a singer and film actor, Gabriel has also participated in commercials and done a little musical theater, since the condition of being an artist forces you to learn a little about everything. Being still very young, he participated in the film ”Mojado de Nacimiento” alongside La Sonora Santanera.

One of those memorable experiences was his participation in the second national tour of the musical ”In The Heights” with Lin-Manuel Miranda. It was during this tour that Gabriel learned that he had won a Grammy with the band Quetzal. The news came during a bus trip, making it clear that he experienced several of these facets at the same time without any problems.

More recently, he has served as composer of several of Gabrielito Y La Verdad’s songs in collaboration with pianist Matt Amper, who is also actively involved in the creation of the group’s original songs. 

Collaborations with other artists

Gabriel has shared the stage and collaborated with big names in the industry like Bruno Mars, “El Divo de Juarez” Juan Gabriel, Los Van Van, Silk Sonic, and many others. Similarly, during his acting career, Gabriel also met many great actors of the time with whom he shot scenes during the day, and at night, did voice-overs at the studios, and went out singing.

All this led him to share the stage with Aida Cuevas, Rosenda Bernal, Los Lobos, and Lalo Guerrero. While still with Quetzal, he opened for Aerosmith, Taj Mahal, and others. 

Gabriel Gonzalez and Richie Perez
New York’s singer Hector ”Pichie” Perez and Gabriel Gonzalez

Read also: Creator of Afro-Rican Jazz William Cepeda talks about this subgenre

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.