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What is happening in New York?

There are several reports in New York for the coming months in terms of salsa and Latin music in general. There are so many that we could not mention them all here, but we will summarize the most outstanding and interesting of the month. So make yourselves comfortable because we have many things to say.  

Salsa International Day Celebration 

Recently, it was announced that New York will host the First Salsa International Day Celebration, an event that has been announced by Carlos Velasquez from GrupoCKV and myself on 27 June of this year. This fabulous festivity will be broadcast through Canal America in an exclusive way and carried out on 14 August between 4 and 5 pm on New York time. 

In the words of Velasquez, this will be an event meant to unify and glorify all salsa lovers. He also mentions that for him and the rest of the team that makes this possible are proud to be able to share this great event with all viewers who are interested in the show that has been prepared for them.   

Donation of the last jacket worn by Franklin Ruíz in one of his shows 

For me and for the rest of the Spaha Salsa Gallery, it is a great honor that Franklin Ruíz’s brother Víctor Rolando Negrón Ruiz, best known as Viti Ruíz, has donated the last jacket worn by the artist at Madison Square Garden before his unfortunate death due to liver cirrhosis that had afflicted him a while ago. With this special offer, we will always have a pleasant memory of El Papá de La Salsa, who has left a bottomless void after his departure. 

Viti Ruiz is a huge iconic figure like his brother Franklin, who made us be more honored to receive him in our facilities and meet him about the gift to the Salsa Museum and how much this priceless possession meant to him. What makes this jacket so special is that it was worn by the singer during a heartfelt tribute in which his name was chanted for more than 15 minutes at Times Square Garden, time that will remain forever in the memory of the musician until his last days and that of all his fans.  

Tito Allen is more relevant than ever 

We all know the artistic career of Tito Allen for more than 60 years, whose songs hit speak for themselves. Despite so many decades, the Puerto Rican is still a very active man and wants everyone to know that he will return to the stage and will do it with a few surprises up his sleeve. 

He has announced that he will be part of the Salsa Festival, which will take place on 21 August from 8 pm. According to information recently published, the place chosen is the Stereo Garden in New York, which is a multi-use venue built in the 1940s under the name of Patchogue Roller Rink. One of the best characteristics of this place is the absence of inconvenient columns that can hinder the movement and view of the spectators, providing them with much more space in which they can move about. 

Additional to that, Tito will not be the only one performing that night, as the concert will count on the participation of Franklin Vasquez and Hector Tricoche. Those who wish to book their tickets may do so through Ticketmaster and they have a value of $40. 

By: Johnny Cruz correspondent of International Salsa Magazine in New York City, New York

 

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Conguero Eladio Perez was born on May 5, 1946, in Cataño Puerto Rico

He alternated at the side of renowned orchestras and stellar figures of Salsa. He was a great percussionist with a career that includes collaborations with Tito Puente, Tito Rodríguez, Tommy Olivencia, Justo Betancourt, and Puerto Rico All-Star, one of the main ones is the one he did with Eddie Palmieri, with whom he recorded nine albums, four of which won Grammy awards.

Eladio gained fame as a member of the Orquesta del Maestro Eddie Palmieri, appearing in the band for the first time in the album Superimposition.

His first recording was with La Orquesta del Maestro Eddie Palmieri in 1970.

“A real scorcher from Eddie Palmieri as much a transition as Superimposition and the kind of record that would have a huge impact on Latin jazz in the 70s! Eddie’s got one foot in the small group styles of his 60s work, but he’s also reaching forward in a mode that’s rootsy and modern at the same time a back-to-basics approach that’s tremendously focused on the rhythm, and which mostly uses heavy percussion and piano to layout the grooves then tops them off with some jazzier riffing on brassy horns.”

Eddie’s piano is sublime throughout — crackling with life and energy that barely made it onto record before, and hitting notes that are modern, yet which sit comfortably next to the earthier grooves of the rest of the band. Ismael Quintana’s on lead vocals.”

He was a member of that “Ecuación Palmeriana” of the song 17.1 (download included in that LP) together with Chucky López and Nicky Marrero (it was said that 17.1 was the average age of the three young percussionists).

Eladio Pérez participated in the recordings of Vámonos Pa’l Monte, Harlem River Drive, the live LP at the University of Puerto Rico, and the two Salsa Grammy winners (Sun of Latin Music and Unfinished Masterpiece).

In the anthological song “Un Día Bonito” there are two congueros: Tommy López Sr. is the soloist in the opening rumba guaguancó and Eladio descarga in the solo accompanied by the entire band.

Around the same time he formed the Orquesta La Única with Julio Castro, Carlos Santos and Junior Córdova.

Years later, in 1976, Pérez was recruited by Frank Gregory to be part of the Puerto Rico All-Stars.

Charlie Palmieri and Roberto Roena also enlisted the services of the percussionist. When Eddie Palmieri returned to Puerto Rico and formed his new orchestra, he again called upon the conguero from Cataño, who shared credits with Giovanni Hidalgo (bongo) and Charlie Cotto (timbales).

1973, unloading of timbales in Panama with the man from Toa Baja Héctor Endel Dueño Rivera and the orchestra of maestro Tommy Olivencia in the song Cuero Na’ Ma where Eladio Pérez on congas, Papy Fuentes on bongos, with the intermission between each unloading of Reynaldo Jorge, Victor Candelario on trombones, the voice of Sammy González with the chorus of Paquito Guzmán and Papy Fuentes.

This song comes from Tommy Olivencia’s album “Cueros…Salsa y Sentimiento” from 1971 for the Inca Records label, but it was originally composed by Tito Puente in 1949 when he had Vicentico Valdés on vocals and Manny Oquendo on bongos.

In 1973 the Orquesta LA UNICA and Friends with the song PA’ LA RUMBA that comes on the album of the same name, composed and sung by Junior Córdova, with the direction and bongos of Julio Castro, the congas of Eladio Pérez, the timbales of Pedro Roque, Angel Rivera on piano, the trumpets of Joe Cepeda, Roberto Ramírez and Norberto Torres among others.

One of the last times we saw his name in recording credits was on Justo Betancourt’s Mató album.

On July 30, 2018, he dies while hospitalized at the Puerto Rico Veterans hospital.

El Conguero Eladio Perèz…Caballero

Facebook: Eladio Pérez 

Article of Interest:  Bella Martínez presenta “Las memorias de Jimmie Morales: un conguero para la historia”

 

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