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Search Results for: Latin genres

Tempo Latino 2023

Tempo Latino 2023
Tempo Latino 2023

Tempo Latino is a music festival held in Vic-Fezensac, France, in the region of Gers in Gascony it is the first and the greatest Latin American and Afro-Cuban music festival of the summer in Europe. The festival was founded in 1994 and has been held annually since then.

“In 2020 and 2021, the festival was only interrupted for two consecutive years due to the containment of the new crown pneumonia (COVID-19) epidemic.”

With around 600 volunteers from all over the city for four days of intense activities and an audience of around 60,000 people from all over the world.

Tempo Latino offers a variety of Latin American and Afro-Cuban music, including Salsa, Bachata, Kizomba, Cumbia, Merengue, Rumba, Latin-jazz, Reggaeton and more. The festival also features dance workshops, food stalls and other cultural events.

International performers and instructors from Cuba, Puerto Rico, Colombia, Venezuela, Panama, Africa, the United States (primarily New York, Miami, and California), and Europe have participated in a number of concerts and workshops

Tempo Latino has grown from a small festival to one of the most important Latin American music festivals in Europe. The festival hosts some of the biggest names in Latin music, including Celia Cruz, Ruben Blades,  Eddie Palmieri, Oscar D’ León, Johnny Pacheco, Adalberto Álvarez, El Gran Combo de Puerto Rico, Kassav, Totó la Momposina,  and Los Van Van. Tempo Latino has also helped advance the careers of many new artists.

Here’s more information on Tempo Latino:

  • The festival takes place in a beautiful setting in the heart of the French countryside.
  • The festival is family friendly and has activities for all ages.
  • The festival is a great opportunity to experience a different culture and learn about Latin American and Afro-Cuban music.

A festival of concerts takes place in the square and, at the same time, many free outdoor events for those who want to discover music in the city’s dance halls in the afternoon and evening. In the second edition, they have integrated dance, music, and percussion lessons.

The 28th edition of Tempo Latino will take place from July 27-30, 2023.

The lineup includes:

La Conga

27 July – Ana Tijoux (France)

Les Arenes

28 July 2023

21:00 – Orchestra Baobab (Senegal)

23:00 – Grupo Compay Segundo (Cuba)

29 July 2023

21:00 – Lila Downs (Mexico)

23:00 – Cimafunk (Cuba)

30 July 2023

21:00 – Bernard Lavilliers (France)

23:00 – La Excelencia (USA)

and many more!

Pass Concert: 

On the official website, tickets for four days are available for 120 € (during the festival, they cost 150 €).

Eric Duffau

The current director of Tempo Latino is Eric Duffau from Toulouse, France. He is also the founder of the music festival which he started in 1994. A passionate lover of Latin American and Afro-Cuban music, Dufour devoted his life to promoting this music to a wider audience and serves on the board of the French Association for the Promotion of Latin Music (AFMPL).

Director of Tempo Latino is Eric Duffau from Toulouse
Director of Tempo Latino is Eric Duffau from Toulouse

Dufoe was a tireless promoter of Latin American and Afro-Cuban music. He travels the world in search of new talent and works hard to make Tempo Latino a major cultural event. He is a passionate advocate of Latin music and works to bring this music to a wider audience.

Dufour graduated from the National School of Arts and Crafts (ENSAM) in Paris. In the early 1980s he worked as a DJ, during which time he became interested in Latin American and Afro-Cuban music. In 1989, he decided to create a festival to showcase this music and Tempo Latino was born.

https://www.tempo-latino.com/

https://www.youtube.com/user/TempoLatinoFestival

The Tempo Latino Festival is Back

The Conjunto Bailatino “La Resistencia Salsera” again “Antes los ojos del Mundo” and here, “No hay quinto malo”

On April 21, 1991, in Venezuela, Bailatino “La Resistencia Salsera” was founded.

The Bailatino Ensemble, was born as a need to revalue and revitalize the Caribbean musical heritage so diverse and original; a heritage that refuses to die because it is part of our Cultural Identities, that is to say, it does not obey the dictates of fashion, nor the whims of the record companies, but our sense of belonging and our pride for the cultural contribution we have given to the world.

Bailatino represents the Salsa Resistance, Salsa without Concessions; it expresses the influences of the best musical groups that interpret the “Salsa Dura”, but, with its own identity.

Bailatino Llegó... Con Todo!!! 2003
Bailatino Llegó… Con Todo!!! 2003

The versatility, trajectory and professionalism of each of its members are known and recognized not only in the salsa world, but also in the wide range of Venezuelan music.

The musicians that make up Bailatino are constantly invited to accompany the best national and foreign orchestras that visit Venezuela; they are also requested in important international stages;

They have recorded different musical genres and are members of various Venezuelan orchestras. José “Cheo” Navarro, Marcial Istúriz, Edgar “Dolor” Quijada, Felipe Blanco, Johan Muñoz, Eliel Rivero, Alberto Crespo, José “Mortadelo” Soto, and Alexis Escobar (R.I.P) and replaced by Leo Pérez, make up a compendium of talent, knowledge and experiences whose result cannot be other than excellence and quality expressed in each of their interpretations.

Bailatino Llegó... Con Todo!!! 2005
Bailatino Llegó… Con Todo!!! 2005

Bailatino is the result of national and international musical influences, such as: La Dimensión Latina, Federico y su Combo Latino, El Grupo Mango, La Salsa Mayor and Tabaco y sus Metales, just to mention a few Venezuelan groups; likewise, Eddie Palmieri, Charlie Palmieri, Grupo Libre, Grupo Experimental Newyorkino, Ricardo Ray, Sonora Ponceña, Fania All Star , Mon Rivera, among others.

In 1995, Bailatino debuted in the framework of the International Theater Festival of Caracas, coincidentally in the spaces that previously was one of the temples of salsa and dance, the now disappeared “Sabor Latino”, formerly called “La Pelota”, sacred contexts of salsa and the nightlife of Caracas.

Bailatino has become one of the most popular and requested groups by the legion of “rumberos” and “rumberas”; salsa men and women, true experts and connoisseurs in the matter.

La Resistencia 2008, Bailatino
La Resistencia 2008

Who organize throughout the year the best salsa parties in Caracas, promoted and spread by means of oral tradition or selling tickets in the famous “Tío Pepe” of Sabana Grande, in Caracas.

These CDs are dedicated to all of them, because with their encouragement we were able to make our dream come true.

Bailatino has also performed on various stages in our capital and internationally:

Museo de Bellas Artes, Corp. Group, Espacios Unión, Trasnocho Cultural del Paseo Las Mercedes; Banco Central de Venezuela, Colegio de Ingenieros, Colegio de Médicos, El Maní es Así; “El Rincón Caribeño (currently “Rumba Aché”), Hawai Kai, El Atrio, Centro de arte la Estancia, celebrated its tenth anniversary at Casa del Artista, Aula Magna, first Metropolitan Salsa Festival, Herman among others. Internationally Bailatino makes his first presentation at the Jorge Isaac theater in Cali Colombia, he was invited to the festival “Salsa al parque” in Bogota Colombia, in 2007 he travels to the city of Dax France for the festival “Toros y Salsa”, in 2008 he travels to Mexico and that same year he performed at the Salsa summer festival in Cali, in that city, he also performed at the prestigious Changó nightclub; in 2009 we were in Australia; all these presentations with resounding success and acceptance.

Bailatino is a network of alliances, solidarity and complicity between musicians, composers, arrangers and friends from different professions and trades, who have contributed their grain of sand so that the Bailatino project, once the proposal was approved by music lovers and dancers, would not remain only in multitudinous presentations and excellent comments from its heterogeneous audience that multiplies every day.

Aniversario 2012
Aniversario 2012

Bailatino, is musical memory transmitted from one generation to another, reinterpreted with all the care and respect that the great masters deserve, who have contributed to design the musical map of Latin America.

The Bailatino group vindicates, once again, the place of honor that Latin Music deserves, not only for the Caribbean, Andean and Afro-American countries; it is a proposal within the framework of a globalized society, but also in a historical moment in which our cultural identities have a great capital to contribute in this multicultural and multiethnic counterpoint that currently exists in the world, in diverse fields and of course in the musical plane.

Currently they are preparing their fifth production entitled “No hay quinto malo”, and at the same time they have released two excellent songs with the brand of “Bailatino”, “Lo mismo de siempre” from the pen of José “Cheo” Navarro and a masterful arrangement José Soto “Mortadelo” in the vocal part Edgar “Dolor” Quijada, the second song entitled “Salsero Soy” composition and arrangements by pianist Alberto Crespo in the voice of the talented young Francisco Rojas and as special guest in this production the Sonero del siglo XXI Herman Olivera performing the song “El que te ama” another excellent composition and arrangements by Alberto Crespo.

Bailatino y Herman Olivera el Sonero del Siglo XXI
Bailatino and Herman Olivera el Sonero del Siglo XXI

For next Friday May 5, 2023 from 8:00 PM they will be performing at the public works club of Maracay in Venezuela with the help of “Taylor Productions” celebrating their 28th anniversary, an event that promises for the public of Maracay since La Ciudad Jardín is their second home.

El Conjunto Bailatino “La Resistencia Salsera”

Read also: Ronald Gòmez One of the most respected young soneros of the New Generation

“Tito Puente: When the drums are dreaming” A biography of the King of Latin Percussion by Josephine Powell

North America – USA –CaliTifornia

This month we are sure that you will have time to enjoy an excellent reading at home. So we recommend this book by Josephine Powell. An interesting biography about the legendary Tito Puente, that takes us on a journey through the more than 60 years in which he performed.

Further the life of Tito Puente, you can know his insight into the Latin music industry. With many anecdotes of his encounters, racial discrimination while touring and how that impacted his relationship with other band members. There are also numerous insights into his personality, his temperament, and the many obstacles he had to overcome to achieve legendary status.

Josephine Powell’s book on Tito Puente and his contributions to Latin music and dance is a treasure trove of people, places, facts and history. Because of the author’s place in the history of Latin dance, she takes the reader with her through that fascinating maze of how artists like Puente changed the exposure and tastes of the American public and the world.

The Latin Ballroom world today reflects how we adore – and then neglect and forgets – the people who made us who we are. She mentioned many fascinating dance-related characters in this story that takes place in New York, Los Angeles, Miami, the Catskills and Havana.

It is also a much-needed history of great nightclubs and ballrooms, which are only dim memories for the young – but in their time, were the breeding grounds of Latin music and dance. Tito Puente’s percussion and passion are finally brought to life in a fascinating book.

To remember Tito Puente’s career as accurately as Josephine Powell has done makes this biography a worthwhile read. Tito Puente the man and Tito Puente the musician are blended into the tempo of the times during which the musical man lived. For young musicians seeking success Josephine Powell’s well-written commentary provides a glimpse of what can lie ahead in one’s career; so do read Powell’s take on Tito Puente’s life and perhaps capture a taste of how you too can climb the charts with a dash of spice in your style.

With over 100 albums, several Grammy nominations, 7 Grammys and posthumously awarded The Grammy Lifetime Achievement Award in 2003, his footprint in the world of music will forever be the standard of excellence that others will look to emulate.

Josephine Powell took on the monumental task of writing about his life, the forward was written by Tito Puente 2 months before he died.

Because of their lifelong friendship of many decades, Josephine was the one person who could create this book. Her talent and passion will pulled this off to perfection. He was a man who brought his music to the world, and put the Mambo on the map.

This book never could have been written without her dedication and perseverance and the personal moments she shares. From the very first chapter, the quality of her writing can be seen as she starts with the moments leading up to his death and continues for 16 more, giving you the history of Latin music from its inception to the music of today. Throughout her many archives of pictures from her private collection, your eyes will wide with wonder.

Josie Powell traces the evolution of Afro-Cuban, Puerto Rican and jazz forms from their generally recognized origins through the end of the twentieth century, focusing on Puente’s interactions with professional allies and constant rivals.

Powell documents musical events as an aficionado of the Latin genres, almost religiously avoiding disclosure of Puente’s family life. Those not yet born during the Big Band decades or Mambo mania can imagine the atmosphere from descriptive passages of Manhattan ballrooms, Havana dance halls, LA nightclubs.

About Tito Puente

Ernesto “Tito” Puente was born in 1923 in Spanish Harlem and grew up with the advent of radio and American swing bands. At 10 years old he aspired to be a dancer, like Fred Astaire. An ankle injury gave him the opportunity to explore his talent as a musician. At fourteen he won the coveted Benny Goodman, Gene Krupa drum contest. Tito became a master percussionist. His instrument was the timbales, a pair of cylindrical drums beat upon with sticks. When he joined the dynamic Machito Orchestra at seventeen he saw a promising future, but the Japanese attack on Pearl Harbor December 7, 1941 took him off to war.

He led a makeshift orchestra delivering lovable American wartime tunes when he was not fighting. He returned home wounded, weary and jobless. Puente’s tale should have been the story of every returning American GI, who went off to war, came home to his sweetheart, attended college, raised a family and settled down in an adorable house. Things were not that way.

After the war his obsession for Cuban music drove him to Havana. He attended secret meetings of Santería, an Afro-Cuban religious cult with its roots steeped in mysticism often referred to as black magic. With the lure of the sacred batá drum he discovered a world of rhythms never heard by a white man’s ear. He found himself inside the beat, and thoroughly possessed. Soon Tito became a devotee of Santería and used those drum patterns and calls, which were the mainstay and backbone of his music. Today this hot hypnotic music is known worldwide as Salsa.

About Josephine Powell

Author Josephine Powell – a music historian, lecturer, and consultant on ballroom music and dancing and Latin American music – was a consultant (music, history, and dance) on the motion pictures Salsa, Havana, and The Mambo Kings, and their soundtracks; The Mambo Kings track received a Grammy Nomination. She also consulted on two Golden Eagle television shows; two television documentaries, one Presidential Inaugural Ball, and two Grammy-winning record albums by her mentor Tito Puente.

In 1990, she obtained a star for her mentor on Hollywood’s Walk of Fame, orchestrated his associated live concert on the Boulevard, and organized a gala event at the Hollywood Roosevelt Hotel, with music industry executives, film producers, and celebrities.

Powell’s dance career took her to the South Pacific, the Philippines, Guam, Hong Kong, Thailand – where she performed for the Royal Family – and Vietnam, where she introduced mambo to the troops in a revue she wrote herself. A Gold Medal ballroom dancer, Powell was Tito Puente’s West coast mambo dance partner, and a cast member of the Broadway show Sketchbook in Las Vegas.

Through touring the country for over a decade with stage and lounge shows, along with work in the recording, television, and movie industries, Powell learned wardrobe design, writing, comedy, and choreography. Appeared at the Tropicana, El Rancho Vegas, Flamingo, and Nevada Club in Las Vegas; The Golden Hotel and Mapes Hotel in Reno; The Wagon Wheel in Lake Tahoe, and The President Hotel in Atlantic City, among others.

After an injury forced her to retire from dance, Powell became a real estate agent in Beverly Hills, where she became actively involved in political work with celebrities and later joined Connie Stevens’s organization Les Girls. Powell’s work and charitable activities afforded many opportunities to work with Hollywood producers, directors, writers, and luminaries.

Powell studied the history of ballroom music and dance, ethnomusicology, journalism, and Spanish at UCLA. A regularly featured musicologist on radio stations KXLU and KPFK, Powell receives many requests for lectures and consultations. She has been a presenter and judge at numerous dance competitions, including the Feather Awards and the U.S. Open National Swing Dance Competition. The Mormon Temple Genealogical Library in Los Angeles has made her its expert lecturer on French Colonial Maritime records. Since 1986, she has conducted ten research and study trips to Havana, where she is a curatorial consultant for El Museo Nacional de la Música Cubana.

With information from: https://josephinepowell.com
You can buy this wonderful book in Amazon: https://www.amazon.com/Tito-Puente-When-Drums-Dreaming/dp/1425981585

The 5 most famous Latin music DJs in USA

Latin music is characterized by its incomparable rhythm. Those who have Latin blood vibrate when listening to songs that remind them of their roots. However, Latinos are not the only ones who enjoy them, audiences of all ages and nationalities end up trying to dance to the tune of salsa, merengue or bossa nova.

Its growth has been increasing over the years and more and more Latino artists are performing on large stages; Important events in the United States and become the favorites of non-Hispanic people.

For this reason, it is very common to listen to these types of songs in different bars and clubs. Some DJs based in the US have wanted to enhance their roots and, even when they dabble in other genres, they are still famous for their Latin mixes .

Famous DJs of Latin music

DJ Deorro

Erick Orrosquieta, is a DJ and music producer, born in California but to Mexican parents. It is characterized by its inclination towards electro house. However, it does not neglect the Latin music sets. To his credit he has pieces such as “Bailar” with Elvis Crespo, where he did not hesitate to place his personal stamp.

Dj Deorro
Dj Deorro

He is working on a new album where he plans to gather more Latin songs and songs in Spanish. Even when he tours different countries, he always plays in his native USA again.

“I want to grab the sounds we used to hear when we were little, cumbia, merengue, mariachi, everything, in order to give them new music”

DJ Louie Vega

Luis Ferdinand Vega Jr. is an American with Puerto Rican roots. His uncle was nothing more and nothing less than the famous singer Héctor Lavoe. Little Louie Vega, as he is also known, grew up surrounded by Latin music. For this reason, his training and his passion for music of this style have always been noticed.

Dj Louie Vega
Dj Louie Vega

He is one of those artists who enjoy each show and immerse themselves in what they do. Dj Louie had his beginnings at parties in the Bronx and has not neglected his Hispanic side. Making different Latin mixes that he does not stop taking advantage of in many of his presentations. One of his most requested songs is “My people by Héctor Lavoe”. He has also participated in songs with a tropical rhythm like “Starring” with Roberto Roena and performed live with the accompaniment of different percussionists.

“Music comes from our hearts and we try to express it. We don’t look at the others, we just follow what we think is our path, ”  he told ­estaybullshit.com.

DJ Buddha

Dj Buddha
Dj Buddha

Urals Vargas, born in the United States, is a renowned DJ, songwriter, producer and music publisher who has earned a good place in the industry. Recognized for including Latin music and dancehall among his mixes. He is one of the critics’ favorites and remains in constant innovation. DJ Buddha has an album called “Ultra Latino” that contains some of his most requested Latin tracks. In addition, it has countless tracks produced, remixed or written that today belong to renowned Latino artists.

“For me, success has been not putting myself alone in a genre because I make electronic music, … and yet, I have also made songs in the Latin market,” he said in an interview with Deyanira Martínez.

DJ Alex Sensation

Dj Alex Sensation
Dj Alex Sensation

He is a Colombian who grew up in the United States and from an early age began mixing at nightclubs. He also worked at the station La Mega 97.9 Fm, walking through different musical genres but not forgetting where he came from.

“I grew up listening to salsa and cumbia because of my roots. One of the fi­rst clubs where he played on the weekends was a Dominican club. There, I learned about the Dominican culture Bachata, Merengue, typical merengue when I was still very young. I made many Dominican friends and fell in love with their culture. I mix everything under that genre,” he commented for an interview.

He is considered a very valuable artist for music. In fact, he has participated in different festivals, parades in the Dominican Republic and Puerto Rico and has been awarded the ACE, an award from the Association of American Entertainment Critics.

DJ Cristhian Terán

Dj Cristhian Terán
Dj Cristhian Terán

This is a Venezuelan who has positioned herself in the city of the sun. Its proposal is based on Latin rhythms and is the favorite of most nightclubs. He has a history that has accompanied her since its inception in Venezuela. Caramelos de Cianuro, Chyno, Nacho and Guaco are some of the artists from her country with whom she has shared the stage. However, he has also managed to rub shoulders with singers such as Maluma, Alexis and Fido and Arcangel. Cristhian is one of the DJs who has managed to get the most out of the Latin genres and keep them present in the United States. His music is usually heard in the different clubs in Miami.

” Latin music “, a legacy that does not go out

Musical genres have been part of the citizen’s common life for more than fifty years. In principle, it originated to differentiate religious music from other styles. Starting the great variety of musical genres that we know today. The term “Latin music” was born in the United States to refer to the rhythms from Latin America.

This is due to the large number of groups that emerged in the 1950s. It sought to differentiate African American music from Latin American ones. From now on, different rhythms belonging to this category have come off, such as: salsa, merengue, bachata, cumbia, bossa nova, among others.

Long live Latin music!

Salsa, merengue and bachata, to name just a few, have become the flag of most Latinos; inside and outside their borders they dance, sing and teach others to move with that particular “son”. It is a rhythm that prints passion and a lot of dedication. The music industry is part of the history of this genre. Those who have managed to belong to their ranks have been immortalized through their songs. This movement has been on the rise, making those who were born in Latin American lands proud and accommodating documentaries and movies. Everyone wants to tell a story around Latin music!

5 movies you can’t miss

Films have become a window into the past and what we do not live but would like to recreate. In the case of music, there have been many themes that have been exposed. For this reason, we wanted to compile some of the best ones. You will love their content and you will want to see them immediately. Make your notes!

El Cantante, 2006

Movie - The Singer, 2006

The Singer, 2006

Héctor Lavoe is a Puerto Rican legend. A singer, composer and musical producer with a voice and talent what catapulted him as the greatest salsa performer in history. The film starring the also Puerto Rican Marc Anthony describes Lavoe’s life from his teenage years. The singer, as he is fondly remembered, traveled to New York City at just 16 years old.

Against his father’s will, he decided to go after his dreams. In the scenes we can see how he is part of a musical group and perform in a bar, he meets Eddie (Manny Pérez), Willie Colón (John Ortiz) and gets his first contract with a record label.

However, you will also get to know the darker side of Héctor Lavoe who went through drug and alcohol problems. Héctor meets and falls in love with Puchi (Jennifer López), mother of his son and a very important character in the film. Puchi accompanies him on this path of constant ups and downs until little by little his life begins to change.

They lose their son Tito, as a result of an accident with Héctor’s weapon, and he is definitely not the same again. A story that shows us the success of an artist, his talent and dedication, without neglecting his bad habits that led to his death.

Dance with Me, 1998

Dance With me - Img

Dance With me – 1998

A film in which rhythm and romance will run through your veins. Chayanne and Vanessa Williams play a dance couple who meet in the middle of a great coincidence. Rafael Infante (Chayanne) loses his mother and decides to travel from Cuba to Texas to meet his father, the owner of a dance school.

When she gets to see him, she doesn’t know how to tell him the truth and prefers to apply for a job as a cleaning assistant. However, they realize how great a dancer he is and he begins to have participation in the academy. In the scenes we will be able to see how they get together through dance and enjoy the Latin rhythms. A fun film that should be among your weekend selection. Enjoy it!

Cuban Fury, 2014

Image of Cuban Fury 2014

Cuban Fury 2014

It tells us a story of love, self-improvement, improvement of self-esteem and, of course, salsa. Bruce Garrett (Nick Frost) is attracted to his boss Julia (Rashida Jones) and wants to conquer her through dancing. Garret had qualities for salsa but during his teens he was intimidated and put it aside.

Today, he wants to regain that rhythm, overcoming self-esteem issues and personal fears. For the character it is not easy to leave behind those events that marked his life. However, you must put aside self-pity and allow the dance to define everything. Will it have good results? Find out for yourself!

Ciudad Delirio, 2014

4- City of Delirium 2014

City of Delirium 2014

Cali, Colombia becomes the setting for an adventure full of dance and new experiences. Javier (Julian Villagrán) is a Spaniard who travels to Colombia for work and cannot help but fall in love with its people, customs and women. He meets Angie (Carolina Ramírez) a Colombian who owns a dance school. Their encounters are marked by the music and dancers that characterize this city. Javier ends up learning to dance salsa and guess what? Become an expert!

If you want to know more, find it now!

Shine, 2017

Shine 2017 - Latin music
Shine 2017 – Latin music

Shine tells us about two Puerto Rican brothers Ralphi Matas (Jorge Burgos) and Junior (Gilbert Saldivar) who have separated due to bad experiences and after a few years, they meet again. Between them, an even greater distance is created when they are on opposite sides of the fight for the gentrification of the area where they grew up.

The dance and cultural roots are present throughout the film, with Uncle Julio (Nelson Gonzales) trying to unite them again. Drama, dance and romance take sides in Shine, a very common story among Latinos in the United States who struggle not to let their principles die.

Latin music is life, it gives color, improves mood and is part of a cultural legacy that will continue to be maintained through the years. Every day new exponents of the genre appear and this will continue to happen over the years. So be it!

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.