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Ottawa Salsa Convention Join Ottawa’s 2nd Annual Salsa Convention 2017

North America /  Canada / Ottawa

What does a 3-day Salsa Convention entail? It means bringing together 50 of the most nationally & internationally renowned Latin dance stars from all of over Canada, USA & Mexico to perform right here in the Nation’s Capital. With over 30 Latin dance workshops taught by award-winning performers, there will be something for all levels of dancers.

Each day of the convention is then followed by social dancing to the sounds of some of the world’s best Salsa DJs across Canada and the United States. This 3-day convention is like no other, showcasing the best of Latin dance, right in the heart of the Nation’s Capital at Aberdeen Pavilion in Lansdowne Park. Let’s celebrate Canada’s 150th together through the best of Latin dance.

Ottawa Salsa Convention - Schedule part 1 — Ottawa Salsa Convention – Schedule part 1

Ottawa Salsa Convention - Schedule part 2 — Ottawa Salsa Convention – Schedule part 2

Ottawa Salsa Convention - Schedule part 3 — Ottawa Salsa Convention – Schedule part 3

Some of the performers are…

Mario Acosta Cevallos (Edmonton):

Mario Acosta - Ottawa Salsa Convention — Mario Acosta – Ottawa Salsa Convention

Mario Acosta-Cevallos is a four time World Salsa Champion, a Canadian LatinAmerican Ballroom Finalist, and Director of the Edmonton area based SalsaVitus Dance Company. He is known for his hypnotic performances marked by high levels of grace, speed, and technical difficulty. Mario’s current projects include travelling to teach and perform, developing his dance teams and pro-ams, and creating new and exciting routines for the upcoming next year.

Ana López (Winnipeg):

For many years, Ana Karen has excelled in dance in Manitoba, nationally and internationally. She is a three-time Manitoba Dance Festival Ballet scholarship recipient, and was the featured ballet soloist at a M.D.F.

Gala showcase. She most recently placed in the “top twelve” out of 145 dancers at the international ballet competition, the Youth American Grand Prix (Y.A.G.P.), at the semi- finals in Chicago, U.S.A. for both her Contemporary solo and her Pointe solo.

Ana also won the highest overall score for all senior solos at the Canadian National Dance Championships (C.N.D.C.), for another Pointe solo, which was to be the first time the highest overall score was awarded to a ballet number in Winnipeg. Most of Ana Karen’s dance training has been done at Marquis Dance Academy after having trained for two years in the R.W.B.’s professional division.

Ana Lopez - Ottawa Salsa Convention — Ana Lopez – Ottawa Salsa Convention

During her training at Marquis, Ana Karen has won multiple Elite Gold and Gold with Honours awards for her solos, trios and group numbers for Ballet, Pointe, Modern Ballet, Contemporary, Jazz and Lyrical.

She has also captured both gold and silver medals at several Dance World Cups in Montreal, Vancouver and Niagara Falls. She has continued her professional development as a teacher of ballet by studying at the worldfamous American Ballet Theatre (A.B.T.) in New York, N.Y., Ana Karen most recently won the Pro-Am World Salsa Championships in Miami, Florida and placed 2nd for Bachata Cabaret at the World Latin Dance Cup in Miami, Florida.

Harold Rancano and Regan Hirose (Winnipeg):

Harold Rancano and Regan Hirose, are a Latin dance couple best known for their energetic, and acrobatic flair on stage. Based out of Winnipeg, Manitoba, the flavorful couple has achieved plenty of success on a national and international level. Most notably they are the current World Champions for Bachata Cabaret having won gold at the World Latin Dance Cup in Miami, Florida; and are also the current Canadian Bachata Champions having won gold at the Canada Salsa Congress in Toronto, Ontario.

Harol y Regan - Ottawa Salsa Convention — Harol y Regan – Ottawa Salsa Convention

The couple has also competed and won various competitions in Salsa and Bachata in San Francisco, Los Angeles, Calgary, and Saskatoon. Aside from competition, the duo also directs Cubanisimo Dance Company in their hometown, where they train and coach their teams and students, 3 of which won gold at the 2015 World Latin Dance cup. They also coach and mentor various teams outside of the city by both teaching and creating choreography.

Also known for their connection and unique choreography, the couple has travelled to several festivals and congresses to share their vast knowledge of styles and various latin rhythms such as; Salsa on 1, Salsa on 2, Bachata, Pachanga, Cuban Salsa, Cha cha cha and Lifts & Tricks. Whether it’s privates, group classes or to coach teams, the couple has the experience to adapt to any teaching environment.

Lenin A Guerrero Maldonado & Roselyne Gonzalez (Cleveland , Ohio):

Lenin is proficient in rhythms such as: Salsa, Cuban Rumba, Pachanga, Bachata, Chacha, Boogaloo and Mambo. He is the director of Salcity of Angels Dance Company, one of the best and strongest dance companies in Mexico. His unique style is loved and enjoyed by audiences everywhere. It is full of energy flavor and charisma. It is not only elegant and technical but also dynamic and passionate. Lenin has been trained by several instructors including: Abel Peña (L.A.), Machito Ruiz (L.A.), Jose Aguilar (N.Y.), Jorge Martinez (Oaxaca, Mexico), Jose Chavarria (L.A.), Ernesto and Maritza (Chiapas, Mexico).

Awards:

Second place in the Euroson Latino Competition 2010 Professional Couples Category. (Mexico),
National Champion 2010 – National Competition Salsa Con Clave Professional Couples Category. (Mexico)
Second Place 2010 National Competition Salsa Con Clave Groups Category. (Mexico)
International Champion 2011 in Costa Rica Salsa Fest Professional Couples Category. (Costa Rica)
Third place in the National SalsaBachata Competition 2011(Mexico)

Lenin y Roselyne - Ottawa Salsa Convention — Lenin y Roselyne – Ottawa Salsa Convention

Experiences: Lenin has had many opportunities to travel to different countries through dancing. He is recognized internationally. He has performed at the most recognized congresses in all of Mexico and the USA. In March and April of 2014, he went on a dancing tour of 27 cities in France and 5 cities in Germany.

Most recently he traveled to Panama in 2014 and the United States in 2013 and 2014 in various cities. He now resides in the United States (Cleveland, Ohio) and travels to the principal salsa congresses in the country as well as those in Mexico. Current Projects: Team and individual training, Traveling to the major congresses in the U.S., Canada and Mexico, Continue traveling all over the world through dancing.

Roberto Quaresma & Daria Novoselova (Toronto):

Dedicated and passionate duo from Toronto, Canada, Daria Novoselova and Roberto Quaresma, started dancing together about 3 years ago.

Only 3 months into their partnership, they entered their first competition at the World Latin Dance Cup in Miami in December/14 and became amateur Salsa On1 world champions. Shortly after, Daria suffered a devastating neck injury during a dance practice and had to undergo surgery not knowing if she would ever be able to dance again.

After months of recovery and wearing a neck brace, she gradually returned to the dancefloor just in time to go back to Miami to defend the couple’s championship title. Despite a very challenging year for both dancers, in December/15 Roberto and Daria became 2x amateur world salsa champions.

The comeback story inspired many and was covered by numerous newspapers, such as the Toronto Star, as well as the CBC News. Since then the couple have traveled and performed in many congresses around the world such as Los Angeles Salsa Fest, Dubai Latin Festival and Japan Salsa Congress.

They have recently returned from the World Salsa Summit competition held in Miami in January/17 with 1st, 2nd and 3rd place medals in various salsa and bachata divisions. Known for their flare, playfulness and charisma on stage, Roberto and Daria are part of the Latin Energy Dance Company led by Vanesa Stay.

Angelo De Torres & Kathy Dondish (Toronto):

Angelo and Kathy began dancing together since 2009. Their passion for Latin dancing has led them to start competing and performing together. They are the 2011 Chim Pum Callao Congress and the Canada Salsa Congress Bachata Champions and were finalist at the Toronto Bachata Festival.

They enjoy travelling and sharing their passion for dance and have performed at international events such as the All Star Salsa European Cruise and the Israel Salsa Congress. Together they have developed a unique style of bachata, have taught hundreds of classes and workshops, and have choreographed numerous routines for both professionals and amateurs alike. Angelo De Torres is a professional dancer and choreographer and has had a love and appreciation for music since a very young age.

The diverse forms of expression inherent in Salsa, Bachata, Pachanga and Latin Hustle are what captivated him to learn and share his passion.

Angelo y Kathy - Ottawa Salsa Convention — Angelo y Kathy – Ottawa Salsa Convention

He has extensive training with respected international instructors such as Billy Fajardo, Katie Marlow, Nelson Flores, Tito Ortoz, Tamara Livolsi, Francesco Scalvenzi and Milko Succi.

Angelo has been teaching and dancing since 2008 for Steps dance studio under the direction of Jennifer Aucoin and is now a co-owner/director of Steps Dance Studio Inc.

Kathy Dondish has had the passion for dance at an early age, when she took her first ballet class at the age of 6 and trained in gymnastics at age 11. Her love for Latin dancing only grew stronger as of 2007 and hasn’t stopped since. Today, she is a performer, teacher and competitor. Having trained with top Toronto dancers as well as internationally has increased her drive to share her love on stage and in the studio.

Hiram and Briia (Toronto):

Hiram and Briia have been dancing together for about a year in a half! In 2012 they joined Cadence Dance Academy and they been traveling and performing with them all across North America ever since. They have been traveling together in North America for showcases and teaching workshops.

Briia comilang started dancing at the age of 4 since then she had traveled for showcases around the world. Train in ballroom, ballet, hip hop, contemporary! She strives to become an all-around dancer.

Hiram y Briia - Ottawa Salsa Convention — Hiram y Briia – Ottawa Salsa Convention

Now Briia is a professional salsa dancer and a Canadian representative amateur ballroom dancer who’s traveled to China, Spain, and Italy for many competitions! Now she continues to strive to the top by teaching, choreographing and sharing her passion with others! Hiram’s love of dance has been evident in Mexico since he was a young child.

He began training Modern Jazz and Contemporary before he decided to migrate to Canada where he trained in Jazz, Ballet, Acrobatics and Hip Hop. He later partnered and competed with, 4x Salsa World Champion, Paulina Posadas. The dynamic duo went on to win 1st Place in different national competitions

Adriano Ieropoli and Samantha Scali (Montreal):

Adriano Ieropoli and Samantha Scali are professional dancers based out of Montreal, Canada.

In 2009, at age fourteen they began their partnership by teaching locally and performing for various stage productions, concerts, festivals and salsa congresses. In 2015, they started competing internationally and founded Novaera Productions their very own dance studio in Montreal. That year, Adriano won his first world title in the same gender division and he is now the current world champion in the men solo division.

Adriano y Samantha - Ottawa Salsa Convention — Adriano y Samantha – Ottawa Salsa Convention

Adriano and Samantha are the first Canadian couple to have won a world title in the Professional Salsa On2 division, having placed first at the 2017 World Salsa Summit.

Team Same Gender México

You can see know all of the performers in their official website http://www.ottawasalsaconvention.ca and all the information you need to know.

ISM / July 2025











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Goce Pagano

Latin America / Colombia / Bogota

Goce Pagano. A historical icon of salsa in Bogota

Pagan Enjoyment - Cesar Pagano was the protagonist of the bohemian and intellectual party of Bogota for more than two decades. — Pagan Enjoyment – Cesar Pagano was the protagonist of the bohemian and intellectual party of Bogota for more than two decades.FOTO: GUILLERMO TORRES REVISTA SEMANA
ABRIL 30 DE 2014

If history is concerned, we cannot overlook the main icon of Salsa in Bogotá, how could we not do so if we talk about 39 years of tradition, it all began in the 1978 decade when it emerged from the hand of… a space oriented to the Salsa in a city where this rhythm was not so normal, as perhaps it was in Cali or Barranquilla, at that time acetate records, vinyl, became the number 1 element that made this capital dance, which was incredibly remains up to date.

Here in the so-called Goce, we can delight ourselves with an important collection of records from the most important era of salsa, the 70’s, which to the impression of many are the ones that still set the rhythm in this place.

Due to its great tradition, it is common to get collectors’ meetings, forums or conversations with great personalities, therefore, it not only calls you to dance and enjoy good music, it is also a corner for those who make the history of salsa fashionable. During my visit I was able to enjoy the Joe Arroyo, a cocktail that shows us the flavors and colors of this beautiful country together with the well-known rhythm of the Salsa icon in Colombia.

El Goce opens its doors on Fridays and Saturdays from 7:00 p.m. with a very contemporary and up-to-date format, orange walls, candles, a fireplace, wood and leather furniture, calling you to an intimate and warm space, full of rhythms Latinos and that allows moonlight to enter the center of the ceiling.

For all the reasons mentioned we cannot stop enjoying a space so full of history, rhythms and flavors like this one, we can go to diagonal 20-A # 0 – 82, in the town of Santa Fé, very close to the Aguas station. of the transmilenio, join the roots of salsa and don’t stop requesting your best-known songs, Goce Pagano will surely please you on that beautiful Latin evening.

For more information:

Website: http://www.elgocepagano.co/
Facebook: https://www.facebook.com/el.goce.pagano.bar/

Burju Pérez

North America / USA / Boston

Burju Pérez. From Dance to the Fashion Industry

Turkey is considered one of the countries with the most successful traders in the world and with a big musical influence of the Islamic and Western culture, well, from this country come the wonderful professional salsa dancer Burju Pérez, an entrepreneur who fused the tempo with the comfort and fashion of footwear.

Burju Pérez Shoes - Photo — Burju Pérez Shoes – Photo

Born in Turkey but arrived from 2 years old to Boston, Massachusetts. From very young, Burju began in the world of rhythmic gymnastics and dance. “My parents say I danced before I walked, or at least I started them both at the same time. I always had a wiggle and a bop”, said Burju for an American media.

Over the years, she learned other rhythms such as: Hip hop, Jazz and classical. Once at the university, she really dabbled in Latin dance, there a dance group was formed and she met her current husband Víctor, whose roots from Puerto Rico and who by that time was already an expert in Salsa dancing.

Once associated both personally and professionally, Burju and Víctor embarked on their way to conquer the most important congresses and festivals in the country as qualified Salsa dancers, starting with the nation’s largest annual convention, LA SALSA FEST, which for that time was only made in two cities of the world: one in San Juan (Puerto Rico – original headquarters) and the other in Los Angeles, (US).

Russia, China, Japan, Turkey, Lithuania, Germany and all Western Europe were also witnesses to the rage of the audience that generated this duo on the dance floor, who stepped on the best stages, generating great respect in the salsa community for being a couple of high competitive range.

Burju Pérez on the show - Photo 2 — Burju Pérez on the show – Photo 2

Burju during the decade of the 90s began to add her identity to the attire, painting his shoes and creating her own style. By 2003, this regular salsa girl from the stages of Boston and New York had the opportunity to belong to Juan Matos’ Fogarate Dance Project, which was held every weekend in New York. For the same period, Matos came up with another project, this time in Italy and Turkey and for which he had no partner dance so Burju was the ideal candidate to make this tour with him for a month, working full time.

Burju Shoes

Once in Milan, this choreographer and professional dancer began to create her own project, an idea that would satisfy the needs of the dancers, simply a hybrid between dance and fashion, was the creation of Burju Shoes. In Milan, where I was based for the project, there is this very high fashion and lots of people not wearing dance shoes when they dance.

I was like, “Oh, I’m not trying to be left out.” So when I was social dancing I was rocking these hot fashion shoes I bought there, but every night I was nearly crying because I was in so much pain. That’s when I was like, OH MAN! I want to combine fashion with comfort for dance shoes. She explained in an interview.

Burju Shoes (created in December 2010) are the perfect combination between the avant-garden design, contrast of colors, versatility and comfort, made to highlight the distinctive beauty in each dress and coziness when dancing.

Burju decided to create this company in his home, Boston, a very welcoming place where the scenes and the Latino community has grown exponentially.

When I first started my business, I asked a lot of ladies that were well known (in the dance and salsa world) to help me with a collective push with the brand. These girls not only endorsed it, but became part of the brand and helped with the designs. I even named shoes after them!, said she. I had my own following, but it was so wonderful to have all these girls supporting me and spreading the word.

When I felt weak, I had people to lean on who were not just friends but collaborators in the scene… I’m so grateful for the love and support here. She added. The Burju Shoes business was the change in the footwear industry’s perception for the ladies. The belief for years that the beauty of the shoe was synonymous with pain and tiredness of the feet was in the past.

Burju Pérez on the show - Photo 4 — Burju Pérez on the show – Photo 4

Burju Shoes offer you elegant shoes that you can use to do your dailies and go to work, they are also perfect for a dinner, cocktail and especially for a night of total fun and a lot of Latin dance.

Burju also cared about brides, and created a wide selection for them for that special day.

Burju thanks to his experience as a professional dancer with 14 years of career, travel and in addition to her creative intuition, she has created great innovative designs in each shoe, which are flexible for the comfort of the user and functional for each occasion.

Burju Pérez on the show - Photo 3 — Burju Pérez on the show – Photo 3

The construction of each pair of shoes is derived from custom made patterns, high-end manufacturing and high quality materials: satins, leathers, sparkle, faux animal prints and other synthetic or man-made materials.

For the outer soles, the options of suede (more traditional for dance shoes) to the street sole which is great for indoor and outdoor use. I think people appreciate that we put a higher standard on presentation… At the end of the day, selling is not my main mission. But I will educate you and help you find what’s right for you, and help you feel good about yourself. I think this draws people in, said

Even though I don’t dance as much as I used to (since I got pregnant four years ago), and went the fashion and entrepreneur route, I’m still connected to this dance scene through my work and like giving back to the community… I want to show people that arts and business can function together. Burju Perez

Burju Pérez on the show - Photo — Burju Pérez on the show – Photo

Mulatu Astatke, the first African to earn a PhD from Berklee College of Music

Mulatu Astatke (or Astatqé) (Jimma, Ethiopia, December 19, 1943) is an Ethiopian musician, composer and arranger. He is considered the father of Ethio-Jazz.

His musical training took place at the Trinity Laban Conservatoire of Music and Dance in London, where he studied clarinet, piano and harmony, New York and Boston, where he was the first African student and also the first African to earn a PhD from Berklee College of Music; there he was trained in vibraphone and percussion.

Mulatu Astatke, the first African to earn a PhD from Berklee College of Music

Later he combined the influence of jazz and Latin music with traditional Ethiopian music.

My desire to start making Ethio-jazz began in London while I was studying there in the 1950s; then I knew I wanted to be different with my music. I looked for musicians from different African backgrounds and saw that they were successful and promoted the culture of their country.

However, there was very little from East Africa and Ethiopia, so I decided at that point that I would create something unique based on the rich heritage of our music and show how much we have contributed to the world of music in general.

That journey began to take shape at Berklee College in Bastan. I was the first African musician to study there and that period was very important for me.

I learned the technical aspects of many different musical forms and my teachers gave me the confidence to move in my own direction, teaching me that it was okay to be different in my music and try something completely new.

Ethiopian cultural music is based on four modes tezeta, bati, anchihoy and Ambassel and within my music, I knew that those modes could not be played.

They had to remain at the center of my music or the whole character of the sound would change and become distorted. I began to add beautiful colors with chords, voicings, bass lines and rhythm sections, writing progressions that fit together well. It’s very difficult to write 12-note music around the Ethiopian modes without destroying them.

In the mid-’60s I returned to Addis, but I kept going back and forth to the United States.

At that time, no one was fusing Ethiopian music with jazz.

In my country there was the First National Theater Orchestra, and both the police and the army had their own orchestras.

There were also bands like the Echoes and the Ras Band.

Musicians at that time based their melodies strictly on the four Ethiopian modes, using techniques like the “canon,” with melodic lines echoing each other.

With Ethiopian jazz, I consciously wanted to expand and explore the modes in different ways.

Mulatu Astatke (or Astatqé) (Jimma, Ethiopia, December 19, 1943) is an Ethiopian musician, composer and arranger. He is considered the father of Ethio-Jazz.

I formed a group called The Ethiopian Quintet in New York, made up of a mix of Ethiopian, Latino, and African-American musicians (there weren’t many Ethiopian musicians in the United States at that time).

The band included trumpeter and pianist Rudy Houston, who later played with Yambu, and Felix Torres, who played with Sonora Ponceña.

I have always felt a deep connection between Latin and African music; I traveled to Cuba to find out where the first American landed, I heard their musicians play and dance and although they sang in Spanish, the tempo, rhythm and feeling were very similar to aspects of African music.

So, with the Ethiopian Quintet, I wanted to show the African contribution to Latin music and it was my first opportunity to experiment and start developing my vision of Ethio-Jazz with this band.

With the American and Puerto Rican musicians in the group we created a different atmosphere and arrangements.

It was a great opportunity for me and they loved what I was writing and the direction I was trying to take.

We did quite a few concerts, some Spanish weddings, events upstate New York and in Manhattan.

We played at the Village Gate with Dave Pike, a great friend of mine at the time, one of the world’s greatest vibraphone players. He played a lot with Herbie Mann and I remember sitting in to watch one of his recording sessions.

I saw a lot of other great musicians in concert, from Coltrane to Bud Powell and Bill Evans. On the New York live circuit I met a producer called Gil Snapper.

His musical training was at the Trinity Laban Conservatoire of Music and Dance in London,

Gil was a very nice and interesting guy and worked with musicians of many different styles.

He picked up on my music very quickly; we got on well and he invited me to record with The Ethiopian Quintet, so our first albums with him were ‘Afro Latin Soul’ Volumes 1 and 2, both recorded during 1966.

On the first volume, I performed an adaptation of an old Ethiopian warrior song, ‘I Faram Gami I Faram’.

I would have liked to have an Ethiopian singer for the song, but it was sung in Latin and the lyrics were translated to the singer so he could sing it in Spanish.

Nevertheless, it turned out to be a nice combination. The album included other compositions that were important steps for me: ‘Mascaram Setaba’ (Summer is Coming), ‘Shagu’ and ‘Almaz’. On the second volume, Rudy Houston suggested a piece of music that we called ‘The Panther’, in reference to the animal, but also in recognition of the Black Panthers, who were very active in the civil rights struggle in the United States at that time.

On this album, one of my favorites is my composition ‘Girl From Addis Ababa’, which worked very well as a fusion of Ethiopian modes and R&R rhythms, an indicator of the more refined Ethiopian jazz sound of my later album for Worthy, ‘Mulatu Of Ethiopia’ (1972). It also included my new arrangement of the 1950s tune ‘Lover’s Mambo’.

Both albums include nice arrangements also by Oscar Garcia, Rudy Houston and Gil Snapper as well.

I feel proud of the recording when I listen to it again. It was an important moment in my career and it was a very interesting and progressive time to be in New York in the mid-60s.

I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and, each in their own way, we tried to do our part to put Africa on the map of contemporary jazz.

Mulatu Astatke, April 2018

Mulatu Astatke & His Ethiopian Quintet – Afro-Latin Soul (1966, R-2018)

Tracks: Afro Latin Soul: 01. I Faram Gami I Faram (Mulatu Astatke)

02. Mascaram Setaba (Mulatu Astatke)

03. Shagu (Mulatu Astatke)

04. One For Buzayhew (Mulatu Astatke) ke)

05. Alone In The Crowd (Gil Snapper)

06. Almaz (Mulatu Astatke)

07. Mulatu’s Hideaway (Mulatu Astatke)

08. Askum (Rudy Houston)

09. A Kiss Before Dawn (Gil Snapper & Weiss)

10. Playboy Cha Cha (Oscar Garcia) Afro Latin Soul Vol. 2:

11. The Panther (Boogaloo) (Rudy Houston)

Konjit (Pretty) (Oscar Garcia)

Soul Power (Rudy Houston)

Lover’s Mambo (Traditional, Arr. Mulatu Astatke)

Love Mood For Two (Rudy Houston)

Jijiger (Rudy Houston)

Girl From Addis Ababa (Mulatu Astatke)

Karayu (Oscar Garcia)

Raina (Rudy Houston)

Musicians:

Mulatu Astatke (Vibraphone, Piano, Drums)

Rudy Houston (Piano, Trumpet)

Robert Cuadrado (Bass)

Felix Torres / John Perez (Congas / Bongos on Vol. 1)

Pete Iglesias (Congas on Vol. 2)

Tony Pearson (Timbales)

Information provided (October 5, 2024)

Also Read: Flora Purim has earned her two Grammy nominations for Best Female Jazz Performance