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Born in the city of Carolina, Puerto Rico in 1969 with music in his veins.

Carlos Enrique Lopez (Carlitos Lopez el gordito favorito), he begins to show interest in music in general, boleros and trios

The bomba, plena, jibara music which he listened to in the countryside when his uncles and aunts visited his family, they liked to play stringed instruments and harmony either the tres or the Puerto Rican cuatro and the symphony.

At the age of 7 he moved to his grandparents’ house to begin studying in elementary school in his native Puerto Rico, while studying in the afternoons he spent his time listening to Fania and its stars. Singers like Hector Lavoe, Cheo Feliciano, Ruben Blades, Ismael Rivera among others.

Courtesy of his cousin who was a loyal fan and collector of Willie Colon’s salsa etcetera, little by little he was learning to vocalize demonstrating the ability to learn to do vocals for the choir at that time he met a young Anthony Cruz for the first time and was impressed with his melodious voice, although they never shared in those days.

Carlos debuted at the age of 14 with an orchestra created by his cousin and some students of the vocational music school where he had the opportunity to accompany Santos Colon former singer Tito Puente, he decided to move back home to his parents where he met Anthony Cruz who lived on the same street where his parents lived, and who already belonged to the orchestra of Mario Ortiz and began to attend rehearsals, recordings and dances.

There he met a young Tony Vega, Gilberto Santa Rosa, Elias Lopez, Lalo Rodriguez, Dario Morales who encouraged him to take vocal lessons, but he never did for lack of time.

but he never made it due to lack of support from his parents because there were other hopes and expectations.

The teacher Mario Ortiz noticed his uneasiness and spoke casually with his parents, but the decision had already been made by his parents.

but the decision was already made by them leaving Carlos disenchanted with music and taking the decision to emigrate to the United States where he dedicated himself to the culinary arts for the rest of his life until 2004 when he met again with Anthony Cruz who already had a successful career as a soloist and was touring they spoke for a moment and that was enough to return to her first love, music.

Anthony Cruz introduces him to several of the musicians who accompanied him in that activity and the rest is history. He joins the orchestra as a chorus singer and debuts as a composer where he writes 4 songs for the production of a CD of the orchestra entitled Going solo under the musical direction of Harry Rios.

They gain the popularity and admiration of the salsa people playing in different parts of Central Florida, festivals, clubs, and discotheques.

They return and record a single Going Back to Old School on which Carlos dedicates a song to Israel Lopez Cachao titled 80 Year’s of Cachao with arrangement and direction by Luis Jungo Ortiz which had tremendous acceptance from the dancing public and the radio listeners, from there Carlos decides to retire from music again to continue his career in the culinary arts.

Until he receives a call from an old friend asking him to help him with the choirs because he was going to accompany different artists.

Carlos began to accompany different singers with that orchestra called La Predilecta as a chorus singer among which there were names of the height of Anthony Cruz, Lalo Rodriguez, Cano Estremera, Manolo Lezcano, Chamaco Rivera, Frankie Figueroa, Ommy Cardona, Paquito Acosta, Paquito Guzman, Hector Tricoche, Papo Cocote and many more.

Carlos has written several songs including a collaboration between Anthony Cruz and Danny Sanchez titled No Vale la pena Enamorarse with arrangement by Luis Jungo Ortiz.

In addition to a song titled Today again under the tutelage of Harry Rios sung by Danny Sanchez currently Carlos Enrique Lopez known as Carlitos (the favorite fatty) made his debut as a solo singer.

And is promoting the theme of his authorship entitled Me Enamore under the direction, arrangement and production of the master Luis Jungo Ortiz which has enjoyed a good reception on digital platforms, social networks and independent radio stations on the internet.

As Radio Brisa Tropical con the master Taíno Roldán, Radio Calidad de vida del Dr Ted, Top 98 radio with Richie Sanchez and also.

Que Siga la Fiesta

Carlos has just recorded a song of his authorship entitled Que Siga la Fiesta in collaboration with 2 talented gentlemen from Orlando Central Florida and Miami are Edwin el Calvito Reyes and Luis Jibarito de Jesus under the direction and arrangement of Mike Rivera The Professor in the studio 305 Imma Studio owned by music engineer Immanuel Ramirez which came out on April 20, 2021.

Facebook: Carlos Enrique López

 

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Edwin Morales, founder, bass player, director of Mulenze.

Orquesta Mulenze was born in 1976 thanks to the motivation of Edwin Mirales who was a young rocker back then and decided to switch his guitar for a bass and to form the YAMBO Orchestra, which served as a companion of artists such as Hector Lavoe, Celia Cruz, Cheo Feliciano, Ismael Miranda among others arriving to Puerto Rico without an orchestra; then it was later identified and we would know it as Mulenze.

The orchestra was created at a time when salsa was booming and was fortunate to have musicians, composers, and singers of great stature who are currently recognized among which we highlight Cano Estremera (El dueño del soneo) who later joined the Bobby Valentin’s band as a vocalist; In the chorus, singer-songwriter Pedro Arroyo who has contributed several of his compositions to Mulenze; in the piano, we have Andy Guzman and Eric Figueroa, the latter was one of the influencers in the style adopted by the orchestra, practicing a rather sophisticated and little revolutionary rhythm for the public who follows popular music.

Mulenze was one of the first orchestras to use synthesizers in salsa, rhythmically working outside the beat in which the clave pattern is established to give a jazz variation to their music; this innovation that was not widely accepted by the groups established at that time, although this would give respect and an identity of its own to the orchestra with its amazing arrangements.

Edwin Morales known for his first name only in his family circle. But if someone calls himself a salsero, he has to know who Edwin “Mulenze” is.

This bassist of Bayamon, who has performed with the most important exponents of the salsa genre, has written his own page in the history of this musical genre as the founder and director of the Mulenze Orchestra.

“Salsa will not die and I would say that it is in a fulfilling moment. The new orchestras, which are like us when the pillars of salsa were in full swing and we were called the youth orchestra, are carrying out their work very well.

To this is added a group of boys who are taking their dance academies to municipalities and have resurrected the salsa dancer,” said Edwin.

Pedro Brull continues to see him as the official voice of La Mulenze although he left the group in 2005 to start his solo career.

Edwin succeeded in establishing an identity for the orchestra and my singing style flowed really well with his proposal. But after 24 years, I wanted to seize the opportunity to record an album (Pronóstico).

Today I work mostly outside Puerto Rico and have to admit that I am traveling the world thanks to “La Mulenze,” Brull commented.

For the first time in Miami in the framework of his 40th Anniversary this Saturday, September 11, the Orquesta of Eternal Youth “Mulenze” will perform with its original singers Pedro Brull, Kenny Cruz and Rafael “Ito” Andino.

The event will take place in the “Carpa Salsera”, this concert promises to be a huge success because with more than a year and a half without live performances due to the global pandemic caused by the Coronavirus, thanks to the organizers Giovanny Lopera, Lucy Corres, Mauro “El Fantástico”, José “Rumba” and its primary sponsor “El Rancho de Miami”.

 

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The magic of a great musician is that he has the key to open your soul.  He takes you to a dimension full of happy emotions, you forget all your pain and troubles and you just dance!  For the Yoruba’s, one of the sons of Obatala, is Changó. He represents strength, virility, drums, music, fire, lightning, dance, justice, the need and joy for living.  If one person was all of that, it was Mr. Johnny Polanco.  Mr. Polanco is dearly remembered by all those whose life he touched.  This June 2nd marks the sixth year of his passing.   Altagracia and Socrates, from Puerto Rico and Santo Domingo were his parents.  They lived in the Bronx in New York.  Socrates was the owner of an auto mechanic shop.  This is probably where Johnny first came into contact with automobile engines.  He developed a passion for working with automobile engines.  Johnny graduated from Alfred E. Smith High School; a school reputed for teaching shops.  It’s very probable that he furthered his knowledge of engines there. His talent grew to engineering levels.  If anyone could fix a problem on an engine, it was Johnny.  All the musicians knew that if there was a problem, it was Johnny who could fix it for them. There’s a story about how DJ Robbie called Johnny at home one such time at around 3:00 am and Johnny got out of bed and went to his aid.   His other passion was music.  Johnny never attended music school.  He mastered a number of instruments, all on his own. Everyone says that around five years of age, he was given a guitar.  But it wasn’t until the age of ten, that he became serious in learning music.  At the age of fourteen, he was already playing with the Steve Colon band. He played with a number of New York groups, Charanga Sensual, Conjunto Saoco to name a few. Johnny had flat feet, but nonetheless in 1979 he enlisted in the United States Marine Corp.  The Marine Corps capitalized on his knowledge of engines and assigned him to the motor pool. His early assignments were in Camp Lejeune, North Carolina, Parris Island, South Carolina, and Okinawa, Japan. Johnny was a patriotic American who loved and served his country.  Just before enlisting in the service at twenty-four, Marion Gonzalez gave birth to Christopher and three years later to Melody.  In 1980 the marines sent Johnny to the west coast, Camp Pendleton, California. Marion and Johnny married, but their union did not survive. Marion and Johnny had joint custody. Johnny’s visitation turn was usually from Fridays after school to Monday morning, returning them to school.  In 1984 Johnny was playing at the New Porter Inn, in Newport Beach, California.  That night he met Joanna, a lady from Bronx.  They say it was love at first sight.  On January 23, 1987 they married and she remained his companion for the rest of Johnny’s life.  Joanna worked as a Registered Nurse and had two children of her own, Angela and Anthony Wheaton.  They made their home in Lakewood, California, where they had all their four children together on the weekends.  They were fortunate, because the kids all got along well. Some called them the Brady Bunch.

The long full gear marches and Johnny’s flat feet became a problem. In 1987, with the rank of E-5 sergeant, Johnny decided to be a full-time musician and separated from the Marines.  Close to their Lakewood home Johnny took a daytime job working for Mr. Tom Scott a Union 76 service station owner. Johnny stayed with Tom for next six years, when Tom sold in 1992.  The job was conveniently within walking distance of his Lakewood home.

In Hollywood, there was a Vietnam disabled veteran who had been studying business, Armando Castro.  Completing his studies, Armando opened a small restaurant. Although of Nicaraguan origin, Armando decided to serve Cuban food and named the restaurant El Floridita. On Monday nights they started to play Salsa.  Cali Aleman was the first band that played.

In 1993 Orquesta Versatil was playing on Monday nights. It was then that Armando Castro introduced Johnny to the band leader, Carlos Navarro.  At the time Versatil was a popular, strong, well liked band and Johnny fitted right in.  Then things started to happen, the band leader Carlos had to fly to Venezuela, also the arranger Niño Jesus Alejandro went to Canada. So, they held a meeting with Armando.  “mete mano Johnny, put a band together and take over.”  For the next 22 years Johnny played Monday night with his Conjunto Amistad at El Floridita.   Johnny’s band was in demand.

Albert Torres was a consultant and MC to over 50 yearly Salsa Congress’ around the world.  Albert had a lot of connections and started to manage Johnny for some 15 years.  With Albert’s connections the band played in Japan, England, Italy, Spain, China, Thailand, Mexico, Costa Rica to name a few.  Everyone was busy with little time to spare, eventually Johnny started handling his own bookings and the relationship with Albert just disappeared.

In business they always say location, location, location! Nothing could be truer than that for “El Floridita.”  You see folks, this little restaurant in a small strip mall, is just across the street from … Pickford Center.  What’s Pickford Center? It’s the film industry Academy of Arts.  You know the “Oscars!”  The clientele boasted of directors, writers, producers, actors like Patrick Swayze, Jay Leno, Jennifer Lopez, Nicole Kidman, Robert Duvall, Mick Jagger, Edward Olmos to name a few.  They didn’t just go there to eat; it was the film industry’s connection to Salsa and the work just poured in.  Johnny played for Hugh Heffner at the Playboy mansion and also the Playboy Jazz Festival. Prince chose Johnny to be his opening act in Las Vegas.  Johnny did the music for countless films (see bio).    When a victorious general was paraded in Rome, above his head, a slave would hold the laurel reave, while at the same time continuously whispering “this too shall pass.” The idea was to keep him grounded. Johnny didn’t need that.  He was a man who saw the injustice in the world and was always looking out for the little guy, the underdog.  He was a man who shared the wealth.  Many remember how Johnny would call them to give their bands work.  To this day many a story is told about how Johnny helped them out.  He was a man who in his car, would carry cat food and milk to feed the strays.  May God bless you in heaven Johnny.  We remember you as a kind man who loved and cared for the poor.   His accomplishments were so many that we created a link for you to view the photos and also his biography of recognitions and accomplishments.

Changó

The magic of a great musician is that he has the key to open your soul.  He takes you to a dimension full of happy emotions, you forget all your pain and troubles and you just dance!  For the Yoruba’s, one of the sons of Obatala, is Changó. He represents strength, virility, drums, music, fire, lightning, dance, justice, the need and joy for living.  If one person was all of that, it was Mr. Johnny Polanco.  Mr. Polanco is dearly remembered by all those whose life he touched.  This June 2nd marks the sixth year of his passing.  Altagracia and Socrates, from Puerto Rico and Santo Domingo were his parents.  They lived in the Bronx in New York.  Socrates was the owner of an auto mechanic shop.  This is probably where Johnny first came into contact with automobile engines.  He developed a passion for working with automobile engines.  Johnny graduated from Alfred E. Smith High School; a school reputed for teaching shops.  It’s very probable that he furthered his knowledge of engines there. His talent grew to engineering levels.  If anyone could fix a problem on an engine, it was Johnny.  All the musicians knew that if there was a problem, it was Johnny who could fix it for them. There’s a story about how DJ Robbie called Johnny at home one such time at around 3:00 am and Johnny got out of bed and went to his aid.
His other passion was music.  Johnny never attended music school.  He mastered a number of instruments, all on his own. Everyone says that around five years of age, he was given a guitar.  But it wasn’t until the age of ten, that he became serious in learning music.  At the age of fourteen, he was already playing with the Steve Colon band. He played with a number of New York groups, Charanga Sensual, Conjunto Saoco to name a few.
Johnny had flat feet, but nonetheless in 1979 he enlisted in the United States Marine Corp.  The Marine Corps capitalized on his knowledge of engines and assigned him to the motor pool. His early assignments were in Camp Lejeune, North Carolina, Parris Island, South Carolina, and Okinawa, Japan. Johnny was a patriotic American who loved and served his country.  Just before enlisting in the service at twenty-four, Marion Gonzalez gave birth to Christopher and three years later to Melody.  In 1980 the marines sent Johnny to the west coast, Camp Pendleton, California. Marion and Johnny married, but their union did not survive. Marion and Johnny had joint custody. Johnny’s visitation turn was usually from Fridays after school to Monday morning, returning them to school.
In 1984 Johnny was playing at the New Porter Inn, in Newport Beach, California.  That night he met Joanna, a lady from Bronx.  They say it was love at first sight.  On January 23, 1987 they married and she remained his companion for the rest of Johnny’s life.  Joanna worked as a Registered Nurse and had two children of her own, Angela and Anthony Wheaton.  They made their home in Lakewood, California, where they had all their four children together on the weekends.  They were fortunate, because the kids all got along well. Some called them the Brady Bunch.

The long full gear marches and Johnny’s flat feet became a problem. In 1987, with the rank of E-5 sergeant, Johnny decided to be a full-time musician and separated from the Marines.  Close to their Lakewood home Johnny took a daytime job working for Mr. Tom Scott a Union 76 service station owner. Johnny stayed with Tom for next six years, when Tom sold in 1992.  The job was conveniently within walking distance of his Lakewood home.

In Hollywood, there was a Vietnam disabled veteran who had been studying business, Armando Castro.  Completing his studies, Armando opened a small restaurant. Although of Nicaraguan origin, Armando decided to serve Cuban food and named the restaurant El Floridita. On Monday nights they started to play Salsa.  Cali Aleman was the first band that played.

In 1993 Orquesta Versatil was playing on Monday nights. It was then that Armando Castro introduced Johnny to the band leader, Carlos Navarro.  At the time Versatil was a popular, strong, well liked band and Johnny fitted right in.  Then things started to happen, the band leader Carlos had to fly to Venezuela, also the arranger Niño Jesus Alejandro went to Canada. So, they held a meeting with Armando.  “mete mano Johnny, put a band together and take over.”  For the next 22 years Johnny played Monday night with his Conjunto Amistad at El Floridita.   Johnny’s band was in demand.

Albert Torres was a consultant and MC to over 50 yearly Salsa Congress’ around the world.  Albert had a lot of connections and started to manage Johnny for some 15 years.  With Albert’s connections the band played in Japan, England, Italy, Spain, China, Thailand, Mexico, Costa Rica to name a few.  Everyone was busy with little time to spare, eventually Johnny started handling his own bookings and the relationship with Albert just disappeared.

In business they always say location, location, location! Nothing could be truer than that for “El Floridita.”  You see folks, this little restaurant in a small strip mall, is just across the street from … Pickford Center.  What’s Pickford Center? It’s the film industry Academy of Arts.  You know the “Oscars!”  The clientele boasted of directors, writers, producers, actors like Patrick Swayze, Jay Leno, Jennifer Lopez, Nicole Kidman, Robert Duvall, Mick Jagger, Edward Olmos to name a few.  They didn’t just go there to eat; it was the film industry’s connection to Salsa and the work just poured in.  Johnny played for Hugh Heffner at the Playboy mansion and also the Playboy Jazz Festival. Prince chose Johnny to be his opening act in Las Vegas.  Johnny did the music for countless films (see bio).
When a victorious general was paraded in Rome, above his head, a slave would hold the laurel reave, while at the same time continuously whispering “this too shall pass.” The idea was to keep him grounded. Johnny didn’t need that.  He was a man who saw the injustice in the world and was always looking out for the little guy, the underdog.  He was a man who shared the wealth.  Many remember how Johnny would call them to give their bands work.  To this day many a story is told about how Johnny helped them out.  He was a man who in his car, would carry cat food and milk to feed the strays.  May God bless you in heaven Johnny.  We remember you as a kind man who loved and cared for the poor.
His accomplishments were so many that we created a link for you to view the photos and also his biography of recognitions and accomplishments.

By: Eduardo Guilarte & Karina Garcia

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