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News

”Alma Del Barrio” celebrates 50 years of operation

The United States has a great number of Latin music radio programs that always sought to promote the best of Latin talent through their frequencies and one of them is ”Alma Del Barrio” of the well-known radio station KXLU, which is celebrating its 50th anniversary.   

Against all odds, ”Alma Del Barrio” celebrates five decades on the air after all the effort of its hosts and the team involved in such a noble and necessary feat. We say ”against all odds” because it is not common that projects submitted by university students did not used to last long and ended up being replaced by programs of the same style.  

In addition to the above, decades-long programs usually have a single host and comfortable time slots each week. However, ”Alma Del Barrio” was the exception to this rule and, today, continues to prove that limits can be overcome.  

Founders of Alma Del Barrio
Founders of ”Alma Del Barrio” Steve Lopez, Enrique ”Kiki” Soto, Gustavo Aragon, Eddie Lopez, and Hector ”La Voz” Resendez

Beginnings of ”Alma Del Barrio” 

After so long, ”Alma Del Barrio” has remained up to date and continues to keep people’s taste.  

Its main founders were Enrique ”Kiki” Soto and the late Raúl Villa, who at the time were two young students with many ideas and eager to achieve interesting things. The program was aired for the first time in 1973. A few years later, Hector Resendez, a freshman in college, contacted Enrique and Raul in order to write an article about this new radio show, but it would not be long before he joined the main founders in the project they were developing.   

Three years later, in 1976, student at Loyola Marymount University Eddie Lopez joined the program on the third anniversary of ”Alma Del Barrio”, show in which he would spend the next 46 years bringing the best Afro-Cuban music to the audience every Sunday between 2pm and 6pm.  

On a number of occasions, Resendez said that ”Alma Del Barrio” was not created to be hosted by great famous personalities, but by dynamic young people who wanted to be part of a small team that was just starting operations.   

At the beginning, the new hosts only had one hour of broadcast time to show what they were made of, but at the same time, they did their best to get more airtime and have more presenters in the program. They wanted to include a not very popular genre on the station at that time, which was salsa, something totally innovative for the station. 

In those years, salsa was understood as that set of genres coming from Afro-Cuban music and the novice hosts thought it would be a fine attraction to the Latino communities of Los Angeles. That set of genres came from Cuba, Puerto Rico, Panama, Colombia and the Dominican Republic. This is when record labels and music promoters renamed these rhythms as ”salsa” in order to make it easier for programs and hosts to identify the music.  

Eddie Lopez in Alma Del Barrio
Eddie Lopez working on the radio station

‘’Alma Del Barrio”’ programming 

The traditional programming of most of the stations consisted of jazz, rock and classical music, but then salsa was incorporated thanks to the increasing popularity that this genre was gaining. 

One thing Resendez said is that one of the most famous rock groups was Santana, so the announcer and the rest of his cabinmates were surprised that the musicians of the band knew so much about Afro-Cuban music in terms of percussion. Let us remember that the popular song ”Oye Como Va” was written by ”El Rey De Los Timbales” Tito Puente a decade and a half before the band recorded it.   

This union of rock and salsa was what gave the hosts the confidence to use trendy Anglo-Saxon genres as a means to promote Latin music.   

On top of that, the guys were clear that jazz fans would be receptive to Latin jazz, since great jazz musicians like Dizzy Gallespie hired Cuban percussionists in their orchestras. If on other stations, this music was successful, ”Alma Del Barrio” was no exception. Fortunately, they were not wrong.   

Logo of Alma Del Barrio
Current logo of ”Alma Del Barrio”

Last years of “Alma Del Barrio’’ 

During the last years of ”Alma Del Barrio”, the program team has made great efforts to join and create links with the community, whether it would be through sponsorships, advertisements, public services, donation campaigns, among other things.   

Through all this community service they offered, they also made their own work known and many listeners began to enjoy this great team’s talent while listening to good music and varied programming. 

The program has also been and is part of great annual and historical festivals such as the Salsa Fest. This day is always reserved for the audience to share with the new and old hosts of ”Alma Del Barrio” and many of the station staff, who always spread their enthusiasm to those present with their good energy.   

”Alma Del Barrio” and its hosts have brought joy to their followers, but there have also been some sad moments. One of them was the death of DJ Eddie Lopez in January 2023, leaving a great void in the station and the hearts of those who faithfully followed his career through the KXLU circuits during the last decades. 

Read also: Singer and manager of Cambalache Pancho Chavez 

¡Attack Sergio! Unbreakable: A fun read because of the contradictory content

I placed the order online on October 25, 2023. By return email, I received confirmation of payment and a promise to receive my copy the following week.

However, after several days I received a delay notification from the supplier. It was understandable that an artist of Sergio George’s stature would trigger interest in acquiring the work that promised to tell his story, perspective and opinion on the music industry. Exactly on November 25, 2023, the order arrived.

¡Attack Sergio! Unbreakable: A fun read because of the contradictory content
¡Attack Sergio! Unbreakable: A fun read because of the contradictory content

As a reader, I was deeply disappointed with the content of the “book”. Attack Sergio! Unbreakable falls short of being an autobiography. I would classify it as a self-help book with little depth, no substance.

Writing a book requires literary knowledge, basing the content on rigorous research and stating the data with mathematical precision.

The cover of the text is appropriate for the trajectory of the artist who is the subject of the text. However, the data on the cover that assures that he is the winner of 19 Grammy awards contradicts the text.  Specifically, on the third page of the introduction it says that he is the winner of 18 or 19. Evidently, the recently launched book should not be taken as a reference for a subject of such seriousness.

From the legal page it is clear that Sergio George is the author and that Janice Rodriguez was in charge of editing. Sadly, the work lacked editorial care, which detracts from the literary value of what is presented. There are many expressions that seem to be literal translations from English and that do not necessarily maintain the idiomatic integrity of what the author wants to express.  Now, if that were the case, you should stop counting the missing and extra accents.

Having said that, I am going to manage my criticism, since space is limited and the idea is not to write another book about the “book”.  Certainly, in the world of the versed salsero, of which I am one, the most awarded producer in Latin music has a great story to tell. But his literary delivery fell short. I understand the intention to approach his complaint as a self-help book. But that grand intention also failed.

I read in each of the 128 pages discontent, loathing, complaint, frustration, resentment and wounded self-esteem. Objectively, you have to read carefully to see that what he claims to do is the opposite of what has brought him so much controversy.

In his usual combative style Sergio George launches harsh criticisms of salsa artists. Resentment has won out over objectivity. Each blow takes away the value of his exposition, until it becomes the outlet that we all need to have at given moments.

Sergio George
Sergio George

Of course, emotional maturity is what prevents one from publishing matters that should remain in the privacy of conversations between the affected parties.

With a high sense of arrogance, characteristic of narcissistic personalities, the author accuses the “great salseros” of having murdered salsa because of their ego, pointing them out as the culprits of the death of the “musical genre”.

This becomes another of the great contradictions of the text. At times he claims that salsa is not a genre, but on multiple occasions he refers to salsa as a musical genre. On the other hand, he says that salsa is in danger of extinction shortly before assuring that it is dead.  His point of view in that sense is not clear either, although he does state near the end that there is a legacy that does not die.

This is the contradictory nature of the reading, whose common thread is the attack. That may be the origin of the idea of the title, although at first glance one might think that “Attack Sergio!” is the repetition of the battle cry that invites him to attack the piano, while he prolifically produces music.

Marc Anthony y Sergio George
Marc Anthony y Sergio George

I believe in the evolution of the species and I see that the adaptations through which salsa has gone through are similar to the genetic modifications necessary so that, within each species, the fittest survive.

The text has several anecdotes. However, due to the lack of details, these do not add value to the construction of the history of salsa. In some of them, the names of certain characters are not mentioned. I guess the author did not want to enter into a request for relays or preferred not to risk dealing with legal controversies.

With so much that Sergio George has contributed to the history of Latin music, it is a mistake that the book has not been given more structure and objectivity.

Sergio George has been a cornerstone in the history of Afro-Latin rhythms and is the owner of a brilliant musical career that has made many shine. But to that exposure, the text does not do justice either.

Bella Martinez Puerto Rico

 

 

 

Also Read: Metamorphosis: from music to photojournalism, a reinvention without limits

Tom Teasley, described in the Washington Post as “a multi-instrumental genius”

Tom Teasley, described in the Washington Post as “a multi-instrumental genius,” maintains a unique career as a solo percussionist, composer and collaborator. Tom is a 2010 and 2011 Helen Hayes Theater Award recipient for outstanding sound design (nominations in 2012 and 2014).

Tom Teasley playing the drums
Tom Teasley playing the drums

Tom tours frequently throughout the world performing and presenting clinics for the instrument companies he endorses including Yamaha, Vic Firth, Sabian, Remo, Gon Bops and others.

He is the 2012, 2013 and 2014 WAMA (Washington Area Music Award) World Music Instrumentalist of the year. A four-time recipient of a Fulbright-Hayes grant for performances in the Middle East, Tom collaborated with indigenous musicians and gave historic performances in Saudi Arabia, the West Bank and Jerusalem.

Tom Teasley in concert
Tom Teasley in concert

He has been an artist-in-residence at the John F. Kennedy Center for the Performing Arts and has collaborated with the National Symphony as both a soloist and composer.

As an international collaborator he has performed by invitation in Europe, South America, New Zealand and Samoa. Tom earned the Artist-of-the-year award from Young Audiences of Virginia for his creative and educational presentations.

Tom Teasley
Tom Teasley

 

Tom Teasley's Drums
Tom Teasley’s Drums

His seven CDs have been greeted with international airplay and acclaim.

He has been the subject of feature articles in both “Modern Drummer” and “Drum!” magazines.

Please visit: www.tomteasley.com and for more information.

Tom Teasley
Tom Teasley

https://www.facebook.com/TomTeasleyMusic/

https://www.facebook.com/tomteasley

Colombia a Cradle of Salsa Talents

Latino America / Colombia / Medellin

1 Cradle of Salsa Talents “Medellín dressed up with the Guaguancó Salsa Fest”

On July 10, 11 and 12 in Medellín, 3 days of great experiences were lived, we were part of the 1st edition of a great festival, the Guaguancó Salsa Fest, developed in the beautiful town of Envigado.

We were able to see a gala of great talents of dancers from all over the country, from Cali, Bogotá, Ibagué, Barranquilla, Popayán and local schools.

From the first day we were able to demonstrate the professionalism of soloists, couples and groups, from the largest to the stars of the festival, the smallest, who left the audience in shock with their talent.

Semifinals and finals were full of high-level choreographic samples, steps, turns, cleans, tricks and the best acrobatics filled the afternoons of that weekend with a great show, equally full of parties for the local celebrations in Envigado. The most attractive categories were those guided by acrobatics, the well-known Cabaret, children and adults showed their best tricks, movements of great technique and high level of complexity.

In future editions we will be showing the great results of the competitors, academies that have been working to give the best of their talent in the national and international competitions to which they have a place.

Health Benefits of Dance

Europe / Romania / Galati

Health Benefits of Dance

Studies show that dance can help to lose weight, stay flexible, reduce stress, make friends, and much more. Discover the advantages of health and DANCE!

Many love to dance and follow the rhythm of the music on the radio. Others enjoy watching others dance.

The truth is, that dancing really has many benefits for health and well-being. Adopting a lifestyle where there are music and dancing is definitely healthy. But why?

Learn about the health benefits of dancing
Learn about the health benefits of dancing

Let us show you!

 

1.-  Reduce stress

If you’re feeling stressed out or anxious, you perfectly might want to invite a partner, turn up the music, and Salsa! Researchers have found that partner dance and musical accompaniment can help bring about stress relief.

 

2.- Boost memory

According to studies, dancing may boost your memory and prevent you from developing dementia as you get older. Science reveals that aerobic exercise can reverse volume loss in the hippocampus, the part of the brain that controls memory. The hippocampus naturally shrinks during late adulthood, which often leads to impaired memory and sometimes dementia.

 

3.- Improve flexibility

Those plies and arabesques that ballet dancers practice aren’t just for aesthetics — they also increase flexibility and reduce stiffness. You can skip the ballet slippers and still reap the benefits of ballet by practicing some simple stretches at home. Increasing your flexibility will help ease joint pain and post-exercise soreness.

 

4.- Help your heart

Dance is a great activity for those at risk for cardiovascular disease. People with heart failure who took up waltzing improved their heart health, breathing, and quality of life significantly compared to those who biked or walked on a treadmill for exercise, noted an Italian study.

 

5.- Diminish depression

Dancing really does lift your spirits, according to a study that tested the effects of dancing on people with depression. Patients who participated in an upbeat group dance showed the fewest depression symptoms and the most vitality. Got the blues? Grab a friend and go out dancing tonight.

 

6.- Balance better

If you are nervous about falling as you get older, some dance lessons might help ease your worries. Dancing requires a lot of fast movement and good posture, so frequent dancing will help you stabilize and gain better control of your body.

With info a Salud Cotidiana.

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International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.