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NOTICIAS CON SABOR MARCH 2022 by Luis Medina
Live music and other news in the SF Bay Area
I recently interviewed percussion phenom and timbalero for Santana, Karl Perazzo on my KPFA Radio program Con Sabor. He is quite a busy man…I caught up to him while he is in Las Vegas for rehearsals for Santana’s upcoming slew of shows at the House Of Blues. In addition to his busy schedule with Santana, Karl has other projects during his spare time that include the SF based all-star Salsa band Karabali as well as guest appearances with Salsa Caliente that kept him busy during the COVID. He also appears on occasion with fellow bongocero Jake Jacobs band VibraSON. On top of all of that, Perazzo also creates and manages his own line of jewelry.
Perazzo, a self taught musician who was drawn to the drum and Afro-Cuban music as a young child and started his musical studies at the age of 8. Karl is a phenomenal percussionist who plays masterful Timbales, Bongo, Congas, cowbell and an impressive array of percussion instruments. He has been a mainstay in the Santana band for the past 31 years inheriting the Timbales spot from the legendary Orestes Vilato. Perazzo is still going strong keeping the percussive fire burning on Santana’s latest recording Blessings and Miracles. The band will be launching a major tour with Pop legends Earth Wind and Fire later this year. He has his own signature line of Latin Percussion congas and bongos that he designed himself with a distinctive Dia De Los Muertos sugar skull theme to honor the ancestors.
Perazzo has previously performed with the greats such as Tito Puente who mentored him when he was a young kid along with another fellow kid phenom Gibby Ross. I saw Karl and Gibby playing with Tito on stage-what a sight to see! Karl also played with Sheila E. (as a member of her band in her emergence as a huge star in the 1980’s), Prince, Pete Escovedo, Dizzy Gillespie, Malo, Pacific Mambo Orchestra, Ray Obiedo, Andy Narell, Jorge Santana, Raul Rekow and many others. Perazzo also formed the popular SF based salsa band Avance which had a long run starting in the early 1990’s. The group disbanded in 2020. Karl has kept himself connected to his roots which is Salsa and Afro-Cuban music but has always kept his hear open to all types of music since his childhood. He credits his father who always encouraged Perazzo to push himself to be a complete percussionist, to learn how to sing and be a versatile performer.
Perazzo is now launching his own YouTube show “The Backstage Show” on the TBS Music Channel in the next couple of months which will focus on fellow creatives such as musicians, artists, chefs, writers and other notable individuals involved in arts and culture. Perazzo who is the host of “The Backstage Show‘ told me that the program’s mission is “to turn music into inspiration“. I asked Karl Perazzo what keeps him going. He told me “you have to have passion in whatever you do in life…whether it’s sweeping the floor or playing the drum”. You can feel that burning passion, inspiration and enthusiasm along with those great playing chops whenever you see him play live! You can catch up with Karl Perazzo by following him on Instagram under karlpperc.
Music Notes
Music Notes: Salsa superstar Luis Enrique and Peruvian salsero Josimar Y Su Yambu are the new headliners replacing Victor Manuelle on Saturday, April 9th at the Hyatt Regency Hotel in Burlingame. Promoters JC Coral and Bosco Vega are presenting the show which originally was scheduled for early February but was postponed due to COVID restrictions. The new lineup was announced earlier in February. For tickets, visit eventbrite.com, tickeri.com, ticketsparati.com or call 415-424-8809 or 650-218-0861.
Former El Gran Combo vocalist Charlie Aponte will be singing his original solo material as well as a slew of his great Gran Combo hits on Friday, April 6 at Roccapulco in San Francisco. Pepe Y Su Orquesta will be opening up the show brought to you by Jaffe Events. Roccapulco will also be presenting the red hot Combinacion De La Habana with a high energy six man vocal front line for their SF debut on Saturday, March 5th. CDLH is under the direction of Gerson Valdes, the nephew of iconic pianist Chucho Valdes and performs Timba mixed in with Reggaeton and Salsa Dura. This popular group is embraced by Cuba’s youthful fans and making fans everywhere.
Jaffe Events in association with MGD Productions will be presenting a dream Cuban music double bill featuring Los Van Van and Havana d’Primera with Alexander Abreu on Friday, May 6th at Berkeley’s UC Theatre, 2036 University Avenue. DJ Antonio will also play in-between sets. I have the honor of serving as the Master of Ceremonies of this special event. For Info and tickets visit www.jaffeevents.com.
Former Los Van Van vocalist Yeny Valdes and her band will be visiting the popular Fresquecito monthly party at La Furia Chalaca, 310 Broadway in Oakland on Saturday, March 12 at 10 pm. Yeny will be joined by resident DJ’s Walt Digz and Pepe Timba. For tickets, visit www.eventbrite.com
La Peña Cultural Center, 3105 Shattuck Avenue in Berkeley is featuring a special “Baila” community dance party on Friday, March 18th from 7 pm to 1 am with a multi-room environment featuring the explosive salsa of BrauLio Barrera’s Somos El Son with KPOO/KPFA DJ Jose Ruiz in the main auditorium. DJ Ron will be spinning Bachata in the lounge. Salsa and Bachata dance lessons by In Lak’ech Dance before the show begins at 7:30 pm. Tickets are already going fast. For tickets and information, visit lapena.org.
World Salsa Radio is presenting their second in a series of dance socials on Friday, March 25th at The Beat, 2560 Ninth Street in Berkeley. There will be dance performances by renowned Salsa dance troupes as well as Salsa lessons starting at 9 pm. The DJ music will be provided by WSR CEO Felipe “El De La Clave SF” Martinez and WSR co-founder Orlando DJ Boricua” Felix. Special guest DJ will be yours truly, Luis Medina of “Sabiduria Con Tumbao” starting my set at 10 pm.
Be sure to tune in on your laptop, phone or devices by visiting www.worldsalsaradio.com. It’s on 24 hours a day!
The Seahorse in Sausalito continues to showcase a variety of fine bands on Saturday and Sunday evenings starting at 5 pm. This month, the Seahorse features Julio Bravo’s 50+ Birthday Party with Julio and Salsabor 3/6, Rumbache 3/12, Edgardo Cambon and Candela 3/13, Anthony Blea & Friends and DJ Jose Ruiz’ Birthday Party 3/19, Louie Romero & Mazacote 3/20, La Clave Del Blanco 3/26 and Orquesta Taino on 3/27. The featured DJ is KPOO/KPFA’s Jose Ruiz. Great food, Beer and Wine are offered at this popular venue located across the Golden Gate Bridge at 305 Harbor Drive.
The Ramp, 855 Terry Francois Blvd near the water in San Francisco continues their popular Salsa Saturdays with N’Rumba 3/5, Orquesta Borinquen 3/12, Karabali 3/19 and Manny Martinez y Orquesta La Rebeldia 3/26. The shows start at 5 pm and feature DJ Mendy in-between the sets.
San Francisco’s The Cigar Bar on 850 Montgomery Street is continuing their hot Friday and Saturday night live Latin music schedule in March. This month, they are presenting Manteca, 3/4, Pepe Y Su Orquesta 3/5, The Latin Rhythm Boys 3/11, Josh Jones Latin Jazz Ensemble 3/12, Julio Bravo y Salsabor 3/18, La Clave Del Blanco 3/19, Somos El Son 3/25 and Edgardo Cambon y Candela 3/26. Enjoy the classic surroundings, the patio, the fine food, cigars, drinks and the swinging music at the Cigar Bar.
Promoter/DJ Bosco Vega is also opening a new local night spot Gustoso at the Atlas Lounge, 637 San Mateo Avenue, San Bruno on Sat. March 12th featuring Salsa, Bachata and Timba by DJ’s Franklin, Antonio and Bosco himself!!
Remember you can catch my radio programs Con Sabor (in its 25 anniversary year) on KPFA 94.1 FM and kpfa.org Saturday nights 9 to 11 PM PST & Sabiduria Con Tumbao on Wednesday nights 5 to 7 PM PST on WorldSalsaRadio.com.
That’s it for this time! Ciao 4 now!!
BY LUIS MEDINA, PRODUCER AND HOST OF CON SABOR ON KPFA 94.1 FM AND SABIDURIA CON TUMBAO ON WORLD SALSA RADIO.COM
Panama, its music and performers and its best places for Salsa dancing
Panama is a country located on the isthmus linking Central and South America. The Panama Canal, a famous landmark of human engineering, crosses its center and links the Atlantic and Pacific oceans to create an essential maritime route.
In the capital, Panama City, modern clubs, casinos and skyscrapers contrast with the colonial buildings of Casco Viejo and the jungle of the Metropolitan Natural Park.
As every country also has its native music, La Murga is a musical genre performed by street groups, used mainly in carnivals in different provinces of Panama. La Murga was created by local musician Manuel Consuegra Gómez.
Murgas generally include the interpretation of songs in chorus, with voices accompanied by percussion instruments. These groups also have dancers who perform steps characteristic of the genre, including jumps and other acrobatics.
“Hey, let’s dance the murga
The murga of Panama
This is an easy thing
And very good for dancing
Ay tu tienes un caminao
That has me upset
And when you dance La Murga
Hey mamita how good you are
Murga pa’quí, murga pa’llá
(This is the murga of Panama)” Composers: Willie Colon / Hector Lavoe.
This country has produced important musicians, singers, composers and sportsmen linked to Latin music.
Camilo Azuquita, Gabinete Pampini, José Luis Gracia “Chino Garcia”, to name a few.
To name a few.
Composer Aceves Núñez, accordion player and singer of typical Panamanian music.
Ricardo Fábrega composer of “Taboga”, Carlos Almarán composer of the song “Historia de un Amor”, Erika Ender author of the song “Despacito”, renowned composer Omar Alfano, Franciasco Buckley, Busch y sus Magníficos, pioneer of salsa in Panama.
Raúl Gallimore, Rubén “Yindo” Rodríguez, Manny “Bolaños, Papi Arasomett.
Some years before Blades arrived in New York (the city where he became known), figures such as Miguel Barcasnegras better known as Meñique, Victor Paz, Emilio Reales, Mauricio Smith and many others were struggling among the greats of this type of music in the big city.
All of them, making their way and making a breakthrough to achieve, based on pure talent, a privileged place for Panamanians in the musical environment, where at that time the Cuban and Puerto Rican presence dominated.
Roberto Delgado, Salsaswing, who recently recorded with Rubén Blades, is also Panamanian.
Later on, already in the movement of what was officially baptized as salsa, the most outstanding names are Francisco Buckley, better known as Bush, Roberto y su Zafra and Toti Pino’s Los Excelentes; Orlando Barroso and Los Salvajes del Ritmo, the group where Rubén Blades’ career began, also have their distinction.
All of them, making their way and making a breakthrough to achieve, based on pure talent, a privileged place for Panamanians in the music scene, where at the time the Cuban and Puerto Rican presence dominated. The future of salsa in Panama is promising.
Cartographer Ernesto Jiménez points out that the combination of music, talent, promotion and public acceptance opened the door for maestro Omar Alfano to become, without a doubt, one of the most successful composers. La Kshamba, Sociedad Anónima, Orquesta Yaré, Roberto Delgado, Soundcheck, La 507, are just some of the good salsa orchestras in Panama.
Women are not left behind, singer Anita Barroso stands out with her talent and defends the place of women in the Panamanian salsa scene; while singers Luis Lugo, Tony Flores and Victor Jaramillo, are making their way in their careers choosing salsa as their source.
Musicians like Ricky Salas and maestro Danilo Pérez found in salsa and in their country, the ideal base to develop their successful careers. Others became allies of salsa; announcers such as El Capitán Luis Gooding, Erick de Icaza, El Gigante de la Salsa; Jimmy Dawson; Moisés Rodríguez; El Lobo Edy Molina; Johnny Salsa; Eddie Vázquez and Valentín Ortega, among others, have defended the genre through the radio waves and, in some cases, venturing out as entrepreneurs.
The initiative to talk about Panama and its people linked to salsa is great and I know that it is not easy to touch on several aspects in an article.
One of them is the Barrio El Chorrillo, for all that it represented for Ismael Rivera, practically to turn his life around.
Sorolo was a protagonist of this, famous for his fried fish and his friendship with Maelo.
Sorolo, Mery and Cuñón, people named by Maelo in his proclamation of El Nazareno, who accompanied him to carry the Negrón.
Another important character of El Chorrillo is Mano’e Piedra Duran, who thanks to fame and money, made an orchestra, “Alegria”. Where he has an active business where salsa is always present.
External references:
Sources consulted
WhatsApp group: SalsaGoogle
Lluís Enric Mayans
@lluísenricmayans
Dumas
Website: El Karoeke 50
Facebook: El Kareoke 50
Article of Interest: Anacaona Areito de Anacaona ‘Flor de Oro’ (Golden Flower)
Get Through March With Latin Atmosphere And Sound
France is ready to enjoy Latin events during the third month of the year
Covid-19 and its multiple variants have already ceased in France and that is why this European country is ready to start enjoying Latin events during this third month of the year. So don’t miss the details of each of the Latin parties that we bring this month dedicated especially to you.
Mulatason & Alfredo Buendía Y Los Picaflores
(Salsa / Mambo)
Join and enjoy the end of this winter in the country with the Latin concert of the female group Mulatason and the band with the singular joy of Mambo Alfredo Buendía y Los Picaflores, this Saturday, March 5th at 9 PM at 3 Rue Ferdinand Buisson, 82000 Montauban, France Association Le Rio. Try to pre-sale tickets for € 20 because the price at the door will be € 24 per person.
And for those who still don’t know Mulatason, here I make a summary of their history. This orchestra formed in September 2013 by its director Yarelis Martínez Chávez is made up of five women with harmonious voices, and their music is a mixture of dance rhythms that range from Salsa through Timba and ending with the traditional melodies of the island of Cuba. Their popular and peculiar choreography called “Rikiti” has been their hallmark that they have managed to spread across large national and international stages.
The orchestra is made up of nine talented artists residing in Havana (Cuba) who graduated from higher art schools. Each member of the band is no older than 25 years old and they have a repertoire of original compositions.
Mulatason “Las Princesas de la Salsa” returns to Europe to present their new album No Vale Rendirse celebrating almost nine years in the art scene.
On the other hand, and for those who have not heard before about Alfredo Buendía y Los Picaflores, below I will tell you a little about them. This project of seven musicians was born on an afternoon in December 2016 in order to have fun on stage, make a type of music that injects energy into the audience, and transports joy and light madness to the spirit.
Alfredo Buendía (Lead Vocals – Trumpet 2) was returning from three years as a Jazz crooner in Rio de Janeiro (Brazil), he wanted to bring something new, interesting, and different to the artistic scene in France since he had become accustomed to the type of show that it’s made in America. Also, he wanted to play rhythmic and deliberately festive music like the one he had been listening to for a long time-El Mambo by Pérez Prado-with its history from Cuba in the 1950s to Mexico.
This bewitching goal materialized with Pierre Levy (Tenor Saxophone), Jonas Chirouze (Drums), Clément Lefèvre (Trumpet), Hugo Lebeau (Congas), Guillaume Pique (Trombone), Youssef Ghazzal (Double Bass), and Alfredo Buendía managing to create El Mambo a novel concept between Afro-Latin music and jazz little explored on the French scene.
Le Balajo
(Salsa / Bachata)
Le Balajo nightclub open since 1936 brings Salsa and Bachata classes every Tuesday from 7:30 PM to 2 AM for beginners and intermediate level dancers. Salsa lessons for amateurs start at 7:30 PM while intermediate level classes begin at 8:30 PM followed by a Latin party hosted by DJ Karim until 2 AM.
Remember that to access the club you must present a Vaccination Certificate (Required) and an identity document.
The fees to attend this weekly event of joy and good humor are €8 and include non-alcoholic drinks and €12 if the drink is alcoholic, but if you just want to enjoy the bar and its atmosphere, the admission is €5.
La Pachanga
(Salsa)
The Bar/Restaurant/Club La Pachanga is a place of reference for Salsa lovers, it is located in Paris at 8, rue Vandamme 75014. This club is designed with a cozy and Caribbean style. At the bar, you can enjoy different types of cocktails, Mojitos, Caipirinha, or Cuba Libre, just as they offer only Latin American dishes at the restaurant.
At Pachanga, you can attend classes for beginner and intermediate levels from Tuesday to Saturday from 7:30 PM to 8:30 PM with different instructors who will make you live an hour of Salsa Cubana and Salsa Puertorriqueña dance.
Latin Music Bonus In France
On Friday, March 18th, you can enjoy the Soireé Mix Latino “La Calle” event from 4 PM to 9 PM at Bar Le 3 located at the French city and commune Valence at 4 rue André Lacroix. This bar has a tropical atmosphere with living rooms with sofas and armchairs as well as a cozy and warm decoration. It also has a selection of 30 cocktails and a permanent musical atmosphere with a selected playlist of Jazz and other genres.
And the last Latin Music Bonus in France that I bring you for this edition is the Fiesta Latina Metz to be held on Friday, March 26th. This festival will offer you two workshops (Salsa and Bachata), in addition to having fun with the rhythm of Cuban Salsa, Dominican Bachata, Sensual Bachata, Kizomba, and other Caribbean melodies. There will be big parties with DJ Will, DJ Papy Culio, and DJ Kylian starting at 9 PM and ending with seven shows from 11 PM to 3 AM. Fiesta Latina Metz will have three rooms (Salsa/ Bachata/ Kizomba) and the prices to attend vary by combo: one workshop + evening: €12, while two workshops + evening: €20, and if you just want to attend to enjoy the shows the ticket has a value of €7. Fiesta Latina Metz will take place at the Quai Sablon Social and Cultural Center at 1 bis rue Castelnau 57000 Metz.
Pedro González
Musician, Instructor, And Pioneer Of Salsa Casino In Venezuela
“If people dedicate themselves to this, it is because we are doing it well.” This nice phrase arose from the pleasant and attractive telephone conversation about the history of the pioneer of Salsa Casino in Venezuela, the charismatic Cuban-Venezuelan musician and instructor Pedro González.
This affable musician and Salsa Casino instructor told us that he carved out his career from a very young age. He was born in Havana (Cuba) in 1966 and began his musical studies at the National School of Arts in the Havana capital at the age of ten, graduating in the specialty of Guitar (Short Course of 8 years) in 1984.
He comes from a musical family, his grandmother was the soprano Rosa “La China” and his mother (teacher and school principal) Zoe Portuondo Suarez, a distant relative of the singer Omara Portuondo.
“…Since I was little I liked to dance, I would dance everywhere. I learned with my cousin… I went to places like Playa… Besides, my mother danced a lot and my grandmother was a singer and she was also linked to the world of art…” Pedro commented.
His first job was as a music teacher in the Pinar del Río city, three hours from Havana. A short time later, he joins the Caranday group, and they play Son Cubano every night at the luxurious Hotel Nacional De Cuba.
After 45 days from his first presentation with the group, they meet the Venezuelan businessman Martín Gutiérrez, who takes them to Venezuela in 1993 to perform at private parties in the Falcón state.
Due to the few opportunities he had in Cuba, he decided to stay in Venezuela and formed the Latino Son band, made up of four Cuban musicians, and in turn began to be members of the Tropicana-style Cuban Fiesta Magazine (Show with a range of musical genres, interaction with guest singers, and dancers) in nightclubs of the Capital.
In Moments of pause with the musical magazine (1997), he undertook a tour with the Latino Son group with whom he traveled for almost all of Venezuela and toured the main stages of large national festivals such as La Feria del Sol (Mérida), Feria de San Sebastián (San Cristóbal), and La Feria de la Chinita (Zulia) among many others.
“We played permanently at La Giralda… At La Giralda we organized a party playing the Cuban Timba, then, there they called us “The Cuban Orchestra” in 1996, 1997, and 1998…”
During the ’90s and already residing in Venezuela, Pedro became the first Salsa Casino instructor in Venezuela without planning it as a life plan, and in 2000 he founded his homonymous academy that has graduated thousands of fans of this style of salsa dance.
Dancing is one thing that keeps you active. That is good for the body. If you have a problem in two hours or an hour and a half dancing you forget it. For my part, I like to teach… And, I like people to have fun.” Pedro González
History And Evolution Of The Academy Dance
One night at the end of the 90s, Pedro along with his friend Milan (Medical and Countryman) began to remember the Dance of the Casino in La Giralda (old venue to listen to live music and enjoy various drinks on the Boulevard de Sábana Grande – Caracas) after his customary presentation with the Latino Son group.
Both began to stand out on the dance floor with the genre of La Timba and for a way of dancing Salsa different from the one practiced in Venezuela. “We began to dance with two Venezuelan girls in the Rueda style (which was not a Rueda because there must be 3 couples)… I began to say Milan “Give me one”, “Plugin”, “The Hat”, and we began to dance the Casino Style”. Pedro “El Cubano” told us between laughs during the interview.
The two ladies were so impressed by that way of dancing that they did not hesitate for a moment to ask Pedro for dance lessons. After so much insistence, “El Cubano” agreed for the first time to give Salsa Casino classes in the capital of Venezuela in an improvised and reduced space with his first five couples. “I am from the Cerro municipality, which is the closest to Old Havana. I used to go to Playa (Municipality of Havana) a lot to dance and I learned many dances and turns…”
And so Salsa Casino began spontaneously in 1999. By the following year (2000), Pedro had 20 couples and a larger room to teach.
The evolution of him in his rise during this year was impressive. Due to the influx of students, he began to teach in the blue auditorium of the Faculty of Economic and Social Sciences (Faces) of the most prestigious University in the country, the Central University of Venezuela (UCV) through Reinaldo Mijares, Director, and choreographer of the contemporary dance “Mudanza” attached to this institution and where González assures that this movement grows.
From there, he gave way to the Casa Monagas club, a place located in the Las Acacias sector (west of Caracas) behind the UCV with the capacity to hold up to 1,000 people. Here, Pedro’s students had more space to rehearse, and Salsa Casino Parties began to be organized monthly.
With this overwhelming success, the creation of the Academia Salsa Casino in Caracas was imminent. It had massive attendance, national impact with graduate students, and attendance at national and international festivals such as Curacao Salsa Tour, Festivals in Cuba, and an amazing show at the Amador Bendayán Theater.
With more than 20 years of teaching Salsa lessons, Pedro has graduated more than 2000 students and changed its name to Academia Pedro González. It currently has five locations: Sábana Grande (main location), Chacaíto, San Antonio de los Altos (Los Teques), Capitolio, and El Cafetal.
The classes are aimed at children and adults. The call is open, so you can sign up without a partner and don’t worry because the essence of the Rueda remains. The estimated graduation time is three years with four basic levels, four intermediate levels, six advanced levels, you will also receive a triple casino level, two dance technique levels, and to complete the process a final choreographic exam is done.
Every dance lesson is fun because of Pedro’s ability to teach. The names of each step such as “Pégale un Cacho” are adapted to the colloquial vocabulary of the Venezuelan so that it is easy and fast to learn.
Due to Covid-19, the Pedro González Academy makes the use of the mask and antibacterial gel an essential requirement for permanence within the institution, as well as reducing the maximum number of couples per level to only ten.
At the main headquarters, there are four instructors. One of them is Vanessa Lovera, a graduate instructor from the academy. For Pedro, she has been unconditional support in difficult moments of the institution. Vanessa teaches Salsa Casino and Ballroom Dance. You can also find her at the El Cafetal headquarters, but if you prefer the main headquarters, the address is as follows: Sábana Grande Boulevard, Fénix building, 5th floor, next to the Gran Café.
For this 2022 and if there is a return to normality, the Cuban instructor and musician residing in Venezuela hopes to resume the lost spaces in Caracas such as discos, nightclubs, presentations in theaters, once again hold large Salsa Casino parties in large rooms, the return of national competitions, and the continuation of the training of instructors in person (it is only online currently).
Casino Dance Or Salsa Casino?
According to the friendly instructor Pedro González, the origin of Salsa Casino on the island of Cuba has a unique story that begins like this…
Since 1956 numerous Cuban orchestras have been registered that played very popular and contagious musical genres such as Cha Cha Cha, Guaracha, Mambo, and Son. Rhythms that invited the young inhabitants of Cuba of this time to just want to dance and have fun all night with these melodies, but they not only wanted to do it with their partners but also with those of their friends, acquaintances, and strangers. However, for this decade that was not allowed because the rules of the strict and conservative society dictated it.
In this way and with the pursuit of that goal, the gentlemen created this style of dance. A style that did not require constant practice and where partners could be exchanged using keywords such as “Plugin” to perform the movement and for the theory to be carried out perfectly without altering society. The place where this event was recorded was Casino Deportivo, a private summer vacation club located in the Miramar residential area in Havana.
“We (in Venezuela) call it Salsa Casino because it is the commercial name already used in the United States. In Europe they call it Salsa Cubana, but the original name is Baile Del Casino”. Pedro Gonzalez
That is why at the end of 1950 this style of dance began to be generated that people internationally associate with the style of gambling performed in a Casino because it is a dance in Rueda.
The popular expression of most people in Cuba every time they saw this peculiar way of dancing was to say “Ah! But you are dancing like the people of the Casino (Casino Deportivo Club)” that each day was shortening the expression until reaching the Baile Del Casino.
The peculiarity of this dance style is that it does not have a musical genre, that is, no melody that identifies it. For example, a Danzón is danced with the music of the Danzón, the same happens with the Cha Cha Cha, Mambo, Son, and Bolero. There is no rhythm called Casino, therefore this style acclaimed in the world and preferred by Cubans began with the music that existed in this glorious decade of the ’50s.