Search Results for: Salsa music

Tromboranga Will Visit America And Europe With Their World Tour 2022

France, Norway, the Netherlands, and the United States will be some countries that will dance to the rhythm of Salsa Dura

Músicos: Joaquín Arteaga, Diego Coppinger, Freddy Ramos, Rafael “Madagascar” Arciniegas, Lorenzo “El diablo” Barriendos, Vladimir Peña, Albert Costa, Miguel Moises, Oriol Martínez, Climent Campa.

With the solid and unmistakable sound of the trombone & percussion sections and the strong influence on Salsa from the 60s and 70s, Tromboranga with their Hot Salsa will visit France (Festival Corazón Latino 2022 – Bordeaux), Norway (featuring the trombonist, Jimmy Bosch at Kafe Sync – Oslo), the Netherlands (Summer Breeze Latin Night 2022 – Amsterdam), Spain (Pamplona and Barcelona), the United States (The Great Colombian Festival Miramar – Florida), and Ecuador (Guayaquil ) with its World Tour 2022 from May to September.

The friendly musicians residing in Barcelona (Spain) will offer a series of performances to captivate Latin audiences in Europe and America to celebrate their tenth anniversary on the music scene.

The orchestra will play all their hits including Agua que va caer, Alabanciosa, Humildad, Mi china Colombiana, Ah Caraj, Palo pa’ la campana, Charrupi, Como la marea, Sangre sudor y Salsa, Esclavo de tu apariencia, Que linda que estás, likewise the nine unreleased songs from their album Te voy a contar, released to the Salsa scene in 2019.

Te voy a contar has the participation of the Jazz and Salsa master, the trombonist Jimmy Bosch in the song Te perdono. Oscar Hernández (the Spanish Harlem Orchestra leader and winner of several Grammy awards) arranged the Latin Jazz theme, Sal de la Cueva. In addition to this, Huracán no me tumbas (dedicated to the Island) was recorded in Puerto Rico, and they shared voices with one of their idols from the Fania All-Stars, Ismael Miranda.

The followers of Tromboranga call themselves “Salseros Tromborangueros”.

During the pandemic in 2020, Tromboranga http://www.tromboranga.com/en continued with their new record production Salsa Terapia. Melodies such as El cuero del tambor, Devuélveme mis discos, Pachanguera y El mundo al revés are part of this album that has gone viral in choreographies on social networks in addition to being reproduced as multimedia content by Latin radio stations around the world.

“Our success is the dedication and love in selecting the songs, most of them are my authorship, I carry out the general production and the concept of each album”, said the Venezuelan musician Joaquín Arteaga (Director of the orchestra and known for his extensive career as a percussionist and Timbales expert).

In 2021, this Salsa Dura orchestra released the single “Baila Africa” sharing with African artists such as Msaki (voice of the promotional theme) while they toured South Africa (2020). The authorship of this salsa melody was in charge of the leader of Tromboranga, Joaquín Arteaga.

Telling a little about their history, the orchestra made up of ten Latin and European musicians released their first studio album in April 2012 titled Salsa Dura, rated among the top ten of that year by DJs, dancers, and specialized bloggers of the genre.

The stellar and Sabrosa Salsa reunion will be from May to September.

In 2013, Tromboranga recorded Al Mal Tiempo Buena Salsa, rewarding them with their first international tour in Europe and Latin America. During that same year (November 2013), they released the Special Edition Vinyl “Solo para Coleccionistas Vol. 1” exclusive for 300 people.

The sum of the rest of their recordings reaches a total of five albums published in successive years: Como La Marea (2014), Sangre, Sudor Y Salsa (2015), Golpe Con Melodía (2015), Tumbando Fronteras (2017), Una Noche En Bangkok (2018).

Cuban singer Daymé Arocena and her pride of being Afrocuban

This is our conversation

Here we are with Cuban artist Daymé Arocena who lives now in Canada. How are you, Daymé? Nice to meet you and great to have you here today.

Hello, nice to meet you. Thank you very much for the invitation. It is my pleasure to be here talking to you.

I understand that your musical career started at the age of eight. What made you start walking this path? What was the experience that made you make that decision?

I never made the decision to become a musician. I think it was part of the package. I never said that this is what I wanted to do because I’ve always done it. From the age of eight, my parents began taking me to music lessons and preparing me to came to the art and music school and the conservatory of music. I started singing with the choir in the community of 10 de octubre, where I came from. That’s how I started performing and getting up on stage as a soloist of a choir.

Daymé Arocena was born in Havana, Cuba

Considering that you come from a musical family and that music was always present at home, I imagine that also influenced your interest in making a career of it.

My family is profoundly musical, but they are not professional musicians. My dad is a music lover, but he is not a musician. My mother is a health care worker, qualified as a child cardiovascular surgeon. Actually, these are people who have a very nice sensibility for music, but they are not professionally dedicated to it.

I grew up in an intense environment. My house had many people; when I was born, there were already 22 people living at home, but some of them found more comfortable spaces to move and we became a family of 14. I was born in the 90’s, which was when the big crisis occurred and big power cuts were more frequent. There were electricitiy for very few moments during the day, so we couldn’t listen to the radio or TV. Then, my uncles and cousins kept singing, so I grew up watching the family sing and dance. In fact, several of my cousins today are folk musicians who went on to play in various traditional musical groups. It was a deeply spontaneous issue. I saw people enjoying and trying to alleviate the sufferings and shortages they were experiencing.

I imagine that musical and artistical growth in this context was very difficult. What challenges did you face in Cuba in becoming the artist you are today?

The mere fact of being born in Cuba is a challenge, but I had to face things beyond the fact that I was born on an island ruled by a dictatorial regime and all that that means. There was a lot of deep racism and a way to slyly to deal with social classes. For all these years, I have tried to purge my energy of resentment and pain caused by the situation and turn all these feelings into light and creativity. In my case, A lot of things happened like feeling uncomfortable in my own skin and not knowing how to deal with my skin color, my hair and my race. Today, I am deeply proud of my blackness and defend it to the death, but I went through a very hard and aggressive process before that.

The young and not so young prople have to know that you can make art and music through your own essence without having to please the eyes of a few.

So you would say that those things that were an obstacle are now part of your cover letter.

Totally. And proudly, too.

Daymé is deeply proud of her blackness

After leaving Cuba

When you left Cuba, what kind of support did you receive? What was the hardest moment?

Although I’ve spent years touring and working for years, I made the decision to leave Cuba a couple of years ago. I received a lot of international support that made my music visible, but it started playing long before I left my country. In Cuba, there is a control mechanism for artists consisting on a permit issued by the minister of culture to be able to practice that profession.

You can graduate from art school with full honors in the world, but that’s irrelevant because you graduate to be a music teacher, not a musician as such. In order to go on stage and get paid for your work, you need a permit issued by the Minister of Culture himself. To get it, you have to go through a lot of bureaucratic barriers such as commissions, auditions, among others. I didn’t have that permit to sing and profit from my singing when I met the record label that launched me as an artist. One day, I was singing in a deeply underground space without anyone’s permission. When I started to sneak into those spaces, my mom always told me to sing with energy because I never knew who was going to listen to me.

One day of those, a person named François Renié was watching me from the audience. This man was the creative director of the Havana Cultura platform. At that moment, they asked me to make a record with international DJs and singers. They invited me to do a casting, I showed up there, was selected and recorded the album despite not having permission to sing. When I was invited to the realease of the record in England, I showed them the music I Wrote and they offered me to sign with them officially.

You have been compared to Celia Cruz, Nina Simone and other artists of this stature because of your style, what do you have to say?

I had no idea who Celia Cruz was and it’s something I’m ashamed of. When I was compared with Celia Cruz, I wondered who she was. I think I really knew her following those comparisons.

Daymé thinks new generations have to know who Celia Cruz was

I think it has to do with that idea of homogenizing Cuban music into one thing. It was when I was compared with Celia that I started to find out about her and knew that she was the most universal of Cuban artists. She had a phenomenal way of petforming, transmitting, impacting and being as authentic. Musicians who do have access to Celia must do their utmost to let the new generations know who she was. If they can’t listen to her on the radio or TV, they can go online to listen to her and find out who La Guarachera de Cuba was.

How do you think Canadians perceive your music?

I have done very few concerts in Canada as a soloist. In fact, I’m not even there at the moment, but in Puerto Rico. I can’t provide an overview of how Canadians perceive me, but I do think that they are super friendly, docile and open to all kinds of music. They appreciate, dance and enjoy whatever you play. I must thank my ancestors for the expansion of my music beyond the Canadian framework, so I don’t rely on that market for a living.

Do you plan to stay in Puerto Rico permanently?

I came to Puerto Rico to record my next album. I’m super happy and honored to be able to do it on this island so similar to mine because it has so much culture and colorful art. Here, I found the industrialization and visibility that Cuba doesn’t have. I still don’t know if I’m going to stay here for the rest of my life, since Canada enters into my plans in some way, but this is the stage I must live now.

Daymé Arocena is now living in Puerto Rico and recording her new album

Incredible conversation with Felipe Martínez about his career in the SF Bay Area

Here is the conversation

We are here with Felipe Martínez. He is a dance instructor, broadcaster and event organizer. Good afternoon, Mr. Martinez, how are you today?

Very good afternoon. Thank you very much for the invitation.

How did you start your way in the world of music? Did you do it in your native Colombia or there in the United States?

It officially started officially here in the United States, but Colombia also played an important role in this process. In my country, I played soccer and many of my football buddies came from the coast or north of Colombia. I am from the center of the country in Bogotá. When it was our turn to meet in the bus that would take us to our place of practice, each one of them carried a cassette tape to listen to salsa or music from the Colombian Caribbean. That is how I was gradually introduced into the world of music and got interested in salsa and Caribbean music, but I grew up listening to rock and pop.

Felipe Martínez in his studio

So, we can say that your taste in music started in Colombia, but you developed professionally in the United States, is that right?

That is correct. When I came to the United States, I started dancing professionally.

You started working as a dance instructor and then as a DJ when you arrived in the United States. Meaning that you had no experience in these things from your country, but you gained it in your new country of residence.

That is right. In the case of locution, I worked as a radio host for about three years in Colombia. I hosted a show with my friends while attending high school, but we were dedicated to rock because it was the genre I listened to the most. When I came to the United States in 1998, I started dancing, working with several dance companies, and studying for a while before I started teaching, so it did not happen immediately. I studied for about four years, and after that, I decided to teach. As for my work as a DJ, that almost happened immediately. In 1999, I started making music in a little club called Café Caracas in Berkley. It was by pure chance because the hired DJ didn’t show up, so the owner of the club asked me to play for a while to cover that space. I replied yes, so I started playing music that night and it all worked out. They proposed me to keep doing it permanently, I accepted and that’s how my career as a DJ began.

Luis Medina told me in his interview that he is sometimes forced to play music he doesn’t really like, but it’s what the public wants. Apart from salsa, what other genres do you play or mix?

Salsa is just a general term for all these rhythms we have. I usually mix salsa with bachata, merengue or cha cha chá. However, I don’t usually include reggaeton in my repertoire despite its popularity.

Felipe Martínez in his work as a DJ

How World Salsa Radio started

How did World Salsa Radio start? What drove you to found it?

Worldsalsaradio.com (www.worldsalsaradio.com) started as an adventure alongside a friend at another radio station. The main idea was to educate listeners about the history of records and what they include such as singers, artists, musicians, etcetera. These days, you buy an MP3, but all you can see is the name of the song and the picture, so you lose all the album information such as credits, recording place, among other details.

In my travels around the world, I have known many DJs, whom I contacted when this project started to get them to this station to do shows. Remember that the main objective was to educate the public, then, the guy with whom we started the station took a different path because we had artistic differences, so we decided to separate.

That’s how World Salsa Radio started. During the pandemic in 2020, I was here at home for about three or four months arranging everything. I invited two other friends from the Bay Area, one of them was DJ Orlando Felix, DJ Boricua, and Ivette Fuentes, DJ La Coqui. The three of us started shaping the idea of World Salsa Radio with the same goal of educating as in the beginning. I take care of all the technical part, invite DJs to play, teach them to use the software and tell them what to say. We are already 27 DJs from all over the world and, at the moment, DJ Boricua and I are the ones who run the station.

Indeed, you have DJs from the five continents. How did you manage to unite them all in the same project?

I think the idea that brings us together is the goal of educating the public that listens to us. We want to play great music, but we also want to educate people about what we play. This is something that attracks music collectors because all that information is being lost due to the digital age. I know many who are on World Salsa Radio in person, but I heard the rest of them by other means such as a Facebook Live or YouTube. I contact the ones I like, we exchange ideas and it is explained to them what they should do.

Cuban singer Omara Portuondo and Felipe Martínez

What have been the most noticeable differences in the team?

Each DJ has a different style. We all have a different style even though we are playing Afro-Latin music. Everything played here in California is very different from everything played in Lithuania. Although we all collect the same music, everyone plays it differently.

How dod the public receive World Salsa Radio?

At first, the audicence reception was very small. The first month, we had barely 300 listeners, but we have a very large group of listeners who stay tuned to us despite the time. There are about 100 listeners who are permanently connected with us. We started the project during the pandemic, which was very good for us because everyone was home. So, people who enjoy this music, dancers or musicians listened to our shows on a recurring basis. Two years later, there are already 16,000 people who tune us in every month.

There are many people supporting us without any profit motive because we do this for free. No one is paying us to move the project forward, so we are financed by donations. We also have great support on the advertising side, which has helped us grow.

World Salsa Radio is now ruled by Felipe Martínez

As a dancer and instructor, what do you think people are most passionate about in your classes? What rhythms do they enjoy the most?

As to how I teach, I use percussion much. Since I play the conga, I use this tool to give my classes. I try not to give so much importance to numbers. Many instructors use counting to teach their students, but I try to keep out of it and use percussion. For example, I use the clave and the tumbao.

I think this method works best. If you go to a club with an orchestra playing, the singer is not going to be counting on you to dance, he’s going to be focused on making his music and providing entertainment. For the same reason, you must learn to follow the music without counting.

What have you done to balance all your activities in music?

My activities are linked, but they are separated at the same time. My personal projects have nothing to do with World Salsa Radio. However, when an event invites several DJs from the station, the World Salsa Radio logo joins that production. However, I try to take things apart most of the time.

Your pages, social networks and links to financially support the station.

You can find all the information through worldsalsaeradio.com. In the main part, there is a button that says Donations, which takes you to the station’s PayPal account. People can donate whatever they want to help us, but nothing happens if they can’t. In that case, they can spread the word about the station. In that case, they can show what we do through their social networks and give us publicity.

Felipe Martínez does not combine his activities

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North America – May 2022

NOTICIAS CON SABOR MARCH 2022 by Luis Medina

Live music and other news in the SF Bay Area

I recently interviewed percussion phenom and timbalero for Santana, Karl Perazzo on my KPFA Radio program Con Sabor. He is quite a busy man…I caught up to him while he is in Las Vegas for rehearsals for Santana’s upcoming slew of shows at the House Of Blues. In addition to his busy schedule with Santana, Karl has other projects during his spare time that include the SF based all-star Salsa band Karabali as well as guest appearances with Salsa Caliente that kept him busy during the COVID. He also appears on occasion with fellow bongocero Jake Jacobs band VibraSON. On top of all of that, Perazzo also creates and manages his own line of jewelry.

Perazzo, a self taught musician who was drawn to the drum and Afro-Cuban music as a young child and started his musical studies at the age of 8. Karl is a phenomenal percussionist who plays masterful Timbales, Bongo, Congas, cowbell and an impressive array of percussion instruments. He has been a mainstay in the Santana band for the past 31 years inheriting the Timbales spot from the legendary Orestes Vilato. Perazzo is still going strong keeping the percussive fire burning on Santana’s latest recording Blessings and Miracles. The band will be launching a major tour with Pop legends Earth Wind and Fire later this year. He has his own signature line of Latin Percussion congas and bongos that he designed himself with a distinctive Dia De Los Muertos sugar skull theme to honor the ancestors.

Karl Perazzo and his instruments — Percussionist and timbalero for Santana Karl Perazzo

Perazzo has previously performed with the greats such as Tito Puente who mentored him when he was a young kid along with another fellow kid phenom Gibby Ross. I saw Karl and Gibby playing with Tito on stage-what a sight to see! Karl also played with Sheila E. (as a member of her band in her emergence as a huge star in the 1980’s), Prince, Pete Escovedo, Dizzy Gillespie, Malo, Pacific Mambo Orchestra, Ray Obiedo, Andy Narell, Jorge Santana, Raul Rekow and many others. Perazzo also formed the popular SF based salsa band Avance which had a long run starting in the early 1990’s. The group disbanded in 2020. Karl has kept himself connected to his roots which is Salsa and Afro-Cuban music but has always kept his hear open to all types of music since his childhood. He credits his father who always encouraged Perazzo to push himself to be a complete percussionist, to learn how to sing and be a versatile performer.

Perazzo is now launching his own YouTube show “The Backstage Show” on the TBS Music Channel in the next couple of months which will focus on fellow creatives such as musicians, artists, chefs, writers and other notable individuals involved in arts and culture. Perazzo who is the host of “The Backstage Show‘ told me that the program’s mission is “to turn music into inspiration“. I asked Karl Perazzo what keeps him going. He told me “you have to have passion in whatever you do in life…whether it’s sweeping the floor or playing the drum”. You can feel that burning passion, inspiration and enthusiasm along with those great playing chops whenever you see him play live! You can catch up with Karl Perazzo by following him on Instagram under karlpperc.

Music Notes

Music Notes: Salsa superstar Luis Enrique and Peruvian salsero Josimar Y Su Yambu are the new headliners replacing Victor Manuelle on Saturday, April 9th at the Hyatt Regency Hotel in Burlingame. Promoters JC Coral and Bosco Vega are presenting the show which originally was scheduled for early February but was postponed due to COVID restrictions. The new lineup was announced earlier in February. For tickets, visit eventbrite.com, tickeri.com, ticketsparati.com or call 415-424-8809 or 650-218-0861.

Luis Henrique performing — Luis Henrique on stage

Former El Gran Combo vocalist Charlie Aponte will be singing his original solo material as well as a slew of his great Gran Combo hits on Friday, April 6 at Roccapulco in San Francisco. Pepe Y Su Orquesta will be opening up the show brought to you by Jaffe Events. Roccapulco will also be presenting the red hot Combinacion De La Habana with a high energy six man vocal front line for their SF debut on Saturday, March 5th. CDLH is under the direction of Gerson Valdes, the nephew of iconic pianist Chucho Valdes and performs Timba mixed in with Reggaeton and Salsa Dura. This popular group is embraced by Cuba’s youthful fans and making fans everywhere.

Jaffe Events in association with MGD Productions will be presenting a dream Cuban music double bill featuring Los Van Van and Havana d’Primera with Alexander Abreu on Friday, May 6th at Berkeley’s UC Theatre, 2036 University Avenue. DJ Antonio will also play in-between sets. I have the honor of serving as the Master of Ceremonies of this special event. For Info and tickets visit www.jaffeevents.com.

Former Los Van Van vocalist Yeny Valdes and her band will be visiting the popular Fresquecito monthly party at La Furia Chalaca, 310 Broadway in Oakland on Saturday, March 12 at 10 pm. Yeny will be joined by resident DJ’s Walt Digz and Pepe Timba. For tickets, visit www.eventbrite.com

La Peña Cultural Center, 3105 Shattuck Avenue in Berkeley is featuring a special “Baila” community dance party on Friday, March 18th from 7 pm to 1 am with a multi-room environment featuring the explosive salsa of BrauLio Barrera’s Somos El Son with KPOO/KPFA DJ Jose Ruiz in the main auditorium. DJ Ron will be spinning Bachata in the lounge. Salsa and Bachata dance lessons by In Lak’ech Dance before the show begins at 7:30 pm. Tickets are already going fast. For tickets and information, visit lapena.org.

World Salsa Radio is presenting their second in a series of dance socials on Friday, March 25th at The Beat, 2560 Ninth Street in Berkeley. There will be dance performances by renowned Salsa dance troupes as well as Salsa lessons starting at 9 pm. The DJ music will be provided by WSR CEO Felipe “El De La Clave SF” Martinez and WSR co-founder Orlando DJ Boricua” Felix. Special guest DJ will be yours truly, Luis Medina of “Sabiduria Con Tumbao” starting my set at 10 pm.

Be sure to tune in on your laptop, phone or devices by visiting www.worldsalsaradio.com. It’s on 24 hours a day!

Some of the DJ's — Walt Digz, Felipe “El De La Clave”, Antonio and Luis Medina

The Seahorse in Sausalito continues to showcase a variety of fine bands on Saturday and Sunday evenings starting at 5 pm. This month, the Seahorse features Julio Bravo’s 50+ Birthday Party with Julio and Salsabor 3/6, Rumbache 3/12, Edgardo Cambon and Candela 3/13, Anthony Blea & Friends and DJ Jose Ruiz’ Birthday Party 3/19, Louie Romero & Mazacote 3/20, La Clave Del Blanco 3/26 and Orquesta Taino on 3/27. The featured DJ is KPOO/KPFA’s Jose Ruiz. Great food, Beer and Wine are offered at this popular venue located across the Golden Gate Bridge at 305 Harbor Drive.

The Ramp, 855 Terry Francois Blvd near the water in San Francisco continues their popular Salsa Saturdays with N’Rumba 3/5, Orquesta Borinquen 3/12, Karabali 3/19 and Manny Martinez y Orquesta La Rebeldia 3/26. The shows start at 5 pm and feature DJ Mendy in-between the sets.

San Francisco’s The Cigar Bar on 850 Montgomery Street is continuing their hot Friday and Saturday night live Latin music schedule in March. This month, they are presenting Manteca, 3/4, Pepe Y Su Orquesta 3/5, The Latin Rhythm Boys 3/11, Josh Jones Latin Jazz Ensemble 3/12, Julio Bravo y Salsabor 3/18, La Clave Del Blanco 3/19, Somos El Son 3/25 and Edgardo Cambon y Candela 3/26. Enjoy the classic surroundings, the patio, the fine food, cigars, drinks and the swinging music at the Cigar Bar.

Promoter/DJ Bosco Vega is also opening a new local night spot Gustoso at the Atlas Lounge, 637 San Mateo Avenue, San Bruno on Sat. March 12th featuring Salsa, Bachata and Timba by DJ’s Franklin, Antonio and Bosco himself!!

Remember you can catch my radio programs Con Sabor (in its 25 anniversary year) on KPFA 94.1 FM and kpfa.org Saturday nights 9 to 11 PM PST & Sabiduria Con Tumbao on Wednesday nights 5 to 7 PM PST on WorldSalsaRadio.com.

That’s it for this time! Ciao 4 now!!

This is Julio Bravo — Julio Bravo performing with his orchestra

BY LUIS MEDINA, PRODUCER AND HOST OF CON SABOR ON KPFA 94.1 FM AND SABIDURIA CON TUMBAO ON WORLD SALSA RADIO.COM