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Search Results for: live music

Mike Arroyo the guitarist Using Jazz to praise God

Mike Arroyo 40/20 The Concert (The past July 19, 2021, San Juan, Puerto Rico)

Using Jazz to praise God, guitarist Mike Arroyo performed yesterday, Sunday, July 18, 2021 at the René Marqués Hall of the Centro de Bellas Artes in Santurce.  As Mike himself said in front of a packed hall, yesterday’s concert became a dream come true.

At 4:50 p.m. the first call was heard over the loudspeaker.  Seven minutes later, the second call was heard at full volume, which interrupted the public’s excitement as they began to settle into their seats.  Five minutes after the scheduled time, the third and last call was heard; which immediately gave way to the greeting of the moderator already on stage, but not before opening the show with the usual invocation.  It became clear that although the concert honored Mike Arroyo’s career, during that time the guitarist has dedicated himself body and soul to praise God.

The title 40/20 originates from the 40 years since Mike Arroyo acquired his first electric guitar, an Ovation Thunderhead® that had belonged to the tres player Nelson Gonzalez.

At 4:50 p.m. the first call was heard over the loudspeaker. Seven minutes later, the second call, which interrupted the public's excitement as they began to settle into their seats, was heard at full volume.

Mike Arroyo 40/20 The Concert

The acquisition of the guitar is still an enigma difficult to explain in earthly terms.  Thus life, this shocking story, which in 1981 transformed the lives of Mike Arroyo and Nelson Gonzalez paved a path that 20 years later would see Mike’s first Jazz album, Straigth To Heaven (2001) see the light of day.  It would be good to bring up the guitar transaction for discussion, but not before exposing the provenance of the guitar.

Shortly before the transaction described here, Nelson Gonzalez lost his house with all the belongings in it due to a fire.  To Nelson’s surprise, the guitar, which later passed into Mike’s hands, was not only the only item to survive the fire, but remained intact.  That fact alone is incredible, but in the face of a structure that was totally destroyed it looks even more dramatic.  Nelson took the surviving item – his guitar – into storage.  However, the custodian of the guitar decided to dispose of it as payment in exchange for a service.  That third person who received the guitar as payment for that service, must have understood that the guitar had not been acquired in a lawful manner, so he sold it for $140.00 to a young Mike; who had to commit himself to pay small amounts until the agreed amount was paid off.

Shortly thereafter, already in the process of normalizing his life after that same fire that had spared the guitar, Nelson returned to reclaim the guitar from whoever had deposited it.  Since the custodian of the guitar no longer had it with him, Nelson set about the task of locating it. Nelson received information about the whereabouts of the guitar itself, which at that moment became – unsuspectingly – the link between the two musicians.  Nelson went to Mike Arroyo’s home where he saw with his own eyes the effort the young man had made to get his hands on that guitar.

The respectable Arroyo family explained, the young musician pleaded and Nelson Gonzalez decided to part with the guitar, the only material object that had survived the destruction of the Gonzalez home, to give it to Mike.  At that moment, Nelson became Mike’s musical godfather and the guitar became the divine plan that made Mike a pioneer in Sacred Jazz, a Latin rhythm of light and spiritual tonalities.  The surprise of the night was the presentation of Nelson Gonzalez with Mike Arroyo, eternally united by the musical instrument that was also the instrument of that divine plan that remains intact.

At that time, Nelson became Mike's musical godfather and the guitar became the divine plan that made Mike a pioneer in Sacred Jazz.
Nelson González y Mike Arroyo

Mike is recognized in the music scene as a pioneer and precursor of “Christian Jazz” with 6 record productions and two video DVD productions. In 2017 he innovated the stages by performing a concert in the traditional format of “Jazz Organ Trio” being Brian Charette and Vince Ector the international guest musicians of that event that took place at the Conservatory of Music of Puerto Rico.

Aware of the need to strengthen us as a people, through his “Jazz with a spiritual touch”; just as 40 years ago Nelson gave Mike that magical instrument, yesterday Mike gave the public a masterful concert, presented by BCC (Breñas Community Church).  It should be noted that BCC is the church where Mike has been pastor for 15 years.

The select group of accompanying musicians included the Puerto Rican piano: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez.
Piano of Puerto Rico: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez.

The select group of accompanying musicians included the piano of Puerto Rico: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez in his first performance with his former teacher -Luis Marín-.   I imagine that no one will be surprised if it is stated that Luis Marín’s chords were gravitating towards salsa, while Tommy Lee prophesied in correspondence on the leather of the tumbadoras.  Also singing were: Yanira Torres, Gilda González, Janet Hernández, Alma Galarza and Vanessa Rosado.

Photos: Miguel Rojas Candelario ©.

During these 40 years Mike has stood out musically with Christian groups and singers such as Renovación Cristiana, Abba Padre, Manuel Román among others and several recordings. He has participated with the Symphony Orchestra of PR, a Symphony Orchestra in the Dominican Republic, The Quique Talavera Orchestra in the Chucho Avellanet Show accompanying other singers such as Ismael Miranda, Braulio, Tito Rojas among others, The Pijuán Orchestra, where besides the Sextet, he also accompanied Danny Rivera and Wilkins. Mike also had the joy of dedicating a piece with his guitar to his favorite artist Jose Feliciano when he came to celebrate his 50th artistic anniversary in Puerto Rico. With his guitar he has participated in International Jazz Concerts and Festivals (PR, NY, Chicago, Curacao, among others) and has also performed in Germany.

Mike is also a musician/pastor of the Breñas Community Church (BCC) IDDPM.I. in Vega Alta for 15 years and Chaplain of the Police of PR. He is also a Music Teacher in his academy “Mike Arroyo Music” in his hometown of Vega Baja and is a Biomedical Engineer in Clinical Laboratories and Hospitals.

“Mike Arroyo 40/20 El Concierto” was dedicated to his graduating class of Lino Padrón Rivera High School of Vega Baja 1983 and to his “Padrino Musical” Nelson González.

Article of Interest: Tito Rodríguez, Jr. “The Palladium legacy lives on”

By: Bella Martinez “La Escritora Irreverente de La Salsa”

Puerto Rico

Bella Martinez
Website: Bella Martinez Home

North America – August 2021

Johnny Cruz

Willie's Steak House

Sammy Deleon

Café Salsera

Cuban night in Los Angeles

Jazz Festival

The Big Three Palladium Orchestra

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Lore Pereira is one of the young interpreters with the greatest International projection

Lorena Pereira Méndez

In this delivery, graces our salsa column, one of the young interpreters of greater international projection and who currently places very high the name of Venezuela on the world stages and record level, we refer to Edgliz Lorena Pereira Mendez, known in the artistic environment as “Lore Pereira”, born in Barquisimeto, Lara state in 1985, daughter of outstanding musicians in the national territory, as they are: Édgar Pereira and Virginia Méndez, former members of the Sonero Clásico del Caribe and other recognized orchestras.

Lore, since she was a child, showed her musical abilities and began her studies at the Vicente Emilio Sojo Conservatory in 1998.

In this institution she was part of the Youth Choir of Children Singers of the Lara State Symphony Orchestra. In the following years he participated in several musical activities in the city, such as: Voz Javeriana (1999), Member of the Choir of the Universidad Centro Occidental Lisandro Alvarado where he served as head of contraltos string (2001).

In 2002 he was part of the Lara State Lyrical Singing Chair “Aquiles Machado” under the direction of the renowned singer Angelo D’addona, where he made great and significant presentations such as: cycles of Lyrical Galas with a repertoire of sacred music and great works of Latin American music for the prelude to the first season of opera in the San Miguel Chapel of the Museum of Barquisimeto, Magdalena Seijas Auditorium, Santa Rosa Chapel, Auditorium of the Italian-Venezuelan Club, among others.

Lorena Pereira Méndez In this issue, our salsa column is graced by one of the young performers with the greatest international projection.
Edgliz Lorena Pereira Méndez, conocida en el medio artístico como “Lore Pereira”

Subsequently, in 2003, she became part of the stable cast of the Compañía de Ópera de Occidente (Opera Company of the West), thanks to the chair of Lyric Singing and the Symphonic Choir of the Orquesta Sinfónica de Lara (Symphonic Orchestra of Lara).

This year, she is preparing for the staging of the trilogy “Love, Passion and Death” as part of the cast of singers for the acts of 3 plays “Rusticana, Madame Butterfly and La Boheme” and the play “Los Martirios de Colón” by Venezuelan composer Federico Ruiz, These works were presented in various stages of the city as the dance and ballet academy Taormina Guevara, Teatro Juares, Teatro Alirio Diaz de Carora, Auditorium of the Italo-Venezuelan Club and the Ateneo de Boconó.

At the end of this year, he lined up to pay homage to Maestro José Antonio Abreu in a concert with the Lara State Symphony Orchestra conducted by Maestro Tarsicio Barreto at the José Félix Ribas Hall of the Teresa Carreño Cultural Complex.

He participated in Santus Group concerts and in Boleros Nights and something else at the Sala Alternativa Juan Carmona of the newspaper El Impulso.

In this institution he was part of the Youth Choir of Children Singers of the Lara State Symphony Orchestra. In the following years he participated in several musical activities in the city, such as: Voz Javeriana (1999), Member of the Choir of the Universidad Centro Occidental Lisandro Alvarado where he served as head of contraltos string (2001).
Lore Pereira

In 2005 she worked hand in hand with music teacher Behomar Rojas, who played an important role in her training and incorporated her in various musical activities in her hometown and the Venezuelan national territory, such as festivals, concerts of sacred music and stylized Venezuelan music.

In the following years, he participates in record productions of Venezuelan folk and alternative music, as well as in regional and national festivals.

It is worth mentioning the most important one held in 2008, La Voz de Oro y de la Canción Inédita de Venezuela, where he had the opportunity to share workshops and rehearsals with great singers of the Venezuelan national territory.

In the same way, he is part of several popular Venezuelan groups as a vocalist and backing vocalist, as well as participating in productions with renowned artists at present.

In 2010 he joins his performance with Venezuelan singer-songwriter Ignacio Izcaray, making several recordings, live concerts in Venezuela, such as: May 2011 (Teatro Juares) Barquisimeto, Ateneo de Caracas and Sala Corpbanca), October 2011 (Ambrosio Oropeza auditorium of the Ucla), January 2013 (concert at the Country Club of Barquisimeto, Teatro Alirio Diaz de Carora), also participated in recordings of important recordings as vocal support of the singer-songwriter.

The recognition of her vocal and artistic talent has been overwhelming, both by her colleagues, spectators and institutions.

In 2015, Lore Pereira received the Mara de Oro de Venezuela award as “Best New Artist of the Year”.

She studied at the Vicente Emilio Sojo Conservatory in 1998. In this institution he was part of the Youth Choir of Children Singers of the Lara State Symphony Orchestra.
“Lore Pereira”, born in Barquisimeto, Lara State in 1985.

Then in 2016 she received the award as “Best Tropical Artist of the Year”, recognizing her extraordinary talent and acceptance by the media.

Lore, for Salsa Escrita, the Salsera Column of Barquisimeto, International Salsa Magazine / www.SalsaGoogle.com we are proud to have you as a special guest and we would like you to tell us about your incursions into Latin music.

Well, Professor Carlos, I can tell you that I have lent my voice to important musical projects, being the only voice of the experimental group “Primigenio” and of several songs of “La Charangoza All Star”.

I am frequently called as a soloist of the Big Band “Raíces Orchestra”, led by the famous musician, saxophonist and arranger Pablo Gil.

And as for other musical genres, what can you tell us about them? As a vocalist, I have sung with important exponents of Venezuelan and Latin American music.

During these last years my voice has joined the show of great artists such as Marc Anthony, Natalia Jimenez, Marco Antonio Solis and Alejandro Fernandez on the stage of the Billboard Awards. Likewise, I repeated this experience in 2016 and 2017 with singers Luis Enrique, Farruco and Miguel Bosé, in Premios Tu Mundo.

As for recent productions, what do you have for us, Lore? I have been promoting my album “Inténtalo” where I share my talent alongside figures such as Luis Fernando Borjas, Irving Manuel, Marcial Istúriz, Chipi Chacón, Christian Delgado, Franco Lemus; all under the musical production of Jhosir Córdova.

Excellent Lore, recently the new version of the song “Callejón”, which was recorded some time ago by Arabella, was launched on the digital platforms, but we have been able to appreciate that your voice and that of Virginia Méndez, your mother, shows a lot of versatility with export quality.

Thank you Carlos for your appreciation, indeed this is a work that we are promoting, entitled “Callejón” with authorship of Catalino “Tite” Curet Alonso, arrangements by Jhosir Córdova, chorus by Andrés Brito, Gerardo “Pachanga” Araujo and my father, Édgar Pereira, on piano Johánn Morales, bass Daniel Barón, trumpets Luis “Papo” Márquez, trombones Jhosir Córdova, timbales Juan Pablo Romero, tumbadoras, bongo and bell Yomar “Caballo” Méndez, mix Daniel Barón, master Maikol Lugo, musical production and videography Jhosir Córdova and I hope everyone likes it, being able to appreciate it in my social networks or on youtube.

Lore, what are those digital platforms? My social networks are: fans page:Lore Pereira Facebook: Lorena Pereira Méndez  ,; Instagram: @loresinger.

From our salsa column, we wish you continued success and continue to exalt the Barquisimetano talent and of course Venezuelan, worldwide.

Thank you Professor Carlos Colmenárez, for the support given to me and all the artists of my country, keep it up. Blessings.

Year 2021

Good morning dear ones!

I share with you the link to the premiere of my song “VUELVES” scheduled for 1pm Miami-Venezuela time.

take the opportunity and subscribe so you get the notification and you can see the video that is made with love.

Thanks.

Website de Interes: Alfredo Villamizar Alfredo Villamizar one of the most spectacular and sensational Venezuelan percussionists

Remember not to leave your house…! See you next time and let’s keep saucing!
By: Carlos Colmenárez Venezuela Correspondent

 

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2nd Annual Bay Area Latin Jazz Festival brings news

Castro Valley will be the scene of the best jazz event you can find

After so many months of confinement due to the pandemic, which has ravaged the world, Castro Valley, California, will become the scene of a spectacular event that will make jazz and music lovers in general very happy. It turns out that, later this month, the second edition of the Annual Bay Area Latin Jazz Festival will take place, whose surprises will blow attendees out of water. 

This is the logo of the Bay Area Latin Jazz Festival
The logo of the Bay Area Latin Jazz Festival

In this new edition, the event is expected to be an important contribution to jazz as a musical genre, but it will not be the only musical style that attendees will enjoy, as organizers have made every effort to make the festival as varied and diverse as possible. This means that there is a planned special emphasis on the Latin American and Caribbean influences that have made this genre what we know today, so the mixture of cultures that will be present there will be unbelievable. 

The space destined for sales positions and counters will include businesses, food sales, handicrafts, community organizations, among many other things. However, the main attraction will be the great group of artists who have been invited to the Annual Bay Area Latin Jazz Festival, among which we can include Oscar Hernandez and his quintet Alma Libre, Bobi Cespedes, Carlos Rosario, Ricky’s Grupo Afro-Nativo, Rene Escovedo Latin Jazz Ensemble and much more. In addition, the festival will be attended by broadcaster Luis Medina, who kindly spoke with us and provided us with all this valuable information. 

Mr. Medina from KPFA Radio’s Con Sabor and WorldSalsaRadio.com’s Sabiduria Con Tumbao will be the master of ceremonies for the event and DJ during breaks, which will allow those who attend to see Luis in one of his most exciting musical facets. 

This is Luis Medina
Luis Medina, Master Of Ceremonies, DJ and musicologist

Montuno Productions and its role in this

Montuno Productions will be the entertainment services provider that will organize this great festival, which guarantees that it will be a success. It must be remembered that this corporation specializes in offering all kinds of services related to Latin music, including promotion, marketing, representation of artists of various genres, assistance in obtaining tickets, website creation and many other things. Without a doubt, this provider is highly reliable and respected in the industry, so it is a fact that its work will not disappoint. 

One of the great achievements of Montuno Productions in this time has been the coming together of local small businesses, community organizations and music lovers in one place to create a positive contribution to arts, economy and culture. Benefits to the community, attendees and music lovers will be incalculable. 

As for the place, this Latin jazz festival is expected to take place at Rowell Ranch, Castro Valley, California. It is a lovely area surrounded by hills whose access by motorway is quite easy for those who wish to go by car. The place is quite accessible for those coming from Livermore, Dublin and Pleasanton. Those coming from Hayward can be there in just 10 minutes.   

With respect to entry costs, this event is a very economical option for those who do not want to spend too much, but want to have a lot of fun. General admission has a value of $30, but can amount to $35 for those who bring their vehicle.   

 

Stage at the Bay Area Latin Jazz Festival
Stage at the Bay Area Latin Jazz Festival in the last edition

Link to the event’s website: https://www.facebook.com/events/rowell-ranch/2nd-annual-bay-area-latin-jazz-festival/595551574740975/  

  

Cost of tickets:  

General admission: $30  

Parking: $5

 

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What the situation will be in New York in August 2021

What is happening in New York?

There are several reports in New York for the coming months in terms of salsa and Latin music in general. There are so many that we could not mention them all here, but we will summarize the most outstanding and interesting of the month. So make yourselves comfortable because we have many things to say.  

Salsa International Day Celebration 

Recently, it was announced that New York will host the First Salsa International Day Celebration, an event that has been announced by Carlos Velasquez from GrupoCKV and myself on 27 June of this year. This fabulous festivity will be broadcast through Canal America in an exclusive way and carried out on 14 August between 4 and 5 pm on New York time. 

In the words of Velasquez, this will be an event meant to unify and glorify all salsa lovers. He also mentions that for him and the rest of the team that makes this possible are proud to be able to share this great event with all viewers who are interested in the show that has been prepared for them.   

This is Carlos Velasquez
Carlos Velasquez

Donation of the last jacket worn by Franklin Ruíz in one of his shows 

For me and for the rest of the Spaha Salsa Gallery, it is a great honor that Franklin Ruíz’s brother Víctor Rolando Negrón Ruiz, best known as Viti Ruíz, has donated the last jacket worn by the artist at Madison Square Garden before his unfortunate death due to liver cirrhosis that had afflicted him a while ago. With this special offer, we will always have a pleasant memory of El Papá de La Salsa, who has left a bottomless void after his departure. 

Viti Ruiz is a huge iconic figure like his brother Franklin, who made us be more honored to receive him in our facilities and meet him about the gift to the Salsa Museum and how much this priceless possession meant to him. What makes this jacket so special is that it was worn by the singer during a heartfelt tribute in which his name was chanted for more than 15 minutes at Times Square Garden, time that will remain forever in the memory of the musician until his last days and that of all his fans.  

Johnny posing next to Viti Cruz
Johnny Cruz and Viti Cruz with Franklin Ruiz’s jacket

Tito Allen is more relevant than ever 

We all know the artistic career of Tito Allen for more than 60 years, whose songs hit speak for themselves. Despite so many decades, the Puerto Rican is still a very active man and wants everyone to know that he will return to the stage and will do it with a few surprises up his sleeve. 

He has announced that he will be part of the Salsa Festival, which will take place on 21 August from 8 pm. According to information recently published, the place chosen is the Stereo Garden in New York, which is a multi-use venue built in the 1940s under the name of Patchogue Roller Rink. One of the best characteristics of this place is the absence of inconvenient columns that can hinder the movement and view of the spectators, providing them with much more space in which they can move about. 

Additional to that, Tito will not be the only one performing that night, as the concert will count on the participation of Franklin Vasquez and Hector Tricoche. Those who wish to book their tickets may do so through Ticketmaster and they have a value of $40. 

Poster about the Salsa Festival
Poster in which you can see Tito Allen, Frankie Vasquez and Hector Tricoche

By: Johnny Cruz correspondent of International Salsa Magazine in New York City, New York

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.