North America / USA / New York
Ismael Miranda was born in the village of Aguada, Puerto Rico, on 20 February 1950. At an early age he moved to New York, where he began his passion for music. In 16, he recorded his first hit song “Rumbón melon” with Joey Pastrana. Then, he became part of the Orchestra Harlow in 1967, with which he achieved success of the song “Abran Paso”.
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Ismael dabbled solo in 1972, with a new production called “Opportunity”. He also formed his own band called “The Revelation” and recorded another CD called “Así se compone un son”. In addition to having other notable songs, the title track was a resounding success in Latin America, the United States and Europe. The next year saw the light the album In Fa Menor, appearing again the song of the same title, “In Fa Menor”, among other successes.
Miranda continued producing hits, with songs such as “Borinquen tiene Montuno”, “La Cama Vacía”, “La Copa Rota”, “Como Mi Pueblo” y “Las Cuarentas; all were widely broadcast radio media. His compositions also achieved success with pieces like “Señor Sereno”, “Abren Paso”, “Lupe, Lupe” and “Pa ‘Bravo Yo” song made famous by the Cuban salsero, Justo Betancourt.
In 1974, the founders of the Fania, Jerry Masucci and Johnny Pacheco, asked Ishmael to form part of the Fania All Stars, where he was dubbed “El Niño Bonito de la Salsa” by being the youngest of all members. In the 80’s, he found success with the Fania, such as “No me digan que es muy tarde” and “Galera tres.”
Also, Ismael created his own label, under which he recorded several productions, including “Por el buen camino”, of which the theme “Careta” was a hit in 1985, plus two holiday productions. The early stage salsa enjoyed its best, and the debut of Miranda with his own band, Orquesta Revelation, could not be timelier.
For 2000, Ismael recorded several productions under the direction of Gilberto Santa Rosa, titled “Vengo con todo”, “Tequila and ron” (which was nominated for a Grammy in 2003), and “Special Edition”. At 2005, reached #1 on the Billboard chart, with the theme “Se fue y me dejó” with Andy Montanez and Cheka, produced by Sergio George. In 2007, he recorded his first Christian production called “Buscando el Camino” in which the theme “Como el Águila” achieved great success. In 2008, he launched the production called “De regreso al son”. For 2011, Ismael recorded his second Christian production “Aferrado a ti”, which issues “Francotirador” and “Sabes que te amo” were big hits.
In 2014, after a successful tour to mark its 45th anniversary in the Salsa, Ismael met with Victor Manuelle, to whom he delegated the production of his latest album “Son 45”. This production is very modern, but retains the classical influence of salsa, and has proven to have the support of the whole public salsero. From his first days on the market, this new album, started climbing positions in the lists of the prestigious music magazine Billboard, with the theme that gives the name to the album “Son 45”.
Entered 2015, The Pretty Boy of Salsa positioned in the first place with the same subject, under the category “Air Play” magazine, the second member of the Fania All-Star to reach the #1 position for the second time, place before conquered only by the Guarachera del Mundo, Celia Cruz. Ismael made history again when launching his second promotional theme of this production, “Bajo, piano and bongo” again ranked at #1 on the Billboard charts in the same category, becoming the most #1’s has reached among members of Fania. As if that were not enough, this production has also been nominated for a Latin Grammy in the category “Best Salsa Album”.
During the course of his great career, Miranda has recorded more than 20 albums and has performed with notable artists such as Nicky Marrero, Hector “Bomberito” Zarzuela, Reinaldo Jorge, Ismael Quintana, Willie Colon, Ray Barreto and Luis ‘Perico’ Ortiz.
