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Search Results for: Tango

Gabriela Anders studied classical guitar privately, and music and piano at a conservatory in Buenos Aires

Gabriela Anders was born to music amidst the grace, paradox and tradition of  Argentina.

Gabriela studied classical guitar privately, and music and piano at a  Conservatory in Buenos Aires.

Adding to the musical medley was her father’s influence (a noted jazz saxophonist and arranger) which became even stronger than her classical studies. After finishing high school, Gabriela decided to move to New York.

Gabriela’s Los Dukes after a NYC show
Gabriela’s Los Dukes after a NYC show

There she studied orchestration for brass and strings in a class conducted by Don Sebesky and composition at Hunter College. Gabriela started to write her own material. Her studio and club work took off leading to a record deal with major label Warner Brothers Jazz.

Gabriela Anders’ debut album on Warner Bros. Records, (1999) “Wanting” is brimming  with vocal subtlety; although smooth, it is anything but simple. It features arrangements and production by Paul Brown, George Duke, Allain Mallet and Anders herself.

The album elicited much praise for Anders’ vision and impassioned vocal style.

Recording with Questlove and Christian Mc Bride
Recording with Questlove and Christian Mc Bride

Her unique marriage of Brazilian, Latin and Jazz led to Vogue and People Magazine describing Anders and her music as “exotic and bold”, “wonderfully soulful”, and “one of the most distinctive new voices to hit the music scene in years”.

Her second record for Warner Bros Records was a European release entitled “Gabriela” which featured an array of world-class sidemen, including Christian McBride, Amir “Questlove” Thompson and Kirk Whalum. Again, she contributed ten of the album’s twelve tracks.

Her next CD “Last Tango in Rio” was released in 2005 by major label EMI. “Last Tango in Rio” is a collection of songs closely associated with Billie holiday that have been uniquely transformed by Gabriela’s interpretation and orchestration.

Hailed by critics (Los Angeles Times, Billboard magazine and People magazine)) as highly -original and creative presentation of standards, “Last Tango in Rio” represents a fresh and effervescent take on a classic song book that has previously defied reinvention.

In October of 2009, JVC Japan released her CD “Bossa Beleza“. “Bossa Beleza” blends her own immediately recognizable sound with that of her first musical love, classic Bossa Nova.

Singing with Rihanna for the NYC Bone Marrow foundation
Singing with Rihanna for the NYC Bone Marrow foundation

Gabriela Anders‘ 2015 album, “Cool Again”, beautifully displays the significant gifts as singer, vocal orchestrator, songwriter and bandleader she has steadily developed through her previous releases. The mix of original and cover songs on “Cool Again” finds Gabriela at her best.

The soulful funk of the original title track is a classic example. Its message of empowerment can be considered a core theme in Gabriela’s lyrics and a source of her resonating appeal as a performer, entertainer and artist.

2020 CD ‘The Ring‘: While facing the fear and uncertainty of the virus in New York City, Gabriela recorded a piano/voices collection of songs at her home studio, creating intimate portraits of inner struggle and redemption against the bizarre backdrop of the pandemic.

The project’s three pianists – Jim Ridl, Jean-Michel Pilc and Jon Cowherd – are radically different stylists from different corners of the world, here each offering their unique sensibilities to Gabriela’s voice and music.

2021 CD release Gabriela Anders’ ‘Los Dukes’! Los Dukes is a new 9 piece band arranged and directed by Gabriela Anders, featuring songs from the Duke Ellington’s catalog done in wildly distinctive Latin American styles. A Latina’s tribute to the music of Duke Ellington.

With the great George Duke
With the great George Duke

Los Dukes, pays loving tribute to the elegant GENIUS of Duke Ellington and includes some of the best Latin Jazz players on the New York scene.

Hailed by critics (Los Angeles Times, Billboard magazine and People magazine) as ‘highly original and creative artist’, a ‘multi-talented artist who is destined to leave her mark on the jazz world’ and the ‘most promising jazz influenced artists today’.

Gabriela Anders – Último Tango En Rio (2004)

Gabriela Anders
Gabriela Anders

Temas:

  1. Te Subes A Mi Cabeza
  2. Abracadabra
  3. El Amor Llegó Para Quedarse
  4. Dios Bendiga Al Niño
  5. Abrázame
  6. Buenos Aires Mix, El
  7. Cuerpo y Soul
  8. All Your Love
  9. Meant To Be
  10. ‘Til The End of Time

Músicos:

Gabriela Anders (Voz, teclados)

Romero Lubambo (Guitarra)

John Benitez (Bajo)

Wayne Krantz (Guitarra)

Portinho (Batería, percusión)

Gabriel Rivano (Bandoneón)

H. Martignon (Teclados)

Tito Castro (Bandoneón)

Donald Edwards (Batería)

Jorge Anders (Saxo)

Jorge Alfano (Flauta, flauta andina, charango)

Información realizada (22 de abril de 2009)

Also Read: Samuel Quinto Feitosa is a Brazilian virtuoso jazz and classical pianist

Gabrielito Y La Verdad shines in Los Angeles

We are so pleased to have spoken with Mexican singer-songwriter and percussionist Gabriel González, who gladly embraced the opportunity to share with us a little of his personal story with music and the beginning of his band Gabrielito Y La Verdad. This project has brought him great joy and personal satisfaction since its foundation, as well as the possibility of meeting some of the today’s largest artists and being on stages where Gabriel never imagined playing.   

Gabriel is the leader of La Verdad
Mexican percussionist Gabriel González,who is the leader of Gabrielito Y La Verdad

Gabriel’s beginnings in music   

Gabriel’s first contacts with music occurred when he was just a seven year old boy in East of Los Angeles. That city had a place called ”El Mercadito” where there were amateur contests the boy always took advantage of to practice his singing and this start his career as a vocalist.   

Being in his native Mexico, he became interested in regional Mexican music, ranchera, guatango, boleros, son and many others. When he moved to the United States with his family, he also began to know son jarocho, son jalicience and son montuno.    

The first group he played and toured with was the Los Angeles Chicano rock band Quetzal, which is the one that gave him his first job opportunity and with which he would stay for some time until his interests shifted definitively.   

As he left Quetzal, Gabriel resumed his interest in son montuno and thereafter in salsa as well. From then on, he became so good at these genres that he played with most of the salsa orchestras in Los Angeles and its nightclubs, which attracted the interest of many promoters who invited him to new places. In fact, he himself says that sometimes he would be called to play at venues without knowing which band he would be playing with that night.   

Gabriel posing for the camera
Percussionist Gabriel González posing for the camera with some of his instruments

Salsa orchestras in which Gabriel participated   

In California, there were many salsa orchestras in which Gabriel participated and one of the most important was Johnny Polanco Y Su Conjunto Amistad. The artist sang with the late Polanco on a few occasions over several years, as they respected each other professionally and never missed any opportunity to show it on stage.   

The singer-songwriter also played with the Orquesta de Ángel Lebrón Y Su Sabor Latino on many occasions. The conguero and orchestra leader also relied heavily on the Mexican and what he had to offer, so he did not hesitate to call him whenever he needed him.   

Gabrielito Y La Verdad 

Gabriel had already gained so much popularity that, one night, he was invited to a concert whose flyer announced him as ”Gabrielito Y Su Orquesta”, meaning that he had already his own importance outside of being a simple element of support for groups and artists better known than him. The best thing about this is that the event was a complete success, leading the musician to think about creating his own orchestra, which he later named ”Gabrielito Y La Verdad”.   

From that moment Gabriel founded Gabrielito Y La Verdad, it has been ten years, in which he has dedicated himself to tour all over California and considers that his journey has been very successful and filled with gratification.    

In view of the success and fans amassed by the orchestra during this time, Gabriel decided it was time to make original music and write his own songs, while acknowledging that his thing is singing and playing percussion because that is at what he excels.   

Gabriel and Bruno Mars
Bruno Mars and Gabriel González during a musical event

Gabriel’s contact with other artists   

Gabriel and his orchestra have also had the opportunity to share with great music luminaries, from whom he has been able to learn many things and apply them to his own career. Among the artists and groups he has shared the stage with are Juan Gabriel, Los Van Van, Cubanismo, Los Cuban All Stars, Silk Sonic and Bruno Mars. 

In every case, Gabriel was impressed with the discipline and professionalism of each of the above-mentioned artists or orchestras, but at the same time, how humble and pleasant they were off the stage. 

In Bruno Mars’ case, he attended one of Gabriel’s shows along with the rest of his musicians without any of them noticing that the singer-songwriter was listening to them play with great interest. The artist was so fascinated with the orchestra that he invited it to open for him at a private party he would soon have in Las Vegas, an experience that was a great honor for the Mexican and the rest of the group.  

From this anecdote Gabriel learned that he must always give his best in his work, since he does not know who may be watching him. 

Read also: Omar Ledezma Jr. and Pacific Mambo on tour in Europe 

Today we talk with Susana Y Su Orquesta Adelante

There are so many descendants of Latinos who have fallen head and ears for their parents’ culture, so they always seek to leave their countries of origin on high with the tools they have at hand, especially music.   

One of them is multi-instrumentalist Suzanne Cortez, who currently conducts Susana Y Su Orquesta Adelante and has many interesting things to say about her career.   

Suzanne is a bassist
Suzanne is a multiinstrumentalist, but her main instrument is the bass

How Suzanne got interested in music in the first place   

Suzanne became interested in music at a very young age when she saw her mother listening to many records of all genres, but her favorite group was Trio Los Panchos, which was very popular at the time. However, her mother also listened to The Beatles very often, to the point that Suzanne imitated them and pretended she was a member of the group.   

From so much listening to music of varying genres, Suzanne learned to play herself, and it was the variety of genres she listened to that trained her to interact with all of them.   

The artist enjoyed all types of music, but emphasized that her favorite genre was salsa. She assures that she can play any rhythm such as classical music, jazz, Latin jazz, Latin rock, R&B and many others, but none of them can be compared to what salsa makes her feel.    

How her musical career began 

Before forming what would become her own group Susana y Su Orquesta Adelante, she had a very interesting journey that prepared her to lead her own project later on.  

At school, she took a few classical music lessons and her teacher called her one day to ask her if she was trained to learn to read music, to which she said no and that she had learned everything by ear and nothing else. This pleasantly surprised the educator and encouraged her to pursue a musical career beyond the boundaries of the classroom.   

Suzanne playing
Suzanne playing during a live event

After that, Suzanne had the opportunity to be part of the women’s band Orquesta Sabrosita, in which she was the youngest of all the members. At that time, an all-female band was something very fresh in the Bay Area, so they drew a lot of attention from the public at the time. There were many female artists already, but they did not play salsa yet.   

About this, the artist points out that reactions to them were mostly positive, although there were always people who still preferred all-male orchestras, which was the norm at the time.   

Susana Y Su Orquesta Adelante   

Suzanne officially created her own musical project Susana Y Su Orquesta Adelante in 2009. However, this was not her first attempt to form her own band, but in 2000. In that year, Suzanne and the rest of the musicians who accompanied her played in churches since for her the praises of God were very important and music was her vehicle to communicate with the Almighty.   

In view of the great talent the band demonstrated every time they played one of their songs, some club owners wanted to invite the group to play in a café of their property and they did not have any problem with them having a repertoire based on Christian salsa.   

It took Suzanne a while to make up her mind until finally, in 2009, she started playing with her group in cafes, clubs, restaurants, festivals, among other places.   

There was also a point when the orchestra stopped playing purely Christian music, as the members wanted to vary their repertoire. In addition to that, Suzanne knew that, although they were not always playing religious music, God would be happy that they were making their listeners happy.    

 

Suzanne rehearsing
Suzanne rehearsing in her studio

Challenges faced by Suzanne on this path 

As much as Suzanne has achieved great things with her music, she has also had to face certain challenges that caused her to move away from her goals for some time. 

Unfortunately, as with many artists, Suzanne turned to alcohol and drugs, which sent her into a deep depression and to left aside music for many years. These problems and her subsequent rehabilitation kept her away from the stage for more than 28 years, until she realized that it was time to try her luck once again with her great passion.    

Unfortunately, most of the musicians who accompanied her in the beginning were making their lives out the music scene or had become part of other bands, so she had to look for new members for the orchestra she wanted to form.    

However, the artist has absolutely no regrets about how things have turned out in her career and is grateful for the path she has traveled, despite the circumstances. 

Read also: My mother sang tango 

ISM / September 2024

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“We are the Latin music world network”

Do you enjoy Latin music? Would you like to get more involved in this genre and share your passion for Salsa, Bachata, Kizomba, Merengue and more. Why not joint our Global Team of volunteers as a correspondent?
You can ask for more details with no obligation and we’ll be happy to talk to you about the benefits that come with the role [Read more…] about ISM / September 2024

North America / September 2024

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the charango

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CANADA

DIRECTORY OF NIGHTCLUBS

Dirty Martini
Dirty Martini Oakville
2075 Winston Park Dr
Oakville, OntarioN, Canada L6H 6P5
+1 905 829-8400

El Rancho
El Rancho
430 College St
Toronto, Ontario, Canada M5T 1T3
+1 416 921-2752

LULA LOUNGE
Lula
1585 Dundas West
Toronto, Ontario, Canada M6K1T9
+1 416 588-0307

Marlowe Restaurant & Bar
Marlowe Restaurant & Bar
55 York Blvd
Richmond Hill, Ontario, Canada L4B 3B4
+1 905-771-8645

Sahara
Sahara
1855 Dundas St E
Mississauga Ontario L4X 1M1
+1 905 282-0316

Smokeshow BBQ & Brew
Smokeshow BBQ & Brew
744 Mt Pleasant Rd
Toronto, Ontario, Canada M4S 2N6
+1 416 901-7469

Mangos Kitchen Bar
Mangos Kitchen Bar
1180 Howe Street
Vancouver, BC, Canada V6Z 1R2
+1 604 559-5533

Baza
Baza Dance Studios
1304 Seymour Street
Vancouver, BC, Canada V6Z 1R2
+1 778-379-2292

Studio Nightclub
Studio Nightclub
919 Granville street
Vancouver, BC, Canada V6Z 1L3
+1 604 620-6604

 

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UNITED STATES

DIRECTORY OF NIGHTCLUBS

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.