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Search Results for: Timba

“Djane Shina” a passion turned into reality

Since I can remember my passion is music expressed in all its forms, I was always surrounded by family and friends musicians, who contributed to increase my love for it, said Djane Shina.

My surnames Rojas Salazar, both symbolize flavor; rumba; happiness; love; humility and dedication, with my families I learned everything I know about the rhythms especially Salsa, my parents Jaime and Ligia, my 5 brothers, my uncles and cousins are a part of what I am today …. “Djane Shina, the queen of Salsa.

Djane Shina a Passion Turned into Reality
Djane Shina a Passion Turned into Reality

Shinaury Thais, the queen, because that’s what my mother called me (R.I.P), the queen of the house, the little monkey among her monkeys.

I was born on October 28th, caraqueña and caraquista, I am from the most beautiful parish “23 de Enero” in the Mirador sector, and even though I only lived there for 2 years I always kept its essence, in February of 73 we moved to my beloved town ‘La Victoria’ in Aragua State, to the urbanization Las Mercedes, in the most salsa area that exists “Madera 15”, named after the Madera Group of San Agustin.

I grew up surrounded by neighbors all music lovers and parties, almost all organized by my brothers at home, Vinyl parties, which scratched so much to put them and to leave them out of their cover, a girl surrounded by people with different orchestral tastes but all of Salsa, there I learned to dance, sing and play instruments, were unique moments, to see those gatherings and end up picking up and cleaning everything so my parents would not be upset.

As soon as I grew up and became a teenager I took charge of the parties as Djane Shina inviting my people and their friends, who became my brothers in life and now my fans.The sound systems were several, one better than the other as the years passed, and manipulated by me, I began to share my tastes and my ability to put people to enjoy a whole night, the “Pioneer” equipment was everyone’s, I took it to every house I could, along with my LPs and cassettes, and at the time the CD case.

Djane Shina the Salsa Queen
Djane Shina the Salsa Queen

A very nice experience as a Djane because people knew that when I was one of the guests at their meetings I took control of the music, always as a contribution to the celebration, there was never any charge, as I said at the beginning this is my passion and I do it from my heart.

When I was a child I practiced the cuatro, I was in the show band of my school “Unidad Educativa Colegio Brito” directed by the teacher Carlos Gonzalez, I started with the cymbal, followed by the grenadier, then the redoblante to finish with the trombone.I

Received lessons with my teacher Williams Puchi (R.I.P), it should be noted that my greatest inspiration to play this instrument was my brother Oscar Bauter Salazar, military musician, and for me, the best trombonist in Venezuela.

Djane Shina de La Victoria para el Mundo
Djane Shina de La Victoria para el Mundo

When I was 18 years old, apart from sports (athletics, cycling, aerobics and power), I practiced percussion with my friends and teachers Humberto Rodriguez and Boris Pedra, playing the congas, bongo, timbal, and minor percussion clave, maracas, güiro, among others, here my inspiration was my beautiful uncle Oscarcito Rojas, for me the best conguero in the country.

Throughout my life I saw the formation of different orchestras and salsa groups by my brothers and neighboring friends, in them I participated in rehearsals and learned a lot to sing, over the years I could participate and organize groups of Christmas music and bagpipe as a soloist and with the minor percussion in the companies where I worked.

My life has always revolved around music and art and in the midst of that, wanting to be a professional musician I became a graduate in Business Administration, I had two beautiful daughters Yaima and Victoria, which are my greatest pride and motivation to move forward bringing happiness to the world with my talent.

Currently Shinaury Thais Rojas Salaza Lcda. in Business Administration works as a Publicist in the digital newspaper “Salsa Escrita”.

Currently Shinaury Thais Rojas Salaza Lcda. in Business Administration works as a Publicist in the digital newspaper "Salsa Escrita".
Currently Shinaury Thais Rojas Salazar Lcda. in Business Administration works as a Publicist in the digital newspaper “Salsa Escrita”.

Shinaury Rojas

Contact: +058 4244009655

Shinaury Rojas (shina

Read also: Salsa and its detractors “Caiga quien Caiga”

Get to know the “ La Malamaña ” Orchestra

On this occasion we have the opportunity to meet the “La Malamaña” Orchestra

La Malamaña, a salsa orchestra that was born in 2008 as a band that paid tributes to the greats of salsa such as: Rubén Blades, Héctor Lavoe, stars of La Fania and the Cuban music and timba. They have a neighborhood band spirit, heirs to the sound of the New York neighborhood orchestras of the 70s and 80s, fused with elements of the timba sound and concepts of street music.

La Malamaña Orchestra playing
La Malamaña Orchestra Live

The name of the band was baptized by the former member – founder of the band, “Mauricio Ochoa” who founded and is leader of the orchestra “La Sonora Libre de Barcelona”. The name alludes to the Rubén Blades theme “they are looking for you” and that in addition to that also reflects our way of interpreting, writing and arranging the master genre: Salsa.

The Orchestras are based in Quito-Ecuador, with members from different latitudes, they build a proposal of Quito sauce, also called “high altitude Salsa”, for the 2800 meters above sea level where the city of Quito is located.

His main concerts were:

·   Emerald Carnival ·   Foro Mundial de la Bicicleta MINGAMOS
·   Music Festival in Quito and Cuenca ·   Festival – Engine of Change (Ambato 2019)
·   Festival in Defense of the Yasuní National Park ·   LATIN GROOVE EC (Independent Salsa Festival 2019)
·   Libertarian Days ·   CUMANDA Parque Urbano (Agenda Cultural – 2019)
·   Festival Cota 70, FIL Q (sharing stage with La 33) ·  Quito Fest-Fiestas (sharing stage with Rubén Blades)
·   Canoe Fest ·   Festival del Chocó Andino, Pacto 2019

 

Photo of the keyboardist of the La Malamaña Orchestra
Member of the La Malamaña Orchestra

But internationally, among the most important are:

  • 2012: Presentations in Beijing and Tianjin, in the People’s Republic of China.
  • 2015: First Tour in Europe (Genoa, Barcelona, ​​Madrid, Lyon, Paris and Tours).
  • 2018: Second Tour in Europe:
    • Festival des musiques métisses in the city of Colmar
    • FIMU de Belfort Festival “3 presentations”
    • Festival La Javelle-Guinguette “1 presentation”

 

During their time in the world of music they created several albums with a very characteristic sound of them. His first album was called “manual of urbanity and good customs” released in December 2011, which was followed by his single “El Kikuyo” in 2014, a song that was included in the international independent salsa compilation “Salsa de Hoy ”; In 2017 they released their song “Ya Llegó”. As of 2018 they released their latest album released which they baptized “SALSA DE ALTURA”; the members of the orchestra named it that way since Quito is 2800 meters above sea level. This new album has 6 songs by the band, among which are live versions and new material.

Photo of La Malamaña Orchestra
La Malamaña Orchestra at Club Lavoe

Did you know that there is a wide variety of topics that your audience likes, for example, the population of Cali, Colombia likes “What counts the braids” and “How to say” a lot; and in their homeland (Ecuador) they he quite liked his songs: “El kikuyo” and “Para armar”.

The members of the orchestra:

·       Grecia Albán – Voices

·       Edgar Granda – Voices

·       Javier Toro – Piano

·       Jamshid Gordón – Electric bass

·       Fidel Minda – Drums and timpani

·       Diego Minda – Conga Drums

·       Sebastián Segovia – Saxo Tenor

·       Carlos Quilumba – Saxo Alto

·       Yony Muñoz – Trombone

·       Francisco Rangél – Trombone

 

All the members like the strength that “salsa” has, as a music of resistance in the sense of maintaining African and mountain roots in Latin America. They have a lot of new songs and not so new ones that haven’t been recorded yet, we’re in a moment of creation. Soon they will record their new material for the enjoyment of our public.

Soon they will have an event in the month of January 2020 in the city of Quito, Ecuador for the anniversary of a hotel located in the Historic Center

They mentioned to us that their goal is: “We are interested in expanding the musical panorama of Quito salsa towards an alternative platform and generating more audiences at a local, national and international level”

They also sent a message to all their fans and new talents “To our fans we want to say that thank you for enjoying our music and our “sui generis” proposal of salsa and to the new talents simply that they believe in what they say and sing… .this is not about doing something to stick….but rather about being consistent with what is thought and with what we want to contribute in this world that so much lacks good art”

La Malamaña Orchestra photo
La Malamaña Orchestra finishing its presentation at the Club

For more information:

  • Facebook: https://www.facebook.com/lamala.mana/
  • Phone: +593 99 801 9775
  • Email: [email protected] / Edgar Granda/ Manager: [email protected] /     Press contact: Diego Minda, [email protected]

Hansel and Raúl, The Charanga Legend duo

Hansel and Raúl, The Charanga Legend duo

Hansel and Raúl is a charismatic and transgressive Charanga duo of the line of romantic lyrics of the time. They positioned the Cuban “Charanga” rhythm on the top of global popularity, a danceable genre that they imposed on each stage they were invited to and which incorporated their unique Caribbean essence.

This particular duo with three decades of trajectory was born in Miami in 1984 after breaking from the orchestra “Charanga 76”, where they were co-founder members and their main vocalists. With this New York orchestra, born in Brooklyn, they won international recognition and their first Grammy for the album “Encore” in 1978.

Photo of Hansel and Raúl
Hansel and Raúl – The Charanga Legend duo

“Many of the artists who recorded with them during their stay in “Charanga 76” include the renowned pianist – for many years – by Héctor Lavoe, Gilbert Colón and the first Jewish-American flutist woman, Andrea Brachfeld.”

Very pleasant memories come to Hansel‘s mind during this interview, especially his first composition “Si no te encuentras tú” for Charanga 76, his voice took a turn and he showed nostalgia as well as pride in remembering it: “I don’t sit to write a song with a guitar or piano. The Inspiration comes to me alone, there is nothing personal”.

Each anecdote that he tells us is remembered as facts that have led to their musical maturity. Each fun fact has been defined as part of their career, such was the case of the great master, Israel “Cachao” López, who with all his musical wisdom and mastery of his instrument, the Double Bass, taught the rhythmic base to the orchestra. “The conguero and the timbalero even the güirero he taught them to play well. He was a teacher of all, including us who learned a lot from him. R.I.P, he was a glory of music”, Hansel said to us.

But that wasn’t all he told us about the legend of Cuban music, “Cachao”, who was the Double Bassist of the “Charanga 76” orchestra for 12 years, also he told us that every time they wen a tour the “Inventor of Mambo” had them buy a plane seat to his Double Bass, he sat it next to him and even put the belt on the string instrument, as is dictated by airline regulations.

The funniest thing would come later when the Double Bass received the same attention as each member of the orchestra. Amazing! The Double Bass also had its portion of food during each trip as each musician of the orchestra, and when the flight attendant brought it was when the offer was presented by each musician for that fabulous portion, although the end was always the same, the trumpeter won!

Hansel y Raúl - Photo
Hansel y Raúl concert
Photo in concert - Hansel and Raúl
Hansel and Raúl – Photo behind the scenes

Each experience with Charanga 76 made them evolve in music and although with this orchestra they made themselves renowned professionally, as a duo they flew the fence. They have received multiple musical awards, their sympathetic lyrics, and in some cases, satirical or burlesque have won the applause, admiration, and respect of colleagues in the music industry and the general public on three continents: America, Europe, and Asia.

“The Jersey Boys” was their first youth musical group with only 5 members and although the musical instruments they played were the basics of Rock, their rhythmic concept was Cuban music.

“María Teresa y Danilo” was one of the compositions that brought many satisfactions to this duo. Nowadays it’s still preferred by the fanatical public of the genre. Many debates and speculations were made about this song, but here we tell you the true story. “María Teresa y Danilo” dates its beginnings to the 80s when soap operas like “Dallas” were in fashion.

Hansel came up with the idea of diving and writing on this topic. He magically composed the lyric during the plane trip with San Francisco – Miami trajectory and the rest we already know, multiple copies sold, and hundreds of awards granted to them for the feeling that caused this popular theme.

Photo of Hansel and Raúl

Photo of Hansel and Raúl in their beginnings

After such overwhelming success as a duo, Hansel and Raúl decides to separate in 1988. What was the reason?

Everyone wanted to make another kind of music. Each one followed a different path, for his part, Hansel recorded five solo albums including metals, more trumpets and trombones, and in three of these albums, he included neither the violin nor the flute, assuming almost completely the end of the Charanga rhythm in his music. However, a short time later he realized that this Caribbean rhythm was what identified with his audience and two years later he joined Raúl again to continue their successful career.

Hansel and Raúl has a total of 330 songs recorded and on December 31 this Charanga duo will have a performance in Los Angeles, CA and you may be lucky and they play your favorite single and if don’t you can ask for it. Classics such as “Soy”, “Se me nota”, “El ayer”, “María Teresa y Danilo”, “Kukucha kucha”, “Balancea mi corazón” (Yordano), “Ojos Verdes” (Alfredo Gutiérrez), among many others, will be present at this 1: 45min show.

Hansel and Raúl
Cover of Hansel and Raúl, Discography 33

Purchase your Tickets quickly before it´s sold out

https://www.facebook.com/events/crown-plaza-hotel-and-casino/new-years-eve-2020-the-great-gatsby-presents-hansel-raul/271515257093512/

We hope to see them there singing each of their hits and if you later travel to New York, don’t be surprised to see Hansel in that city because he and his family will be celebrating their daughter’s sweet sixteen, on the second day of January 2020.

Is Hansel a stage name?

Although some may consider that Hansel is a characteristic name of the children’s story “Hansel and Gretel”, this name comes from Germany and it’s of Jewish origin. Hansel Enrique is the name of this singer and songwriter “Charanguero” and he is named so to differentiate himself from Hansel Horacio (father). In Cuba, the tradition is maintained that every male child must bear the name of his grandfather; this is the reason for all his cousins are called Hansel.

 

More Details visiting:

http://www.HANSELYRAUL.com

Social Channel:

https://www.facebook.com/pg/HANSELYRAUL/

Tommy Olivencia Jr’s career and support for the salsa museum

Inherited talent

The salsa museum has received several of the greatest artists and their families, who have donated valuable objects related to their careers. Today, it was the turn of Ángel Tomás Olivencia Rodríguez, who is artistically known as Tommy Olivencia Jr. 

Tommy Olivencia Jr. is a percussionist and timbalero born on March 19, 1969 and is the son of the famous Puerto Rican musical icon and director of the Primerísima Orchestra Tommy Olivencia, from whom he inherited his great talent and has left his family’s name very high.

Tommy Olivencia Jr., son of maestro Tommy Olivencia
Tommy Olivencia Jr., son of maestro Tommy Olivencia

Planté bandera de nuevo

Eager to find his own way and make his own name in the industry, the artist made his debut with the recording ”Planté bandera de nuevo”, which was carried out in his native country and presents a total of nine tracks, some of them created by composer and percussionist Jerry Ferrao.  

A very important fact during this period is that the timbalero made his official debut for AJ Records, Inc. in the framework of the 40th anniversary of Tommy Olivencia Y Su Orquesta at the beginning of this millennium, making this event even more special.

It is also important to highlight that this colorful musical work included the participation of figures such as Luis ”Perico” Ortiz. Máximo Torres, Tito Rivera, Pedro Bermúdez and many others. All these big talents made it possible for Tommy Olivencia Jr.’s first step as an artist to be on the right foot.

After Tommy Olivencia’s death

Once the incomparable Tommy Olivencia passed away, his son took the lead on the  Primerísima Orchestra, which represented a great professional challenge for his career considering that many of his father’s hits are already salsa classics worldwide.

Tommy Olivencia Jr. next to Lalo Rodríguez
Tommy Olivencia Jr. next to Lalo Rodríguez

At the beginning, ”Tomito”, as he is also affectionately known, wanted to keep alive his father’s legacy with his most famous songs such as ”El Son Cubano”, ”Trucutú” or ”Doroteo”. However, there came a point where Olivencia and the rest of the members of La Primerísima had to get to work with new songs to join the previous hits.

When asked about these changes he had to make, he said that he has always worked on his father’s original repertoire, since the audience always asks for those songs in his performances. However, he says he is very happy to be able to contribute his grain of sand with the song ”Mi Querido Viejo”, which was dedicated to Tommy Olivencia senior and of which he is proud for the strng impact that it has had.

Something that made him very happy is that he was finally able to record his first video clip with the orchestra and other great artists such as Gilberto Santa Rosa, Lalo Rodriguez, Sammy Gonzalez, among others.

Although he feels quite pleased to be able to continue with the steps taken his father, he is very proud to offer completely new songs to join the already prolific repertoire of La Primerísima. Among the new songs are ”Un Legendario de Pueblo” and ”Evelio”.

Tommy Olivencia Jr. with Johnny Cruz
Tommy Olivencia Jr. with Johnny Cruz

Tommy Olivencia Jr. at the Spanish Harlem Salsa Museum

As well as a good number of other stars and their families, we were fortunate to enjoy the pleasant presence of Tommy Olivencia Jr. at the Spanish Harlem Salsa Museum, where he and the president of the institution, Johnny Cruz, had a nice chat and walk around the facilities of the place.

At these visits, it is very common for visitors to make donations to contribute to the extensive collection that the museum has to present and this was no exception. ”Tomito” donated a suit and the güiro of maestro Tommy Olivencia that whosoever visits the museum has the opportunity to appreciate some of the elements that his father used during his career.

From this space, we really thank his visit and his contributions and we wish him the greatest success in all the projects he undertakes both professionally and personally, especially what has to do with music.

Read also: Joe Bataan’s music remains in force

 

By Johnny Cruz, ISM Correspondent, New York, New York City

 

Mayito Rivera “El Poeta de la Rumba” was the distinctive voice of Los Van Van de Cuba

Mario ‘Mayito’ Rivera is, without a doubt, one of Cuba’s most outstanding contemporary singers.

For more than 20 years he was the distinctive voice and recognizable face of Cuba’s most famous musical group, Los Van Van.

Regardless of the musical genre he performs -rumba, son, salsa, bolero or timba, modern or traditional style, with strength and dynamism or with delicacy and tenderness, Mayito Rivera’s performances, with passages adorned with tremors and coloraturas, are always stellar.

Mayito Rivera “El Poeta de la Rumba”
Mayito Rivera “El Poeta de la Rumba”

Mario Enrique Rivera Godínez was born on January 19, 1966 in Pinar del Río, a province located in the westernmost part of Cuba and famous for its handmade Havana cigars.

It was there that ‘Mayito’ began his musical training as a child. Later, he moved to Havana, where he studied percussion at the renowned National School of Art (ENA), which he later extended with advanced studies at the Higher Institute of Art (ISA).

After completing his training, which lasted a total of 15 years, Mayito Rivera joined the musical ensemble of the well-known Cuban singer Albita Rodríguez.

Later, he played bass in the Moncada Group, a formation belonging to the Nueva Trova Cubana movement, whose renovating spirit is firmly rooted in traditional Cuban rhythms.

At the age of 26, Mayito was discovered by Juan Formell, the director of Los Van Van, an orchestra that by then had already become a legend. Initially hired to play bass and sing backing vocals, he soon established himself as the group’s lead vocalist.

Over the next 20 years, Mayito Rivera, more than any other musician, put his stamp on Los Van Van.

He burst onto the scene as the representative of a new generation of musicians, and his fresh style contributed to the group’s endurin Singer of the group’s countless salsa hits that were played in the discotheques, he has been nominated twice for a Grammy and won it once.

Mario ‘Mayito’ Rivera es, sin duda, uno de los cantantes contemporáneos más destacados de Cuba
Mario ‘Mayito’ Rivera es, sin duda, uno de los cantantes contemporáneos más destacados de Cuba

At the same time, he was also working on other projects: in 1999 he released his first solo album, Pa’ bachatear.

Chappotín, in which he transports the past to our days with a brilliant interpretation of traditional Conjunto Chappotín songs.

But Mayito Rivera is not only a singer and percussionist. In 2005, he released Negrito Bailador, his second solo album, produced by the Timba label of the German music publisher Termidor, in which he performs only songs of his own composition.

The music, with a rumbero tinge, is fresh, lively and of timeless quality. Subsequently, Negrito bailador was marketed in the United States under the title Llegó la hora and was immediately nominated for a Grammy in the Best Salsa Album of the Year category.

Mayito Rivera is probably the most requested special guest by other Cuban orchestras; so much so, that in recent years he has sung with almost all of Cuba’s star casts.

Nor has his career suffered any interruptions since he left Los Van Van in 2011: currently, Mayito Rivera tours the whole world relentlessly, giving concerts in countries as diverse as the United States, Canada, Venezuela, Colombia, Mexico, Peru, Argentina, France, Germany, Denmark, Spain and Italy.

The great popularity and multiple talents of this ‘poet of rumba’ are reflected in his performances as guest singer for salsa greats such as Oscar D’Leon, Gilberto Santa Rosa, Issac Delgado, Adalberto Alvarez, Mayimbe, Son Como Son, Timba Live, Pupy y Los que Son Son, Charanga Latina, Havana D’Primera, Tumbao Habana and Elio Reve Jr, to name just a few.

In 2012, Mayito Rivera established himself as a permanent member of Los Soneros de Verdad, the most successful orchestra of the moment dedicated to son and its related rhythms, led by singer Luis Frank Arias.

Two sold-out world tours of three months each in Europe, Asia, Russia and the United States attest to the high quality and great interest in this amalgam of traditional son and the vocal artistry of Cuba’s most dynamic rumbero.

Mayito Durante más de 20 años fue la voz distintiva y el rostro reconocible del más famoso grupo musical cubano, Los Van Van
Mayito Durante más de 20 años fue la voz distintiva y el rostro reconocible del más famoso grupo musical cubano, Los Van Van

In 2014, the superstar will be touring with his own orchestra. But before that, from June to September 2013, he will give a series of concerts with Los Soneros de Verdad performing songs from his as yet unreleased album Alma de Sonero.

During this project he will return to his musical roots: son and rumba, bolero and guaguancó, both in their traditional interpretation and in their more modern variants.

The album Alma de sonero includes 11 tracks and will be released in September 2013 worldwide success.

The musicians include Alexander Abreu (Havana D’Primera) on trumpet, San Miguel Pérez on tres and Luis A. Chacón ‘Aspirina’ Bruzón on bongos and cajón.

Website: Mayito Rivera

Read Also:   Carlos “Patato” Valdés one of the best percussionists in the history of Latin Jazz.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.